The body of Petrarch, clad in red satin, which was the dress of the
canons of Padua, supported by sixteen doctors on a bier covered with
cloth of gold bordered with ermine, was carried to the parish church of
Arqua, which was fitted up in a manner suitable to the ceremony.
canons of Padua, supported by sixteen doctors on a bier covered with
cloth of gold bordered with ermine, was carried to the parish church of
Arqua, which was fitted up in a manner suitable to the ceremony.
Petrarch
He complains in it of "mischievous people, who opened
packets to read the letters contained in them, and copied what they
pleased. Proceeding in their licence, they even spared themselves the
trouble of transcription, and kept the packets themselves. " Petrarch,
indignant at those violators of the rights and confidence of society,
took the resolution of writing no more, and bade adieu to his friends
and epistolary correspondence, "Valete amici, valete epistolae. "
Petrarch died a very short time after despatching this letter. His
biographers and contemporary authors are not agreed as to the day of his
demise, but the probability seems to be that it was the 18th of July.
Many writers of his life tell us that he expired in the arms of Lombardo
da Serigo, whom Philip Villani and Gianozzo Manetti make their authority
for an absurd tradition connected with his death. They pretend that when
he breathed his last several persons saw a white cloud, like the smoke
of incense, rise to the roof of his chamber, where it stopped for some
time and then vanished, a miracle, they add, clearly proving that his
soul was acceptable to God, and ascended to heaven. Giovanni Manzini
gives a different account. He says that Petrarch's people found him in
his library, sitting with his head reclining on a book. Having often
seen him in this attitude, they were not alarmed at first; but, soon
finding that he exhibited no signs of life, they gave way to their
sorrow. According to Domenico Aretino, who was much attached to
Petrarch, and was at that time at Padua, so that he may be regarded as
good authority, his death was occasioned by apoplexy.
The news of his decease made a deep impression throughout Italy; and, in
the first instance, at Arqua and Padua, and in the cities of the
Euganean hills. Their people hastened in crowds to pay their last duties
to the man who had honoured their country by his residence. Francesco da
Carrara repaired to Arqua with all his nobility to assist at his
obsequies. The Bishop went thither with his chapter and with all his
clergy, and the common people flocked together to share in the general
mourning.
The body of Petrarch, clad in red satin, which was the dress of the
canons of Padua, supported by sixteen doctors on a bier covered with
cloth of gold bordered with ermine, was carried to the parish church of
Arqua, which was fitted up in a manner suitable to the ceremony. After
the funeral oration had been pronounced by Bonaventura da Praga, of the
order of the hermits of St. Augustin, the corpse was interred in a
chapel which Petrarch himself had erected in the parish church in honour
of the Virgin. A short time afterwards, Francesco Brossano, having
caused a tomb of marble to be raised on four pillars opposite to the
same church, transferred the body to that spot, and engraved over it an
epitaph in some bad Latin lines, the rhyming of which is their greatest
merit. In the year 1637, Paul Valdezucchi, proprietor of the house and
grounds of Petrarch at Arqua, caused a bust of bronze to be placed above
his mausoleum.
In the year 1630, his monument was violated by some sacrilegious
thieves, who carried off some of his bones for the sake of selling them.
The Senate of Venice severely punished the delinquents, and by their
decree upon the subject testified their deep respect for the remains of
this great man.
The moment the poet's will was opened, Brossano, his heir, hastened to
forward to his friends the little legacies which had been left them;
among the rest his fifty florins to Boccaccio. The answer of that most
interesting man is characteristic of his sensibility, whilst it
unhappily shows him to be approaching the close of his life (for he
survived Petrarch but a year), in pain and extreme debility. "My first
impulse," he says to Brossano, "on hearing of the decease of my master,"
so he always denominated our poet, "was to have hastened to his tomb to
bid him my last adieu, and to mix my tears with yours. But ever since I
lectured in public on the Divina Commedia of Dante, which is now ten
months, I have suffered under a malady which has so weakened and changed
me, that you would not recognise me. I have totally lost the stoutness
and complexion which I had when you saw me at Venice. My leanness is
extreme, my sight is dim, my hands shake, and my knees totter, so that I
can hardly drag myself to my country-house at Certaldo, where I only
languish. After reading your letter, I wept a whole night for my dear
master, not on his own account, for his piety permits us not to doubt
that he is now happy, but for myself and for his friends whom he has
left in this world, like a vessel in a stormy sea without a pilot. By my
own grief I judge of yours, and of that of Tullia, my beloved sister,
your worthy spouse. I envy Arqua the happiness of holding deposited in
her soil him whose heart was the abode of the Muses, and the sanctuary
of philosophy and eloquence.
