No More Learning

Hoar, and was
introduced by an essay of the Yankee form of English speech. This
Introduction is so distinctly an essay that it has been thought best to
print it as an appendix to this volume, rather than allow it to break in
upon the pages of verse. There is, however, one passage in it which may
be repeated here, since it bears directly upon the poem which serves as
a sort of prelude to the series. ]


'The only attempt I had ever made at anything like a pastoral (if that
may be called an attempt which was the result almost of pure accident)
was in _The Courtin'_. While the introduction to the First Series was
going through the press, I received word from the printer that there was
a blank page left which must be filled. I sat down at once and
improvised another fictitious "notice of the press," in which, because
verse would fill up space more cheaply than prose, I inserted an extract
from a supposed ballad of Mr. Biglow. I kept no copy of it, and the
printer, as directed, cut it off when the gap was filled. Presently I
began to receive letters asking for the rest of it, sometimes for the
_balance_ of it. I had none, but to answer such demands, I patched a
conclusion upon it in a later edition. Those who had only the first
continued to importune me. Afterward, being asked to write it out as an
autograph for the Baltimore Sanitary Commission Fair, I added other
verses, into some of which I infused a little more sentiment in a homely
way, and after a fashion completed it by sketching in the characters and
making a connected story. Most likely I have spoiled it, but I shall put
it at the end of this Introduction, to answer once for all those kindly
importunings. '



THE COURTIN'

God makes sech nights, all white an' still
Fur 'z you can look or listen,
Moonshine an' snow on field an' hill,
All silence an' all glisten.

Zekle crep' up quite unbeknown
An' peeked in thru' the winder,
An' there sot Huldy all alone,
'ith no one nigh to hender.
A fireplace filled the room's one side
With half a cord o' wood in--
There warn't no stoves (tell comfort died)
To bake ye to a puddin'.

The wa'nut logs shot sparkles out
Towards the pootiest, bless her,
An' leetle flames danced all about
The chiny on the dresser.

Agin the chimbley crook-necks hung,
An' in amongst 'em rusted
The ole queen's-arm thet gran'ther Young
Fetched back f'om Concord busted.

The very room, coz she was in,
Seemed warm f'om floor to ceilin',
An' she looked full ez rosy agin
Ez the apples she was peelin'.

'Twas kin' o' kingdom come to look
On sech a blessed cretur,
A dogrose blushin' to a brook
Ain't modester nor sweeter.

He was six foot o' man, A 1,
Clear grit an' human natur',
None couldn't quicker pitch a ton
Nor dror a furrer straighter.

He'd sparked it with full twenty gals,
Hed squired 'em, danced 'em, druv 'em,
Fust this one, an' then thet, by spells--
All is, he couldn't love 'em.

But long o' her his veins 'ould run
All crinkly like curled maple,
The side she breshed felt full o' sun
Ez a south slope in Ap'il.

She thought no v'ice hed sech a swing
Ez hisn in the choir;
My! when he made Ole Hunderd ring,
She _knowed_ the Lord was nigher.

An' she'd blush scarlit, right in prayer,
When her new meetin'-bunnet
Felt somehow thru' its crown a pair
O' blue eyes sot upon it.

Thet night, I tell ye, she looked _some! _
She seemed to've gut a new soul,
For she felt sartin-sure he'd come,
Down to her very shoe-sole.

She heered a foot, an' knowed it tu,
A-raspin' on the scraper,--
All ways to once, her feelins flew
Like sparks in burnt-up paper.

He kin' o' l'itered on the mat,
Some doubtfle o' the sekle,
His heart kep' goin' pity-pat,
But hern went pity Zekle.

An' yit she gin her cheer a jerk
Ez though she wished him furder,
An' on her apples kep' to work,
Parin' away like murder.