It is, of
course, only another form of _snatch_, analogous to _theek_ and _thatch_
(cf.
course, only another form of _snatch_, analogous to _theek_ and _thatch_
(cf.
James Russell Lowell
Mr.
Bartlett says that he
'cannot say whether the word was used in Bacon's time or not. ' It
certainly was, and with the accent we give to it. Ben Jonson, in the
'Alchemist,' had this verse,
'Progress so from extreme unto extreme,'
and Sir Philip Sidney,
'Progressing then from fair Turias' golden place. '
Surely we may now sleep in peace, and our English cousins will forgive
us, since we have cleared ourselves from any suspicion of originality in
the matter! Even after I had convinced myself that the chances were
desperately against our having invented any of the _Americanisms_ with
which we are _faulted_ and which we are in the habit of _voicing_, there
were one or two which had so prevailingly indigenous an accent as to
stagger me a little. One of these was 'the biggest _thing out_. ' Alas,
even this slender comfort is denied me. Old Gower has
'So harde an herte was none _oute_,'
and
'That such merveile was none _oute_. '
He also, by the way, says 'a _sighte_ of flowres' as naturally as our
up-country folk would say it. _Poor_ for _lean_, _thirds_ for _dower_,
and _dry_ for _thirsty_ I find in Middleton's plays. _Dry_ is also in
Skelton and in the 'World' (1754). In a note on Middleton, Mr. Dyce
thinks it needful to explain the phrase _I can't tell_ (universal in
America) by the gloss _I could not say_. Middleton also uses _sneeked_,
which I had believed an Americanism till I saw it there.
It is, of
course, only another form of _snatch_, analogous to _theek_ and _thatch_
(cf. the proper names Dekker and Thacher), _break_ (_brack_) and
_breach_, _make_ (still common with us) and _match_. _'Long on_ for
_occasioned by_ ('who is this 'long on? ') occurs constantly in Gower and
likewise in Middleton. _'Cause why_ is in Chaucer. _Raising_ (an English
version of the French _leaven_) for _yeast_ is employed by Gayton in his
'Festivous Notes on Don Quixote. ' I have never seen an instance of our
New England word _emptins_ in the same sense, nor can I divine its
original. Gayton has _limekill_; also _shuts_ for _shutters_, and the
latter is used by Mrs. Hutchinson in her 'Life of Colonel Hutchinson. '
Bishop Hall, and Purchas in his 'Pilgrims,' have _chist_ for _chest_,
and it is certainly nearer _cista_, as well as to its form in the
Teutonic languages, whence probably we got it. We retain the old sound
from _cist_, but _chest_ is as old as Chaucer. Lovelace says _wropt_ for
_wrapt_. 'Musicianer' I had always associated with the militia-musters
of my boyhood, and too hastily concluded it an abomination of our own,
but Mr. Wright calls it a Norfolk word, and I find it to be as old as
1642 by an extract in Collier. 'Not worth the time of day,' had passed
with me for native till I saw it in Shakespeare's 'Pericles. ' For
_slick_ (which is only a shorter sound of _sleek_, like _crick_ and the
now universal _britches_ for _breeches_) I will only call Chapman and
Jonson.
'cannot say whether the word was used in Bacon's time or not. ' It
certainly was, and with the accent we give to it. Ben Jonson, in the
'Alchemist,' had this verse,
'Progress so from extreme unto extreme,'
and Sir Philip Sidney,
'Progressing then from fair Turias' golden place. '
Surely we may now sleep in peace, and our English cousins will forgive
us, since we have cleared ourselves from any suspicion of originality in
the matter! Even after I had convinced myself that the chances were
desperately against our having invented any of the _Americanisms_ with
which we are _faulted_ and which we are in the habit of _voicing_, there
were one or two which had so prevailingly indigenous an accent as to
stagger me a little. One of these was 'the biggest _thing out_. ' Alas,
even this slender comfort is denied me. Old Gower has
'So harde an herte was none _oute_,'
and
'That such merveile was none _oute_. '
He also, by the way, says 'a _sighte_ of flowres' as naturally as our
up-country folk would say it. _Poor_ for _lean_, _thirds_ for _dower_,
and _dry_ for _thirsty_ I find in Middleton's plays. _Dry_ is also in
Skelton and in the 'World' (1754). In a note on Middleton, Mr. Dyce
thinks it needful to explain the phrase _I can't tell_ (universal in
America) by the gloss _I could not say_. Middleton also uses _sneeked_,
which I had believed an Americanism till I saw it there.
It is, of
course, only another form of _snatch_, analogous to _theek_ and _thatch_
(cf. the proper names Dekker and Thacher), _break_ (_brack_) and
_breach_, _make_ (still common with us) and _match_. _'Long on_ for
_occasioned by_ ('who is this 'long on? ') occurs constantly in Gower and
likewise in Middleton. _'Cause why_ is in Chaucer. _Raising_ (an English
version of the French _leaven_) for _yeast_ is employed by Gayton in his
'Festivous Notes on Don Quixote. ' I have never seen an instance of our
New England word _emptins_ in the same sense, nor can I divine its
original. Gayton has _limekill_; also _shuts_ for _shutters_, and the
latter is used by Mrs. Hutchinson in her 'Life of Colonel Hutchinson. '
Bishop Hall, and Purchas in his 'Pilgrims,' have _chist_ for _chest_,
and it is certainly nearer _cista_, as well as to its form in the
Teutonic languages, whence probably we got it. We retain the old sound
from _cist_, but _chest_ is as old as Chaucer. Lovelace says _wropt_ for
_wrapt_. 'Musicianer' I had always associated with the militia-musters
of my boyhood, and too hastily concluded it an abomination of our own,
but Mr. Wright calls it a Norfolk word, and I find it to be as old as
1642 by an extract in Collier. 'Not worth the time of day,' had passed
with me for native till I saw it in Shakespeare's 'Pericles. ' For
_slick_ (which is only a shorter sound of _sleek_, like _crick_ and the
now universal _britches_ for _breeches_) I will only call Chapman and
Jonson.
