]
[Footnote 38: For the reference to Herod see
'Acts' xii.
[Footnote 38: For the reference to Herod see
'Acts' xii.
Tennyson
, 109-113:--
Old Memnon's image, long renown'd
By fabling Nilus: to the quivering touch
Of Titan's ray, with each repulsive string
Consenting, sounded thro' the warbling air
Unbidden strains. ]
[Footnote 32: 1833. O'. ]
[Footnote 33: Here added in 1842 and remaining till 1851 when they were
excised are two stanzas:--
"From shape to shape at first within the womb
The brain is modell'd," she began,
"And thro' all phases of all thought I come
Into the perfect man.
"All nature widens upward. Evermore
The simpler essence lower lies:
More complex is more perfect, owning more
Discourse, more widely wise. "]
[Footnote 34: These stanzas were added in 1851. ]
[Footnote 35: Added in
1842, with the following variants which remained till 1851, when the
present text was substituted:--
"I take possession of men's minds and deeds.
I live in all things great and small.
I sit apart holding no forms of creeds,
But contemplating all. "]
[Footnote 36: 1833. Sometimes. ]
[Footnote 37:
And intellectual throne
Of full-sphered contemplation. So three years
She throve, but on the fourth she fell.
And so the text remained till 1850, when the present
reading was substituted.
]
[Footnote 38: For the reference to Herod see
'Acts' xii. 21-23. ]
[Footnote 39: Cf. Hallam's 'Remains', p.
132: "That, i. e. Redemption," is in the power of God's election with
whom alone rest 'the abysmal secrets of personality'. ]
[Footnote 40:
See 'Daniel' v. 24-27. ]
[Footnote 41: In 1833 the following stanza,
excised in 1842:--
"Who hath drawn dry the fountains of delight,
That from my deep heart everywhere
Moved in my blood and dwelt, as power and might
Abode in Sampson's hair? "]
[Footnote 42: 1833. Downward-sloping. ]
[Footnote 43: 1833.
Or the sound
Of stones.
So till 1851, when "a sound of rocks" was substituted. ]
[Footnote 44: 1833.
Old Memnon's image, long renown'd
By fabling Nilus: to the quivering touch
Of Titan's ray, with each repulsive string
Consenting, sounded thro' the warbling air
Unbidden strains. ]
[Footnote 32: 1833. O'. ]
[Footnote 33: Here added in 1842 and remaining till 1851 when they were
excised are two stanzas:--
"From shape to shape at first within the womb
The brain is modell'd," she began,
"And thro' all phases of all thought I come
Into the perfect man.
"All nature widens upward. Evermore
The simpler essence lower lies:
More complex is more perfect, owning more
Discourse, more widely wise. "]
[Footnote 34: These stanzas were added in 1851. ]
[Footnote 35: Added in
1842, with the following variants which remained till 1851, when the
present text was substituted:--
"I take possession of men's minds and deeds.
I live in all things great and small.
I sit apart holding no forms of creeds,
But contemplating all. "]
[Footnote 36: 1833. Sometimes. ]
[Footnote 37:
And intellectual throne
Of full-sphered contemplation. So three years
She throve, but on the fourth she fell.
And so the text remained till 1850, when the present
reading was substituted.
]
[Footnote 38: For the reference to Herod see
'Acts' xii. 21-23. ]
[Footnote 39: Cf. Hallam's 'Remains', p.
132: "That, i. e. Redemption," is in the power of God's election with
whom alone rest 'the abysmal secrets of personality'. ]
[Footnote 40:
See 'Daniel' v. 24-27. ]
[Footnote 41: In 1833 the following stanza,
excised in 1842:--
"Who hath drawn dry the fountains of delight,
That from my deep heart everywhere
Moved in my blood and dwelt, as power and might
Abode in Sampson's hair? "]
[Footnote 42: 1833. Downward-sloping. ]
[Footnote 43: 1833.
Or the sound
Of stones.
So till 1851, when "a sound of rocks" was substituted. ]
[Footnote 44: 1833.