In sleep she breathed in a lower tone,
Murmuring as at night and morn,
"Madonna!
Murmuring as at night and morn,
"Madonna!
Tennyson
]
[Footnote 3: Compare Keats, 'Eve of St. Agnes', "her maiden eyes
divine". ]
[Footnote 4: 1833. "Madonna," with melodious moan Sang Mariana, etc. ]
[Footnote 5: 1833. When the dawncrimson changed. ]
[Footnote 6: 1833.
Unto our Lady prayed she.
She moved her lips, she prayed alone,
She praying disarrayed and warm
From slumber, deep her wavy form
In the dark-lustrous mirror shone.
"Madonna," in a low clear tone
Said Mariana, night and morn,
Low she mourned, "I am all alone,
Love-forgotten, and love-forlorn". ]
[Footnote 7: 1833.
At noon she slumbered. All along
The silvery field, the large leaves talked
With one another, as among
The spiked maize in dreams she walked.
The lizard leapt: the sunlight played:
She heard the callow nestling lisp,
And brimful meadow-runnels crisp.
In the full-leaved platan-shade.
In sleep she breathed in a lower tone,
Murmuring as at night and morn,
"Madonna! lo! I am all alone.
Love-forgotten and love-forlorn". ]
[Footnote 8: 1835. Most false: he was and was not there. ]
[Footnote 9: 1833. The sick olive. So the text remained till 1850, when
"one" was substituted. ]
[Footnote 10: 1833.
From the bald rock the blinding light
Beat ever on the sunwhite wall. ]
[Footnote 11: 1833.
"Madonna, leave me not all alone,
To die forgotten and live forlorn. "]
[Footnote 12: This stanza and the next not in 1833. ]
[Footnote 13: 1833.
One dry cicala's summer song
At night filled all the gallery.
[Footnote 3: Compare Keats, 'Eve of St. Agnes', "her maiden eyes
divine". ]
[Footnote 4: 1833. "Madonna," with melodious moan Sang Mariana, etc. ]
[Footnote 5: 1833. When the dawncrimson changed. ]
[Footnote 6: 1833.
Unto our Lady prayed she.
She moved her lips, she prayed alone,
She praying disarrayed and warm
From slumber, deep her wavy form
In the dark-lustrous mirror shone.
"Madonna," in a low clear tone
Said Mariana, night and morn,
Low she mourned, "I am all alone,
Love-forgotten, and love-forlorn". ]
[Footnote 7: 1833.
At noon she slumbered. All along
The silvery field, the large leaves talked
With one another, as among
The spiked maize in dreams she walked.
The lizard leapt: the sunlight played:
She heard the callow nestling lisp,
And brimful meadow-runnels crisp.
In the full-leaved platan-shade.
In sleep she breathed in a lower tone,
Murmuring as at night and morn,
"Madonna! lo! I am all alone.
Love-forgotten and love-forlorn". ]
[Footnote 8: 1835. Most false: he was and was not there. ]
[Footnote 9: 1833. The sick olive. So the text remained till 1850, when
"one" was substituted. ]
[Footnote 10: 1833.
From the bald rock the blinding light
Beat ever on the sunwhite wall. ]
[Footnote 11: 1833.
"Madonna, leave me not all alone,
To die forgotten and live forlorn. "]
[Footnote 12: This stanza and the next not in 1833. ]
[Footnote 13: 1833.
One dry cicala's summer song
At night filled all the gallery.