He had spent a good deal of his
savings on that, and whenever a new man came to the Gate he was always
introduced to it.
savings on that, and whenever a new man came to the Gate he was always
introduced to it.
Kipling - Poems
He was a boot-maker in Calcutta.
They say that
he murdered his wife there when he was drunk. That was why he dropped
bazar-rum and took to the Black Smoke instead. Later on, he came up
north and opened the Gate as a house where you could get your smoke in
peace and quiet. Mind you, it was a pukka, respectable opium-house, and
not one of those stifling, sweltering chandoo-khanas, that you can find
all over the City. No; the old man knew his business thoroughly, and he
was most clean for a Chinaman. He was a one-eyed little chap, not much
more than five feet high, and both his middle fingers were gone. All the
same, he was the handiest man at rolling black pills I have ever seen.
Never seemed to be touched by the Smoke, either; and what he took day
and night, night and day, was a caution. I've been at it five years, and
I can do my fair share of the Smoke with any one; but I was a child to
Fung-Tching that way. All the same, the old man was keen on his money,
very keen; and that's what I can't understand. I heard he saved a good
deal before he died, but his nephew has got all that now; and the old
man's gone back to China to be buried.
He kept the big upper room, where his best customers gathered, as neat
as a new pin. In one corner used to stand Fung-Tching's Joss--almost
as ugly as Fung-Tching--and there were always sticks burning under his
nose; but you never smelt 'em when the pipes were going thick. Opposite
the Joss was Fung-Tching's coffin.
He had spent a good deal of his
savings on that, and whenever a new man came to the Gate he was always
introduced to it. It was lacquered black, with red and gold writings
on it, and I've heard that Fung-Tching brought it out all the way from
China. I don't know whether that's true or not, but I know that, if I
came first in the evening, I used to spread my mat just at the foot of
it. It was a quiet corner you see, and a sort of breeze from the gully
came in at the window now and then. Besides the mats, there was no other
furniture in the room--only the coffin, and the old Joss all green and
blue and purple with age and polish.
Fung-Tching never told us why he called the place "The Gate of a Hundred
Sorrows. " (He was the only Chinaman I know who used bad-sounding fancy
names. Most of them are flowery. As you'll see in Calcutta. ) We used
to find that out for ourselves. Nothing grows on you so much, if you're
white, as the Black Smoke. A yellow man is made different. Opium doesn't
tell on him scarcely at all; but white and black suffer a good deal. Of
course, there are some people that the Smoke doesn't touch any more than
tobacco would at first. They just doze a bit, as one would fall asleep
naturally, and next morning they are almost fit for work. Now, I was
one of that sort when I began, but I've been at it for five years pretty
steadily, and its different now.
he murdered his wife there when he was drunk. That was why he dropped
bazar-rum and took to the Black Smoke instead. Later on, he came up
north and opened the Gate as a house where you could get your smoke in
peace and quiet. Mind you, it was a pukka, respectable opium-house, and
not one of those stifling, sweltering chandoo-khanas, that you can find
all over the City. No; the old man knew his business thoroughly, and he
was most clean for a Chinaman. He was a one-eyed little chap, not much
more than five feet high, and both his middle fingers were gone. All the
same, he was the handiest man at rolling black pills I have ever seen.
Never seemed to be touched by the Smoke, either; and what he took day
and night, night and day, was a caution. I've been at it five years, and
I can do my fair share of the Smoke with any one; but I was a child to
Fung-Tching that way. All the same, the old man was keen on his money,
very keen; and that's what I can't understand. I heard he saved a good
deal before he died, but his nephew has got all that now; and the old
man's gone back to China to be buried.
He kept the big upper room, where his best customers gathered, as neat
as a new pin. In one corner used to stand Fung-Tching's Joss--almost
as ugly as Fung-Tching--and there were always sticks burning under his
nose; but you never smelt 'em when the pipes were going thick. Opposite
the Joss was Fung-Tching's coffin.
He had spent a good deal of his
savings on that, and whenever a new man came to the Gate he was always
introduced to it. It was lacquered black, with red and gold writings
on it, and I've heard that Fung-Tching brought it out all the way from
China. I don't know whether that's true or not, but I know that, if I
came first in the evening, I used to spread my mat just at the foot of
it. It was a quiet corner you see, and a sort of breeze from the gully
came in at the window now and then. Besides the mats, there was no other
furniture in the room--only the coffin, and the old Joss all green and
blue and purple with age and polish.
Fung-Tching never told us why he called the place "The Gate of a Hundred
Sorrows. " (He was the only Chinaman I know who used bad-sounding fancy
names. Most of them are flowery. As you'll see in Calcutta. ) We used
to find that out for ourselves. Nothing grows on you so much, if you're
white, as the Black Smoke. A yellow man is made different. Opium doesn't
tell on him scarcely at all; but white and black suffer a good deal. Of
course, there are some people that the Smoke doesn't touch any more than
tobacco would at first. They just doze a bit, as one would fall asleep
naturally, and next morning they are almost fit for work. Now, I was
one of that sort when I began, but I've been at it for five years pretty
steadily, and its different now.
