No More Learning

No more look back
To that long night that nevermore can be:
The sunless dungeon and the exile's track.
To the world's dreams of terror let it flee.
To gentle April cruel March is now antiquity.

Yet--of the Past one sacred relic save:
That boundary-post 'twixt Russia and Despair,--
Set where the dead might look upon his grave,--
Kissed by him with his last-breathed Russian air.
Keep it to witness to the world what heroes still may dare.

Land of New Hope, no more the minor key,
No more the songs of exile long and lone;
Thy tears henceforth be tears of memory.
Sing, with the joy the joyless would have known
Who for this visioned happiness so gladly gave their own.

Land of the warm heart and the friendly hand,
Strike the free chord; no more the muted strings!
Forever let the equal record stand--
A thousand winters for this Spring of Springs,
That to a warring world, through thee, millennial longing brings.

On thy white tablets, cleansed of royal stain,
What message to the future mayst thou write! --
The People's Law, the bulwark of their reign,
And vigilant Liberty, of ancient might,
And Brotherhood, that can alone lead to the loftiest height.

Take, then, our hearts' rejoicing overflow,
Thou new-born daughter of Democracy,
Whose coming sets the expectant earth aglow.
Soon the glad skies thy proud new flag shall see,
And hear thy chanted hymns of hope for Russia new and free.

_Robert Underwood Johnson_

_April, 1917_




ITALY IN ARMS


Of all my dreams by night and day,
One dream will evermore return,
The dream of Italy in May;
The sky a brimming azure urn
Where lights of amber brood and burn;
The doves about San Marco's square,
The swimming Campanile tower,
The giants, hammering out the hour,
The palaces, the bright lagoons,
The gondolas gliding here and there
Upon the tide that sways and swoons.

The domes of San Antonio,
Where Padua 'mid her mulberry-trees
Reclines; Adige's crescent flow
Beneath Verona's balconies;
Rich Florence of the Medicis;
Sienna's starlike streets that climb
From hill to hill; Assisi well
Remembering the holy spell
Of rapt St.
Francis; with her crown
Of battlements, embossed by time,
Stern old Perugia looking down.

Then, mother of great empires, Rome,
City of the majestic past,
That o'er far leagues of alien foam
The shadows of her eagles cast,
Imperious still; impending, vast,

The Colosseum's curving line;
Pillar and arch and colonnade;
St. Peter's consecrated shade,
And Hadrian's tomb where Tiber strays;
The ruins on the Palatine
With all their memories of dead days.

And Naples, with her sapphire arc
Of bay, her perfect sweep of shore;
Above her, like a demon stark,
The dark fire-mountain evermore
Looming portentous, as of yore;
Fair Capri with her cliffs and caves;
Salerno drowsing 'mid her vines
And olives, and the shattered shrines
Of Paestum where the gray ghosts tread,
And where the wilding rose still waves
As when by Greek girls garlanded.

But hark! What sound the ear dismays,
Mine Italy, mine Italy?
Thou that wert wrapt in peace, the haze
Of loveliness spread over thee!
Yet since the grapple needs must be,
I who have wandered in the night
With Dante, Petrarch's Laura known,
Seen Vallombrosa's groves breeze-blown,
Met Angelo and Raffael,
Against iconoclastic might
In this grim hour must wish thee well!

_Clinton Scollard_




ON THE ITALIAN FRONT, MCMXVI


"I will die cheering, if I needs must die;
So shall my last breath write upon my lips
_Viva Italia! _ when my spirit slips
Down the great darkness from the mountain sky;
And those who shall behold me where I lie
Shall murmur: 'Look, you! how his spirit dips
From glory into glory! the eclipse
Of death is vanquished! Lo, his victor-cry! '

"Live, thou, upon my lips, Italia mine,
The sacred death-cry of my frozen clay!
Let thy dear light from my dead body shine
And to the passer-by thy message say:
'_Ecco! _ though heaven has made my skies divine,
My sons' love sanctifies my soil for aye!