No More Learning

Then Criticism the Muse's handmaid prov'd,
To dress her charms, and make her more belov'd:
But following wits from that intention stray'd,
Who could not win the mistress, woo'd the maid; 105
Against the Poets their own arms they turn'd,
Sure to hate most the men from whom they learn'd.
So modern 'Pothecaries, taught the art
By Doctor's bills to play the Doctor's part,
Bold in the practice of mistaken rules, 110
Prescribe, apply, and call their masters fools.
Some on the leaves of ancient authors prey,
Nor time nor moths e'er spoil'd so much as they.
Some drily plain, without invention's aid,
Write dull receipts how poems may be made. 115
These leave the sense, their learning to display,
And those explain the meaning quite away.

You then whose judgment the right course would steer,
Know well each ANCIENT'S proper character;
His fable, subject, scope in ev'ry page; 120
Religion, Country, genius of his Age:
Without all these at once before your eyes,
Cavil you may, but never criticize.
Be Homer's works your study and delight,
Read them by day, and meditate by night; 125
Thence form your judgment, thence your maxims bring,
And trace the Muses upward to their spring.
Still with itself compar'd, his text peruse;
And let your comment be the Mantuan Muse.

When first young Maro in his boundless mind 130
A work t' outlast immortal Rome design'd,
Perhaps he seem'd above the critic's law,
And but from Nature's fountains scorn'd to draw:
But when t' examine ev'ry part he came,
Nature and Homer were, he found, the same. 135
Convinc'd, amaz'd, he checks the bold design;
And rules as strict his labour'd work confine,
As if the Stagirite o'erlook'd each line.
Learn hence for ancient rules a just esteem;
To copy nature is to copy them. 140

Some beauties yet no Precepts can declare,
For there's a happiness as well as care.
Music resembles Poetry, in each
Are nameless graces which no methods teach,
And which a master-hand alone can reach. 145
If, where the rules not far enough extend,
(Since rules were made but to promote their end)
Some lucky Licence answer to the full
Th' intent propos'd, that Licence is a rule.
Thus Pegasus, a nearer way to take, 150
May boldly deviate from the common track;
From vulgar bounds with brave disorder part,
And snatch a grace beyond the reach of art,
Which without passing thro' the judgment, gains
The heart, and all its end at once attains.
155
In prospects thus, some objects please our eyes,
Which out of nature's common order rise,
The shapeless rock, or hanging precipice.
Great wits sometimes may gloriously offend,
And rise to faults true Critics dare not mend. 160
But tho' the Ancients thus their rules invade,
(As Kings dispense with laws themselves have made)
Moderns, beware! or if you must offend
Against the precept, ne'er transgress its End;
Let it be seldom, and compell'd by need; 165
And have, at least, their precedent to plead.
The Critic else proceeds without remorse,
Seizes your fame, and puts his laws in force.
I know there are, to whose presumptuous thoughts
Those freer beauties, ev'n in them, seem faults. 170
Some figures monstrous and mis-shap'd appear,
Consider'd singly, or beheld too near,
Which, but proportion'd to their light, or place,
Due distance reconciles to form and grace.
A prudent chief not always must display 175
His pow'rs in equal ranks, and fair array.
But with th' occasion and the place comply,
Conceal his force, nay seem sometimes to fly.
Those oft are stratagems which error seem,
Nor is it Homer nods, but we that dream. 180

Still green with bays each ancient Altar stands,
Above the reach of sacrilegious hands;
Secure from Flames, from Envy's fiercer rage,
Destructive War, and all-involving Age.
See, from each clime the learn'd their incense bring! 185
Hear, in all tongues consenting Paeans ring!
In praise so just let ev'ry voice be join'd,
And fill the gen'ral chorus of mankind.
Hail, Bards triumphant! born in happier days;
Immortal heirs of universal praise!