Magdalen
Herbert, not yet Lady
Danvers, must have been earlier than her second marriage in 1608--the
exact day of that marriage I do not know--probably in 1604, as the
verse, style and tone closely resemble that of the letter to Wotton of
that year.
Danvers, must have been earlier than her second marriage in 1608--the
exact day of that marriage I do not know--probably in 1604, as the
verse, style and tone closely resemble that of the letter to Wotton of
that year.
John Donne
221).
Donne had a little shocked his noble
lady friends by the extravagance of his adulation of the dead child
Mrs. Elizabeth Drury, in 1611, and these letters are written to make
his peace and to show the pitch he is capable of soaring to in praise
of their maturer virtues.
To Sir Henry Wotton (p. 214), Donne wrote in a somewhat more elevated
and respectful strain than that of his earlier letters, when the
former set out on his embassy to Venice in 1604. The letter to Sir
Henry Goodyere (p. 183) belongs to the Mitcham days, 1605-8. To Sir
Edward Herbert (p. 193) he wrote 'at Julyers', therefore in 1610. The
letter _To the Countesse of Huntingdon_ (p. 201) was probably written
just before Donne took orders, 1614-15. The date of the letter _To
Mris M. H. _ (p. 216), that is, to Mrs.
Magdalen Herbert, not yet Lady
Danvers, must have been earlier than her second marriage in 1608--the
exact day of that marriage I do not know--probably in 1604, as the
verse, style and tone closely resemble that of the letter to Wotton of
that year. This suits the tenor of the letter, which implies that she
had not yet married Sir John Danvers.
The last in the collection of the letters to Lady Bedford, 'You that
are she and you' (p. 227), seems from its position in _1633_ and
several MSS. to have been sent to her with the elegy called _Death_,
and to have been evoked by the death of Lady Markham or Mrs. Boulstred
in 1609.
The majority of the letters thus belong to the years 1596-7 to 1607-8,
the remainder to the next six years. With the _Funerall Elegies_ and
the earlier of the _Divine Poems_ they represent the middle and on the
whole least attractive period of Donne's life and work. The _Songs and
Sonets_ and _Elegies_ are the expression of his brilliant and stormy
youth, the _Holy Sonnets_ and the hymns are the utterance of his
ascetic and penitent last years. In the interval between the two, the
wit, the courtier, the man of the world, and the divine jostle each
other in Donne's works in a way that is not a little disconcerting to
readers of an age and temper less habituated to strong contrasts.
PAGE =175=. THE STORME.
After the Cadiz expedition in 1596, the King of Spain began the
preparation of a second Armada. With a view to destroying this
Elizabeth fitted out a large fleet under the command of Essex, Howard,
and Raleigh. The storm described in Donne's letter so damaged the
fleet that the larger purpose was abandoned and a smaller expedition,
after visiting the Spanish coast, proceeded to the Azores, with a
view to intercepting the silver fleet returning from America. Owing to
dissensions between Raleigh and Essex, it failed of its purpose.
lady friends by the extravagance of his adulation of the dead child
Mrs. Elizabeth Drury, in 1611, and these letters are written to make
his peace and to show the pitch he is capable of soaring to in praise
of their maturer virtues.
To Sir Henry Wotton (p. 214), Donne wrote in a somewhat more elevated
and respectful strain than that of his earlier letters, when the
former set out on his embassy to Venice in 1604. The letter to Sir
Henry Goodyere (p. 183) belongs to the Mitcham days, 1605-8. To Sir
Edward Herbert (p. 193) he wrote 'at Julyers', therefore in 1610. The
letter _To the Countesse of Huntingdon_ (p. 201) was probably written
just before Donne took orders, 1614-15. The date of the letter _To
Mris M. H. _ (p. 216), that is, to Mrs.
Magdalen Herbert, not yet Lady
Danvers, must have been earlier than her second marriage in 1608--the
exact day of that marriage I do not know--probably in 1604, as the
verse, style and tone closely resemble that of the letter to Wotton of
that year. This suits the tenor of the letter, which implies that she
had not yet married Sir John Danvers.
The last in the collection of the letters to Lady Bedford, 'You that
are she and you' (p. 227), seems from its position in _1633_ and
several MSS. to have been sent to her with the elegy called _Death_,
and to have been evoked by the death of Lady Markham or Mrs. Boulstred
in 1609.
The majority of the letters thus belong to the years 1596-7 to 1607-8,
the remainder to the next six years. With the _Funerall Elegies_ and
the earlier of the _Divine Poems_ they represent the middle and on the
whole least attractive period of Donne's life and work. The _Songs and
Sonets_ and _Elegies_ are the expression of his brilliant and stormy
youth, the _Holy Sonnets_ and the hymns are the utterance of his
ascetic and penitent last years. In the interval between the two, the
wit, the courtier, the man of the world, and the divine jostle each
other in Donne's works in a way that is not a little disconcerting to
readers of an age and temper less habituated to strong contrasts.
PAGE =175=. THE STORME.
After the Cadiz expedition in 1596, the King of Spain began the
preparation of a second Armada. With a view to destroying this
Elizabeth fitted out a large fleet under the command of Essex, Howard,
and Raleigh. The storm described in Donne's letter so damaged the
fleet that the larger purpose was abandoned and a smaller expedition,
after visiting the Spanish coast, proceeded to the Azores, with a
view to intercepting the silver fleet returning from America. Owing to
dissensions between Raleigh and Essex, it failed of its purpose.
