None may grudge the Dead
Libations from full cups.
Libations from full cups.
Elizabeth Browning
and when I say
There's room here for the weakest man alive
To live and die, there's room too, I repeat,
For all the strongest to live well, and strive
Their own way, by their individual heat,--
Like some new bee-swarm leaving the old hive,
Despite the wax which tempts so violet-sweet.
Then let the living live, the dead retain
Their grave-cold flowers! --though honour's best supplied
By bringing actions, to prove theirs not vain.
Cold graves, we say? it shall be testified
That living men who burn in heart and brain,
Without the dead were colder. If we tried
To sink the past beneath our feet, be sure
The future would not stand. Precipitate
This old roof from the shrine, and, insecure,
The nesting swallows fly off, mate from mate.
How scant the gardens, if the graves were fewer!
The tall green poplars grew no longer straight
Whose tops not looked to Troy. Would any fight
For Athens, and not swear by Marathon?
Who dared build temples, without tombs in sight?
Or live, without some dead man's benison?
Or seek truth, hope for good, and strive for right,
If, looking up, he saw not in the sun
Some angel of the martyrs all day long
Standing and waiting? Your last rhythm will need
Your earliest key-note. Could I sing this song,
If my dead masters had not taken heed
To help the heavens and earth to make me strong,
As the wind ever will find out some reed
And touch it to such issues as belong
To such a frail thing?
None may grudge the Dead
Libations from full cups. Unless we choose
To look back to the hills behind us spread,
The plains before us sadden and confuse;
If orphaned, we are disinherited.
I would but turn these lachrymals to use,
And pour fresh oil in from the olive-grove,
To furnish them as new lamps. Shall I say
What made my heart beat with exulting love
A few weeks back? --
The day was such a day
As Florence owes the sun. The sky above,
Its weight upon the mountains seemed to lay,
And palpitate in glory, like a dove
Who has flown too fast, full-hearted--take away
The image! for the heart of man beat higher
That day in Florence, flooding all her streets
And piazzas with a tumult and desire.
The people, with accumulated heats
And faces turned one way, as if one fire
Both drew and flushed them, left their ancient beats
And went up toward the palace-Pitti wall
To thank their Grand-duke who, not quite of course,
Had graciously permitted, at their call,
The citizens to use their civic force
To guard their civic homes. So, one and all,
The Tuscan cities streamed up to the source
Of this new good at Florence, taking it
As good so far, presageful of more good,--
The first torch of Italian freedom, lit
To toss in the next tiger's face who should
Approach too near them in a greedy fit,--
The first pulse of an even flow of blood
To prove the level of Italian veins
Towards rights perceived and granted. How we gazed
From Casa Guidi windows while, in trains
Of orderly procession--banners raised,
And intermittent bursts of martial strains
Which died upon the shout, as if amazed
By gladness beyond music--they passed on!
The Magistracy, with insignia, passed,--
And all the people shouted in the sun,
And all the thousand windows which had cast
A ripple of silks in blue and scarlet down
(As if the houses overflowed at last),
Seemed growing larger with fair heads and eyes.
The Lawyers passed,--and still arose the shout,
And hands broke from the windows to surprise
Those grave calm brows with bay-tree leaves thrown out.
The Priesthood passed,--the friars with worldly-wise
Keen sidelong glances from their beards about
The street to see who shouted; many a monk
Who takes a long rope in the waist, was there:
Whereat the popular exultation drunk
With indrawn "vivas" the whole sunny air,
While through the murmuring windows rose and sunk
A cloud of kerchiefed hands,--"The church makes fair
Her welcome in the new Pope's name. " Ensued
The black sign of the "Martyrs"--(name no name,
But count the graves in silence). Next were viewed
The Artists; next, the Trades; and after came
The People,--flag and sign, and rights as good--
And very loud the shout was for that same
Motto, "Il popolo. " IL POPOLO,--
The word means dukedom, empire, majesty,
And kings in such an hour might read it so.
