No More Learning

[549] A celebrated 'lady of pleasure'; Agathon is like her by reason of
his effeminate, wanton looks and dissolute habits.

[550] Demeter is represented wandering, torch in hand, about the universe
looking for her lost child Proserpine (Persephone).

[551] Troy.

[552] Agathon, in accordance with his character, voluptuousness, is
represented as preferring the effeminate music and lascivious dances of
Asia.

[553] Goddesses who presided over generation; see also the 'Lysistrata. '

[554] A tetralogy, a series of four dramas connected by subject, of which
the principal character was Lycurgus, king of the Thracians. When Bacchus
returned to Thrace as conqueror of the Indies he dared to deride the god,
and was punished by him in consequence. All four plays are lost.

[555] That is, the attributes of a man and those of a woman combined.

[556] That is, you make love in the posture known as 'the horse,'
_equus_, in other words the woman atop of the man. There is a further
joke intended here, inasmuch as Euripides, in his 'Phaedra,' represents
the heroine as being passionately addicted to hunting and horses.

[557] Ibycus, a lyric poet of the sixth century, originally from Rhegium
in Magna Graecia. --Anacreon, a celebrated erotic poet of the beginning of
the fifth century. --Alcaeus, a lyric poet, born about 600 B. C.
at
Mytilene, in the island of Lesbos, was driven out of his country by a
tyrant and sang of his loves, his services as a warrior, his travels and
the miseries of his exile. He was a contemporary of Sappho, and conceived
a passion for her, which she only rewarded with disdain.

[558] Phrynichus, a disciple of Thespis, improved the dramatic art, when
still no more than a child; it was he who first introduced female
characters upon the stage and made use of the iambic of six feet in
tragedies. He flourished about 500 B. C.

[559] Philocles, Xenocles, and Theognis were dramatic poets and
contemporaries of Aristophanes. The two first were sons of Carcinus, the
poet and dancer.

[560] Fragment of Euripides' 'Aeolus,' a lost drama.

[561] Fragment of Euripides' well-known play, the 'Alcestis. '

[562] An allusion to the secret practices of mutual love which the women
assembled for the Thesmophoria were credited by popular repute with
indulging in.

[563] That is, to sanctuary.

[564] An effeminate often mentioned by Aristophanes.

[565] An allusion to the pederastic habits which the poet attributes to
Agathon.

[566] An obscene allusion.

[567] On the machine upon which he is perched.

[568] A fragment of the 'Menalippe' of Euripides.