packets to read the letters contained in them, and copied what they
pleased. Proceeding in their licence, they even spared themselves the
trouble of transcription, and kept the packets themselves. " Petrarch,
indignant at those violators of the rights and confidence of society,
took the resolution of writing no more, and bade adieu to his friends
and epistolary correspondence, "Valete amici, valete epistolae. "
Petrarch died a very short time after despatching this letter. His
biographers and contemporary authors are not agreed as to the day of his
demise, but the probability seems to be that it was the 18th of July.
Many writers of his life tell us that he expired in the arms of Lombardo
da Serigo, whom Philip Villani and Gianozzo Manetti make their authority
for an absurd tradition connected with his death. They pretend that when
he breathed his last several persons saw a white cloud, like the smoke
of incense, rise to the roof of his chamber, where it stopped for some
time and then vanished, a miracle, they add, clearly proving that his
soul was acceptable to God, and ascended to heaven. Giovanni Manzini
gives a different account. He says that Petrarch's people found him in
his library, sitting with his head reclining on a book. Having often
seen him in this attitude, they were not alarmed at first; but, soon
finding that he exhibited no signs of life, they gave way to their
sorrow. According to Domenico Aretino, who was much attached to
Petrarch, and was at that time at Padua, so that he may be regarded as
good authority, his death was occasioned by apoplexy.
The news of his decease made a deep impression throughout Italy; and, in
the first instance, at Arqua and Padua, and in the cities of the
Euganean hills. Their people hastened in crowds to pay their last duties
to the man who had honoured their country by his residence. Francesco da
Carrara repaired to Arqua with all his nobility to assist at his
obsequies. The Bishop went thither with his chapter and with all his
clergy, and the common people flocked together to share in the general
mourning.
The body of Petrarch, clad in red satin, which was the dress of the
canons of Padua, supported by sixteen doctors on a bier covered with
cloth of gold bordered with ermine, was carried to the parish church of
Arqua, which was fitted up in a manner suitable to the ceremony. After
the funeral oration had been pronounced by Bonaventura da Praga, of the
order of the hermits of St. Augustin, the corpse was interred in a
chapel which Petrarch himself had erected in the parish church in honour
of the Virgin. A short time afterwards, Francesco Brossano, having
caused a tomb of marble to be raised on four pillars opposite to the
same church, transferred the body to that spot, and engraved over it an
epitaph in some bad Latin lines, the rhyming of which is their greatest
merit. In the year 1637, Paul Valdezucchi, proprietor of the house and
grounds of Petrarch at Arqua, caused a bust of bronze to be placed above
his mausoleum.
In the year 1630, his monument was violated by some sacrilegious
thieves, who carried off some of his bones for the sake of selling them.
The Senate of Venice severely punished the delinquents, and by their
decree upon the subject testified their deep respect for the remains of
this great man.
The moment the poet's will was opened, Brossano, his heir, hastened to
forward to his friends the little legacies which had been left them;
among the rest his fifty florins to Boccaccio. The answer of that most
interesting man is characteristic of his sensibility, whilst it
unhappily shows him to be approaching the close of his life (for he
survived Petrarch but a year), in pain and extreme debility. "My first
impulse," he says to Brossano, "on hearing of the decease of my master,"
so he always denominated our poet, "was to have hastened to his tomb to
bid him my last adieu, and to mix my tears with yours. But ever since I
lectured in public on the Divina Commedia of Dante, which is now ten
months, I have suffered under a malady which has so weakened and changed
me, that you would not recognise me. I have totally lost the stoutness
and complexion which I had when you saw me at Venice. My leanness is
extreme, my sight is dim, my hands shake, and my knees totter, so that I
can hardly drag myself to my country-house at Certaldo, where I only
languish. After reading your letter, I wept a whole night for my dear
master, not on his own account, for his piety permits us not to doubt
that he is now happy, but for myself and for his friends whom he has
left in this world, like a vessel in a stormy sea without a pilot. By my
own grief I judge of yours, and of that of Tullia, my beloved sister,
your worthy spouse. I envy Arqua the happiness of holding deposited in
her soil him whose heart was the abode of the Muses, and the sanctuary
of philosophy and eloquence.
