All
architecture
is what you do to it when you look upon it,
(Did you think it was in the white or gray stone?
(Did you think it was in the white or gray stone?
Walt Whitman - Leaves of Grass
or to fill a gentleman's leisure,
or a lady's leisure?
Have you reckon'd that the landscape took substance and form that it
might be painted in a picture?
Or men and women that they might be written of, and songs sung?
Or the attraction of gravity, and the great laws and harmonious combinations
and the fluids of the air, as subjects for the savans?
Or the brown land and the blue sea for maps and charts?
Or the stars to be put in constellations and named fancy names?
Or that the growth of seeds is for agricultural tables, or
agriculture itself?
Old institutions, these arts, libraries, legends, collections, and
the practice handed along in manufactures, will we rate them so high?
Will we rate our cash and business high? I have no objection,
I rate them as high as the highest--then a child born of a woman and
man I rate beyond all rate.
We thought our Union grand, and our Constitution grand,
I do not say they are not grand and good, for they are,
I am this day just as much in love with them as you,
Then I am in love with You, and with all my fellows upon the earth.
We consider bibles and religions divine--I do not say they are not divine,
I say they have all grown out of you, and may grow out of you still,
It is not they who give the life, it is you who give the life,
Leaves are not more shed from the trees, or trees from the earth,
than they are shed out of you.
4
The sum of all known reverence I add up in you whoever you are,
The President is there in the White House for you, it is not you who
are here for him,
The Secretaries act in their bureaus for you, not you here for them,
The Congress convenes every Twelfth-month for you,
Laws, courts, the forming of States, the charters of cities, the
going and coming of commerce and malls, are all for you.
List close my scholars dear,
Doctrines, politics and civilization exurge from you,
Sculpture and monuments and any thing inscribed anywhere are tallied in you,
The gist of histories and statistics as far back as the records
reach is in you this hour, and myths and tales the same,
If you were not breathing and walking here, where would they all be?
The most renown'd poems would be ashes, orations and plays would
be vacuums.
All architecture is what you do to it when you look upon it,
(Did you think it was in the white or gray stone? or the lines of
the arches and cornices? )
All music is what awakes from you when you are reminded by the instruments,
It is not the violins and the cornets, it is not the oboe nor the
beating drums, nor the score of the baritone singer singing his
sweet romanza, nor that of the men's chorus, nor that of the
women's chorus,
It is nearer and farther than they.
5
Will the whole come back then?
Can each see signs of the best by a look in the looking-glass? is
there nothing greater or more?
Does all sit there with you, with the mystic unseen soul?
Strange and hard that paradox true I give,
Objects gross and the unseen soul are one.
House-building, measuring, sawing the boards,
Blacksmithing, glass-blowing, nail-making, coopering, tin-roofing,
shingle-dressing,
Ship-joining, dock-building, fish-curing, flagging of sidewalks by flaggers,
The pump, the pile-driver, the great derrick, the coal-kiln and brickkiln,
Coal-mines and all that is down there, the lamps in the darkness,
echoes, songs, what meditations, what vast native thoughts
looking through smutch'd faces,
Iron-works, forge-fires in the mountains or by river-banks, men
around feeling the melt with huge crowbars, lumps of ore, the
due combining of ore, limestone, coal,
The blast-furnace and the puddling-furnace, the loup-lump at the
bottom of the melt at last, the rolling-mill, the stumpy bars
of pig-iron, the strong clean-shaped Trail for railroads,
Oil-works, silk-works, white-lead-works, the sugar-house,
steam-saws, the great mills and factories,
Stone-cutting, shapely trimmings for facades or window or door-lintels,
the mallet, the tooth-chisel, the jib to protect the thumb,
The calking-iron, the kettle of boiling vault-cement, and the fire
under the kettle,
The cotton-bale, the stevedore's hook, the saw and buck of the
sawyer, the mould of the moulder, the working-knife of the
butcher, the ice-saw, and all the work with ice,
The work and tools of the rigger, grappler, sail-maker, block-maker,
Goods of gutta-percha, papier-mache, colors, brushes, brush-making,
glazier's implements,
The veneer and glue-pot, the confectioner's ornaments, the decanter
and glasses, the shears and flat-iron,
The awl and knee-strap, the pint measure and quart measure, the
counter and stool, the writing-pen of quill or metal, the making
of all sorts of edged tools,
The brewery, brewing, the malt, the vats, every thing that is done
by brewers, wine-makers, vinegar-makers,
Leather-dressing, coach-making, boiler-making, rope-twisting,
distilling, sign-painting, lime-burning, cotton-picking,
electroplating, electrotyping, stereotyping,
Stave-machines, planing-machines, reaping-machines,
ploughing-machines, thrashing-machines, steam wagons,
The cart of the carman, the omnibus, the ponderous dray,
Pyrotechny, letting off color'd fireworks at night, fancy figures and jets;
Beef on the butcher's stall, the slaughter-house of the butcher, the
butcher in his killing-clothes,
The pens of live pork, the killing-hammer, the hog-hook, the
scalder's tub, gutting, the cutter's cleaver, the packer's maul,
and the plenteous winterwork of pork-packing,
Flour-works, grinding of wheat, rye, maize, rice, the barrels and
the half and quarter barrels, the loaded barges, the high piles
on wharves and levees,
The men and the work of the men on ferries, railroads, coasters,
fish-boats, canals;
The hourly routine of your own or any man's life, the shop, yard,
store, or factory,
These shows all near you by day and night--workman! whoever you
are, your daily life!
