No More Learning

How Rome her own sad sepulchre appears,
With nodding arches, broken temples spread!
The very tombs now vanished like their dead!
Imperial wonders raised on nations spoiled,
Where mixed with slaves the groaning martyr toiled:
Huge theatres, that now unpeopled woods,
Now drained a distant country of her floods:
Fanes, which admiring gods with pride survey,
Statues of men, scarce less alive than they!
Some felt the silent stroke of mouldering age,
Some hostile fury, some religious rage.
Barbarian blindness, Christian zeal conspire,
And Papal piety, and Gothic fire.
Perhaps, by its own ruins saved from flame,
Some buried marble half preserves a name;
That name the learned with fierce disputes pursue,
And give to Titus old Vespasian's due.
Ambition sighed: she found it vain to trust
The faithless column and the crumbling bust:
Huge moles, whose shadow stretched from shore to shore,
Their ruins perished, and their place no more;
Convinced, she now contracts her vast design,
And all her triumphs shrink into a coin.
A narrow orb each crowded conquest keeps;
Beneath her palm here sad Judea weeps;
Now scantier limits the proud arch confine,
And scarce are seen the prostrate Nile or Rhine;
A small Euphrates through the piece is rolled,
And little eagles wave their wings in gold.
The medal, faithful to its charge of fame,
Through climes and ages bears each form and name:
In one short view subjected to our eye
Gods, emperors, heroes, sages, beauties, lie.
With sharpened sight pale antiquaries pore,
The inscription value, but the rust adore.
This the blue varnish, that the green endears,
The sacred rust of twice ten hundred years!
To gain Pescennius one employs his schemes,
One grasps a Cecrops in ecstatic dreams.
Poor Vadius, long with learned spleen devoured,
Can taste no pleasure since his shield was scoured;
And Curio, restless by the fair one's side,
Sighs for an Otho, and neglects his bride.
Theirs is the vanity, the learning thine:
Touched by thy hand, again Rome's glories shine;
Her gods and god-like heroes rise to view,
And all her faded garlands bloom anew.
Nor blush, these studies thy regard engage;
These pleased the fathers of poetic rage;
The verse and sculpture bore an equal part,
And art reflected images to art.
Oh, when shall Britain, conscious of her claim,
Stand emulous of Greek and Roman fame?
In living medals see her wars enrolled,
And vanquished realms supply recording gold?
Here, rising bold, the patriot's honest face;
There warriors frowning in historic brass?
Then future ages with delight shall see
How Plato's, Bacon's, Newton's looks agree;
Or in fair series laurelled bards be shown,
A Virgil there, and here an Addison.
Then shall thy Craggs (and let me call him mine)
On the cast ore, another Pollio shine;
With aspect open, shall erect his head,
And round the orb in lasting notes be read,
"Statesmen, yet friend to truth! of soul sincere,
In action faithful, and in honour clear;
Who broke no promise, served no private end,
Who gained no title and who lost no friend;
Ennobled by himself, by all approved,
And praised, unenvied, by the muse he loved. "




SATIRES.


EPISTLE TO DR. ARBUTHNOT.


ADVERTISEMENT
To the first publication of this Epistle.


This Paper is a sort of bill of complaint, begun many years since, and
drawn up by snatches, as the several occasions offered. I had no
thoughts of publishing it, till it pleased some persons of rank and
fortune (the authors of "Verses to the Imitator of Horace," and of an
"Epistle to a Doctor of Divinity from a Nobleman at Hampton Court") to
attack, in a very extraordinary manner, not only my writings (of which,
being public, the public is judge), but my person, morals, and family,
whereof, to those who know me not, a truer information may be requisite.
Being divided between the necessity to say something of myself, and my
own laziness to undertake so awkward a task, I thought it the shortest
way to put the last hand to this Epistle. If it have anything pleasing,
it will be that by which I am most desirous to please, the truth and the
sentiment; and if anything offensive, it will be only to those I am least
sorry to offend, the vicious or the ungenerous.

Many will know their own pictures in it, there being not a circumstance
but what is true; but I have, for the most part, spared their names, and
they may escape being laughed at if they please.

I would have some of them know, it was owing to the request of the
learned and candid friend to whom it is inscribed, that I make not as
free use of theirs as they have done of mine.