Our nobler cultured fields and gracious domes
We whirl too oft from her who still shines on
To light in vain our caves and clefts, the homes
Of night-bird instincts pained till she be gone.
We whirl too oft from her who still shines on
To light in vain our caves and clefts, the homes
Of night-bird instincts pained till she be gone.
James Russell Lowell
_ it calls and calls again,
And Ovid, could he but have heard,
Had hung a legendary pain
About the memory of the bird;
A pain articulate so long,
In penance of some mouldered crime
Whose ghost still flies the Furies' thong
Down the waste solitudes of time.
Waif of the young World's wonder-hour,
When gods found mortal maidens fair,
And will malign was joined with power
Love's kindly laws to overbear,
Like Progne, did it feel the stress
And coil of the prevailing words
Close round its being, and compress
Man's ampler nature to a bird's?
One only memory left of all
The motley crowd of vanished scenes,
Hers, and vain impulse to recall
By repetition what it means.
_Phoebe! _ is all it has to say
In plaintive cadence o'er and o'er,
Like children that have lost their way,
And know their names, but nothing more.
Is it a type, since Nature's Lyre
Vibrates to every note in man,
Of that insatiable desire,
Meant to be so since life began?
I, in strange lands at gray of dawn,
Wakeful, have heard that fruitless plaint
Through Memory's chambers deep withdrawn
Renew its iterations faint.
So nigh! yet from remotest years
It summons back its magic, rife
With longings unappeased, and tears
Drawn from the very source of life.
DAS EWIG-WEIBLICHE
How was I worthy so divine a loss,
Deepening my midnights, kindling all my morns?
Why waste such precious wood to make my cross,
Such far-sought roses for my crown of thorns?
And when she came, how earned I such a gift?
Why spend on me, a poor earth-delving mole,
The fireside sweetnesses, the heavenward lift,
The hourly mercy, of a woman's soul?
Ah, did we know to give her all her right,
What wonders even in our poor clay were done!
It is not Woman leaves us to our night,
But our brute earth that grovels from her sun.
Our nobler cultured fields and gracious domes
We whirl too oft from her who still shines on
To light in vain our caves and clefts, the homes
Of night-bird instincts pained till she be gone.
Still must this body starve our souls with shade;
But when Death makes us what we were before,
Then shall her sunshine all our depths invade,
And not a shadow stain heaven's crystal floor.
THE RECALL
Come back before the birds are flown,
Before the leaves desert the tree,
And, through the lonely alleys blown,
Whisper their vain regrets to me
Who drive before a blast more rude,
The plaything of my gusty mood,
In vain pursuing and pursued!
Nay, come although the boughs be bare,
Though snowflakes fledge the summer's nest,
And in some far Ausonian air
The thrush, your minstrel, warm his breast.
Come, sunshine's treasurer, and bring
To doubting flowers their faith in spring,
To birds and me the need to sing!
ABSENCE
Sleep is Death's image,--poets tell us so;
But Absence is the bitter self of Death,
And, you away, Life's lips their red forego,
Parched in an air unfreshened by your breath.
Light of those eyes that made the light of mine,
Where shine you? On what happier fields and flowers?
Heaven's lamps renew their lustre less divine,
But only serve to count my darkened hours.
If with your presence went your image too,
That brain-born ghost my path would never cross
Which meets me now where'er I once met you,
Then vanishes, to multiply my loss.
MONNA LISA
She gave me all that woman can,
Nor her soul's nunnery forego,
A confidence that man to man
Without remorse can never show.
Rare art, that can the sense refine
Till not a pulse rebellious stirs,
And, since she never can be mine,
Makes it seem sweeter to be hers!
THE OPTIMIST
Turbid from London's noise and smoke,
Here I find air and quiet too;
Air filtered through the beech and oak,
Quiet by nothing harsher broke
Than wood-dove's meditative coo.
The Truce of God is here; the breeze
Sighs as men sigh relieved from care,
Or tilts as lightly in the trees
As might a robin: all is ease,
With pledge of ampler ease to spare.
Time, leaning on his scythe, forgets
To turn the hour-glass in his hand,
And all life's petty cares and frets,
Its teasing hopes and weak regrets,
Are still as that oblivious sand.