There's room here for the weakest man alive
To live and die, there's room too, I repeat,
For all the strongest to live well, and strive
Their own way, by their individual heat,--
Like some new bee-swarm leaving the old hive,
Despite the wax which tempts so violet-sweet.
Then let the living live, the dead retain
Their grave-cold flowers! --though honour's best supplied
By bringing actions, to prove theirs not vain.
Cold graves, we say? it shall be testified
That living men who burn in heart and brain,
Without the dead were colder. If we tried
To sink the past beneath our feet, be sure
The future would not stand. Precipitate
This old roof from the shrine, and, insecure,
The nesting swallows fly off, mate from mate.
How scant the gardens, if the graves were fewer!
The tall green poplars grew no longer straight
Whose tops not looked to Troy. Would any fight
For Athens, and not swear by Marathon?
Who dared build temples, without tombs in sight?
Or live, without some dead man's benison?
Or seek truth, hope for good, and strive for right,
If, looking up, he saw not in the sun
Some angel of the martyrs all day long
Standing and waiting? Your last rhythm will need
Your earliest key-note. Could I sing this song,
If my dead masters had not taken heed
To help the heavens and earth to make me strong,
As the wind ever will find out some reed
And touch it to such issues as belong
To such a frail thing?
None may grudge the Dead
Libations from full cups. Unless we choose
To look back to the hills behind us spread,
The plains before us sadden and confuse;
If orphaned, we are disinherited.
I would but turn these lachrymals to use,
And pour fresh oil in from the olive-grove,
To furnish them as new lamps. Shall I say
What made my heart beat with exulting love
A few weeks back? --
The day was such a day
As Florence owes the sun. The sky above,
Its weight upon the mountains seemed to lay,
And palpitate in glory, like a dove
Who has flown too fast, full-hearted--take away
The image! for the heart of man beat higher
That day in Florence, flooding all her streets
And piazzas with a tumult and desire.
The people, with accumulated heats
And faces turned one way, as if one fire
Both drew and flushed them, left their ancient beats
And went up toward the palace-Pitti wall
To thank their Grand-duke who, not quite of course,
Had graciously permitted, at their call,
The citizens to use their civic force
To guard their civic homes. So, one and all,
The Tuscan cities streamed up to the source
Of this new good at Florence, taking it
As good so far, presageful of more good,--
The first torch of Italian freedom, lit
To toss in the next tiger's face who should
Approach too near them in a greedy fit,--
The first pulse of an even flow of blood
To prove the level of Italian veins
Towards rights perceived and granted. How we gazed
From Casa Guidi windows while, in trains
Of orderly procession--banners raised,
And intermittent bursts of martial strains
Which died upon the shout, as if amazed
By gladness beyond music--they passed on!
The Magistracy, with insignia, passed,--
And all the people shouted in the sun,
And all the thousand windows which had cast
A ripple of silks in blue and scarlet down
(As if the houses overflowed at last),
Seemed growing larger with fair heads and eyes.
The Lawyers passed,--and still arose the shout,
And hands broke from the windows to surprise
Those grave calm brows with bay-tree leaves thrown out.
The Priesthood passed,--the friars with worldly-wise
Keen sidelong glances from their beards about
The street to see who shouted; many a monk
Who takes a long rope in the waist, was there:
Whereat the popular exultation drunk
With indrawn "vivas" the whole sunny air,
While through the murmuring windows rose and sunk
A cloud of kerchiefed hands,--"The church makes fair
Her welcome in the new Pope's name. " Ensued
The black sign of the "Martyrs"--(name no name,
But count the graves in silence). Next were viewed
The Artists; next, the Trades; and after came
The People,--flag and sign, and rights as good--
And very loud the shout was for that same
Motto, "Il popolo. " IL POPOLO,--
The word means dukedom, empire, majesty,
And kings in such an hour might read it so.