In that and them the heft of the heaviest--in that and them far more
than you estimated, (and far less also,)
In them realities for you and me, in them poems for you and me,
In them, not yourself-you and your soul enclose all things,
regardless of estimation,
In them the development good--in them all themes, hints, possibilities.
I do not affirm that what you see beyond is futile, I do not advise
you to stop,
I do not say leadings you thought great are not great,
But I say that none lead to greater than these lead to.
6
Will you seek afar off? you surely come back at last,
In things best known to you finding the best, or as good as the best,
In folks nearest to you finding the sweetest, strongest, lovingest,
Happiness, knowledge, not in another place but this place, not for
another hour but this hour,
Man in the first you see or touch, always in friend, brother,
nighest neighbor--woman in mother, sister, wife,
The popular tastes and employments taking precedence in poems or anywhere,
You workwomen and workmen of these States having your own divine
and strong life,
And all else giving place to men and women like you.
When the psalm sings instead of the singer,
When the script preaches instead of the preacher,
When the pulpit descends and goes instead of the carver that carved
the supporting desk,
When I can touch the body of books by night or by day, and when they
touch my body back again,
When a university course convinces like a slumbering woman and child
convince,
When the minted gold in the vault smiles like the night-watchman's daughter,
When warrantee deeds loafe in chairs opposite and are my friendly
companions,
I intend to reach them my hand, and make as much of them as I do
of men and women like you.
BOOK XVI
A Song of the Rolling Earth
1
A song of the rolling earth, and of words according,
Were you thinking that those were the words, those upright lines?
or a lady's leisure?
Have you reckon'd that the landscape took substance and form that it
might be painted in a picture?
Or men and women that they might be written of, and songs sung?
Or the attraction of gravity, and the great laws and harmonious combinations
and the fluids of the air, as subjects for the savans?
Or the brown land and the blue sea for maps and charts?
Or the stars to be put in constellations and named fancy names?
Or that the growth of seeds is for agricultural tables, or
agriculture itself?
Old institutions, these arts, libraries, legends, collections, and
the practice handed along in manufactures, will we rate them so high?
Will we rate our cash and business high? I have no objection,
I rate them as high as the highest--then a child born of a woman and
man I rate beyond all rate.
We thought our Union grand, and our Constitution grand,
I do not say they are not grand and good, for they are,
I am this day just as much in love with them as you,
Then I am in love with You, and with all my fellows upon the earth.
We consider bibles and religions divine--I do not say they are not divine,
I say they have all grown out of you, and may grow out of you still,
It is not they who give the life, it is you who give the life,
Leaves are not more shed from the trees, or trees from the earth,
than they are shed out of you.
4
The sum of all known reverence I add up in you whoever you are,
The President is there in the White House for you, it is not you who
are here for him,
The Secretaries act in their bureaus for you, not you here for them,
The Congress convenes every Twelfth-month for you,
Laws, courts, the forming of States, the charters of cities, the
going and coming of commerce and malls, are all for you.
List close my scholars dear,
Doctrines, politics and civilization exurge from you,
Sculpture and monuments and any thing inscribed anywhere are tallied in you,
The gist of histories and statistics as far back as the records
reach is in you this hour, and myths and tales the same,
If you were not breathing and walking here, where would they all be?
The most renown'd poems would be ashes, orations and plays would
be vacuums.
All architecture is what you do to it when you look upon it,
(Did you think it was in the white or gray stone? or the lines of
the arches and cornices? )
All music is what awakes from you when you are reminded by the instruments,
It is not the violins and the cornets, it is not the oboe nor the
beating drums, nor the score of the baritone singer singing his
sweet romanza, nor that of the men's chorus, nor that of the
women's chorus,
It is nearer and farther than they.
5
Will the whole come back then?
