No More Learning

[_He rushes to embrace them_. SITTAH _also embraces
the pair_.

Now, now, proud boy, thou canst not choose but love me.
(_To_ RECHA) And I to thee am all I sought to be,
With or without thy leave.

TEMPLAR: I of thy blood? Then all the tales I heard
In infancy were more than idle dreams.

[_Falls at_ SALADIN'S _feet_.

SALADIN (_raising him_): There's malice for you! Knew it all the time,
And yet he would have let me murder him.
Boy, boy! [_They embrace in silence_.


FOOTNOTES:

[S] Gotthold Ephraim Lessing, one of the greatest names in
German literature, was born January 22, 1729, at Kamenz, in Saxon Upper
Lusatia, where his father was a clergyman of the most orthodox Lutheran
school. After working very hard for five years at a school in Meissen,
he proceeded to the University of Leipzig, in 1746, with the intention
of studying theology, but he soon began to occupy himself with other
matters, made the acquaintance of actors, and acquired a great fondness
for dramatic entertainment. This sort of life, however, pained his
strict relatives, who pronounced it "sinful," and for a short time
Lessing went home. Later he proceeded to Berlin, and while there,
formed many valuable literary friendships, and established the best
literary journal of his time.
"Nathan the Wise" ("Nathan der Weise")
arose out of a bitter theological controversy in which Lessing had been
engaged. It was written during the winter of 1778-79, and expresses
ideas and theories its author had already largely developed in prose.
Primarily the play is a strong plea for tolerance, the governing
conception being that noble character belongs to no particular creed,
but to all creeds, as set forth herein in the parable of the wonderful
ring. And thus it follows that there is no sufficient reason why people
holding one set of religious opinions should not tolerate others who
maintain totally different doctrines. Purely as a drama the play may
be disappointing, but regarded as a poem it ranks with the noblest
dramatic literature of the eighteenth century. The characters abound in
vitality, and some of the passages rise to heights of great splendour.
Lessing died on February 15, 1781 (see also Vol. XX, p. 239).




HENRY WADSWORTH LONGFELLOW[T]




Evangeline, A Tale of Acadie


_I. --The Betrothal and the Exile_

On the night when Evangeline, the beautiful daughter of Benedict
Bellefontaine, the richest farmer of Grand-Pre, was to be betrothed to
Gabriel, the son of Basil Lajeunesse the blacksmith, the two fathers
were engaged in discussing the reason of the presence of several
English war vessels which were riding at anchor at the mouth of the
Gaspereau. Basil was inclined to take a gloomy view, and Benedict
a hopeful one, when the arrival of the notary put an end to his
discussion.

Then Evangeline lighted the brazen lamp on the table,
Filled, till it overflowed, the pewter tankard with brown ale,
While from his pocket the notary drew his papers and ink-horn,
Wrote with a steady hand the date and the age of the parties,
And the great seal of the law was set like a sun on the margin.
Then the notary, rising and blessing the bride and bridegroom,
Lifted aloft the tankard of ale, and drank to their welfare.
Wiping the foam from his lips, he solemnly bowed and departed,
While in silence the others sat and mused by the fireside,
Till Evangeline brought the draught board out of its corner.
Soon was the game begun.