Now let us come to what
concerns
us more
Than bridge or gardens.
Than bridge or gardens.
Longfellow
MICHAEL ANGELO.
Some morning you will look for it in vain;
It will be gone. The current of the river
Is undermining it.
JULIUS.
But you repaired it.
MICHAEL ANGELO.
I strengthened all its piers, and paved its road
With travertine. He who came after me
Removed the stone, and sold it, and filled in
The space with gravel.
JULIUS.
Cardinal Salviati
And Cardinal Marcello, do you listen?
This is your famous Nanni Baccio Bigio.
MICHAEL ANGELO, aside.
There is some mystery here. These Cardinals
Stand lowering at me with unfriendly eyes.
JULIUS.
Now let us come to what concerns us more
Than bridge or gardens. Some complaints are made
Concerning the Three Chapels in St. Peter's;
Certain supposed defects or imperfections,
You doubtless can explain.
MICHAEL ANGELO.
This is no longer
The golden age of art. Men have become
Iconoclasts and critics. They delight not
In what an artist does, but set themselves
To censure what they do not comprehend.
You will not see them bearing a Madonna
Of Cimabue to the church in triumph,
But tearing down the statue of a Pope
To cast it into cannon. Who are they
That bring complaints against me?
JULIUS.
Deputies
Of the commissioners; and they complain
Of insufficient light in the Three Chapels.
MICHAEL ANGELO.
Your Holiness, the insufficient light
Is somewhere else, and not in the Three Chapels.
Who are the deputies that make complaint?
JULIUS.
The Cardinals Salviati and Marcello,
Here present.