Can each see signs of the best by a look in the looking-glass? is
there nothing greater or more?
Does all sit there with you, with the mystic unseen soul?
Strange and hard that paradox true I give,
Objects gross and the unseen soul are one.
House-building, measuring, sawing the boards,
Blacksmithing, glass-blowing, nail-making, coopering, tin-roofing,
shingle-dressing,
Ship-joining, dock-building, fish-curing, flagging of sidewalks by flaggers,
The pump, the pile-driver, the great derrick, the coal-kiln and brickkiln,
Coal-mines and all that is down there, the lamps in the darkness,
echoes, songs, what meditations, what vast native thoughts
looking through smutch'd faces,
Iron-works, forge-fires in the mountains or by river-banks, men
around feeling the melt with huge crowbars, lumps of ore, the
due combining of ore, limestone, coal,
The blast-furnace and the puddling-furnace, the loup-lump at the
bottom of the melt at last, the rolling-mill, the stumpy bars
of pig-iron, the strong clean-shaped Trail for railroads,
Oil-works, silk-works, white-lead-works, the sugar-house,
steam-saws, the great mills and factories,
Stone-cutting, shapely trimmings for facades or window or door-lintels,
the mallet, the tooth-chisel, the jib to protect the thumb,
The calking-iron, the kettle of boiling vault-cement, and the fire
under the kettle,
The cotton-bale, the stevedore's hook, the saw and buck of the
sawyer, the mould of the moulder, the working-knife of the
butcher, the ice-saw, and all the work with ice,
The work and tools of the rigger, grappler, sail-maker, block-maker,
Goods of gutta-percha, papier-mache, colors, brushes, brush-making,
glazier's implements,
The veneer and glue-pot, the confectioner's ornaments, the decanter
and glasses, the shears and flat-iron,
The awl and knee-strap, the pint measure and quart measure, the
counter and stool, the writing-pen of quill or metal, the making
of all sorts of edged tools,
The brewery, brewing, the malt, the vats, every thing that is done
by brewers, wine-makers, vinegar-makers,
Leather-dressing, coach-making, boiler-making, rope-twisting,
distilling, sign-painting, lime-burning, cotton-picking,
electroplating, electrotyping, stereotyping,
Stave-machines, planing-machines, reaping-machines,
ploughing-machines, thrashing-machines, steam wagons,
The cart of the carman, the omnibus, the ponderous dray,
Pyrotechny, letting off color'd fireworks at night, fancy figures and jets;
Beef on the butcher's stall, the slaughter-house of the butcher, the
butcher in his killing-clothes,
The pens of live pork, the killing-hammer, the hog-hook, the
scalder's tub, gutting, the cutter's cleaver, the packer's maul,
and the plenteous winterwork of pork-packing,
Flour-works, grinding of wheat, rye, maize, rice, the barrels and
the half and quarter barrels, the loaded barges, the high piles
on wharves and levees,
The men and the work of the men on ferries, railroads, coasters,
fish-boats, canals;
The hourly routine of your own or any man's life, the shop, yard,
store, or factory,
These shows all near you by day and night--workman! whoever you
are, your daily life!
In that and them the heft of the heaviest--in that and them far more
than you estimated, (and far less also,)
In them realities for you and me, in them poems for you and me,
In them, not yourself-you and your soul enclose all things,
regardless of estimation,
In them the development good--in them all themes, hints, possibilities.
I do not affirm that what you see beyond is futile, I do not advise
you to stop,
I do not say leadings you thought great are not great,
But I say that none lead to greater than these lead to.
6
Will you seek afar off? you surely come back at last,
In things best known to you finding the best, or as good as the best,
In folks nearest to you finding the sweetest, strongest, lovingest,
Happiness, knowledge, not in another place but this place, not for
another hour but this hour,
Man in the first you see or touch, always in friend, brother,
nighest neighbor--woman in mother, sister, wife,
The popular tastes and employments taking precedence in poems or anywhere,
You workwomen and workmen of these States having your own divine
and strong life,
And all else giving place to men and women like you.
When the psalm sings instead of the singer,
When the script preaches instead of the preacher,
When the pulpit descends and goes instead of the carver that carved
the supporting desk,
When I can touch the body of books by night or by day, and when they
touch my body back again,
When a university course convinces like a slumbering woman and child
convince,
When the minted gold in the vault smiles like the night-watchman's daughter,
When warrantee deeds loafe in chairs opposite and are my friendly
companions,
I intend to reach them my hand, and make as much of them as I do
of men and women like you.
BOOK XVI
A Song of the Rolling Earth
1
A song of the rolling earth, and of words according,
Were you thinking that those were the words, those upright lines?