Repose fills all the generous space
Of undulant plain; the rook and crow
Hush; 'tis as if a silent grace,
By Nature murmured, calmed the face
Of Heaven above and Earth below.
And Ovid, could he but have heard,
Had hung a legendary pain
About the memory of the bird;
A pain articulate so long,
In penance of some mouldered crime
Whose ghost still flies the Furies' thong
Down the waste solitudes of time.
Waif of the young World's wonder-hour,
When gods found mortal maidens fair,
And will malign was joined with power
Love's kindly laws to overbear,
Like Progne, did it feel the stress
And coil of the prevailing words
Close round its being, and compress
Man's ampler nature to a bird's?
One only memory left of all
The motley crowd of vanished scenes,
Hers, and vain impulse to recall
By repetition what it means.
_Phoebe! _ is all it has to say
In plaintive cadence o'er and o'er,
Like children that have lost their way,
And know their names, but nothing more.
Is it a type, since Nature's Lyre
Vibrates to every note in man,
Of that insatiable desire,
Meant to be so since life began?
I, in strange lands at gray of dawn,
Wakeful, have heard that fruitless plaint
Through Memory's chambers deep withdrawn
Renew its iterations faint.
So nigh! yet from remotest years
It summons back its magic, rife
With longings unappeased, and tears
Drawn from the very source of life.
DAS EWIG-WEIBLICHE
How was I worthy so divine a loss,
Deepening my midnights, kindling all my morns?
Why waste such precious wood to make my cross,
Such far-sought roses for my crown of thorns?
And when she came, how earned I such a gift?
Why spend on me, a poor earth-delving mole,
The fireside sweetnesses, the heavenward lift,
The hourly mercy, of a woman's soul?
Ah, did we know to give her all her right,
What wonders even in our poor clay were done!
It is not Woman leaves us to our night,
But our brute earth that grovels from her sun.
Our nobler cultured fields and gracious domes
We whirl too oft from her who still shines on
To light in vain our caves and clefts, the homes
Of night-bird instincts pained till she be gone.
Still must this body starve our souls with shade;
But when Death makes us what we were before,
Then shall her sunshine all our depths invade,
And not a shadow stain heaven's crystal floor.
THE RECALL
Come back before the birds are flown,
Before the leaves desert the tree,
And, through the lonely alleys blown,
Whisper their vain regrets to me
Who drive before a blast more rude,
The plaything of my gusty mood,
In vain pursuing and pursued!
Nay, come although the boughs be bare,
Though snowflakes fledge the summer's nest,
And in some far Ausonian air
The thrush, your minstrel, warm his breast.
Come, sunshine's treasurer, and bring
To doubting flowers their faith in spring,
To birds and me the need to sing!
ABSENCE
Sleep is Death's image,--poets tell us so;
But Absence is the bitter self of Death,
And, you away, Life's lips their red forego,
Parched in an air unfreshened by your breath.
Light of those eyes that made the light of mine,
Where shine you? On what happier fields and flowers?
Heaven's lamps renew their lustre less divine,
But only serve to count my darkened hours.
If with your presence went your image too,
That brain-born ghost my path would never cross
Which meets me now where'er I once met you,
Then vanishes, to multiply my loss.
MONNA LISA
She gave me all that woman can,
Nor her soul's nunnery forego,
A confidence that man to man
Without remorse can never show.
Rare art, that can the sense refine
Till not a pulse rebellious stirs,
And, since she never can be mine,
Makes it seem sweeter to be hers!
THE OPTIMIST
Turbid from London's noise and smoke,
Here I find air and quiet too;
Air filtered through the beech and oak,
Quiet by nothing harsher broke
Than wood-dove's meditative coo.
The Truce of God is here; the breeze
Sighs as men sigh relieved from care,
Or tilts as lightly in the trees
As might a robin: all is ease,
With pledge of ampler ease to spare.
Time, leaning on his scythe, forgets
To turn the hour-glass in his hand,
And all life's petty cares and frets,
Its teasing hopes and weak regrets,
Are still as that oblivious sand.
Repose fills all the generous space
Of undulant plain; the rook and crow
Hush; 'tis as if a silent grace,
By Nature murmured, calmed the face
Of Heaven above and Earth below.