But divine
Providence
will never leave
The boldness of my marvellous work unpunished;
And the more marvellous it is, the more
'T is sure to prove the ruin of my fame!
The boldness of my marvellous work unpunished;
And the more marvellous it is, the more
'T is sure to prove the ruin of my fame!
Longfellow
I never am content,
But always see the labors of my hand
Fall short of my conception.
BENVENUTO.
I perceive
The malice of this creature. He would taint you
With heresy, and in a time like this!
'T is infamous!
MICHAEL ANGELO.
I represent the angels
Without their heavenly glory, and the saints
Without a trace of earthly modesty.
BENVENUTO.
Incredible audacity!
MICHAEL ANGELO.
The heathen
Veiled their Diana with some drapery,
And when they represented Venus naked
They made her by her modest attitude,
Appear half clothed. But I, who am a Christian,
Do so subordinate belief to art
That I have made the very violation
Of modesty in martyrs and in virgins
A spectacle at which all men would gaze
With half-averted eyes even in a brothel.
BENVENUTO.
He is at home there, and he ought to know
What men avert their eyes from in such places;
From the Last Judgment chiefly, I imagine.
MICHAEL ANGELO.
But divine Providence will never leave
The boldness of my marvellous work unpunished;
And the more marvellous it is, the more
'T is sure to prove the ruin of my fame!
And finally, if in this composition
I had pursued the instructions that he gave me
Concerning heaven and hell and paradise,
In that same letter, known to all the world,
Nature would not be forced, as she is now,
To feel ashamed that she invested me
With such great talent; that I stand myself
A very idol in the world of art.
He taunts me also with the Mausoleum
Of Julius, still unfinished, for the reason
That men persuaded the inane old man
It was of evil augury to build
His tomb while he was living; and he speaks
Of heaps of gold this Pope bequeathed to me,
And calls it robbery;--that is what he says.
What prompted such a letter?
BENVENUTO.
Vanity.
He is a clever writer, and he likes
To draw his pen, and flourish it in the face
Of every honest man, as swordsmen do
Their rapiers on occasion, but to show
How skilfully they do it. Had you followed
The advice he gave, or even thanked him for it,
You would have seen another style of fence.
'T is but his wounded vanity, and the wish
To see his name in print. So give it not
A moment's thought; it soon will be forgotten.
MICHAEL ANGELO.
I will not think of it, but let it pass
For a rude speech thrown at me in the street,
As boys threw stones at Dante.
BENVENUTO.
And what answer
Shall I take back to Grand Duke Cosimo?
He does not ask your labor or your service;
Only your presence in the city of Florence,
With such advice upon his work in hand
As he may ask, and you may choose to give.
MICHAEL ANGELO.
But always see the labors of my hand
Fall short of my conception.
BENVENUTO.
I perceive
The malice of this creature. He would taint you
With heresy, and in a time like this!
'T is infamous!
MICHAEL ANGELO.
I represent the angels
Without their heavenly glory, and the saints
Without a trace of earthly modesty.
BENVENUTO.
Incredible audacity!
MICHAEL ANGELO.
The heathen
Veiled their Diana with some drapery,
And when they represented Venus naked
They made her by her modest attitude,
Appear half clothed. But I, who am a Christian,
Do so subordinate belief to art
That I have made the very violation
Of modesty in martyrs and in virgins
A spectacle at which all men would gaze
With half-averted eyes even in a brothel.
BENVENUTO.
He is at home there, and he ought to know
What men avert their eyes from in such places;
From the Last Judgment chiefly, I imagine.
MICHAEL ANGELO.
But divine Providence will never leave
The boldness of my marvellous work unpunished;
And the more marvellous it is, the more
'T is sure to prove the ruin of my fame!
And finally, if in this composition
I had pursued the instructions that he gave me
Concerning heaven and hell and paradise,
In that same letter, known to all the world,
Nature would not be forced, as she is now,
To feel ashamed that she invested me
With such great talent; that I stand myself
A very idol in the world of art.
He taunts me also with the Mausoleum
Of Julius, still unfinished, for the reason
That men persuaded the inane old man
It was of evil augury to build
His tomb while he was living; and he speaks
Of heaps of gold this Pope bequeathed to me,
And calls it robbery;--that is what he says.
What prompted such a letter?
BENVENUTO.
Vanity.
He is a clever writer, and he likes
To draw his pen, and flourish it in the face
Of every honest man, as swordsmen do
Their rapiers on occasion, but to show
How skilfully they do it. Had you followed
The advice he gave, or even thanked him for it,
You would have seen another style of fence.
'T is but his wounded vanity, and the wish
To see his name in print. So give it not
A moment's thought; it soon will be forgotten.
MICHAEL ANGELO.
I will not think of it, but let it pass
For a rude speech thrown at me in the street,
As boys threw stones at Dante.
BENVENUTO.
And what answer
Shall I take back to Grand Duke Cosimo?
He does not ask your labor or your service;
Only your presence in the city of Florence,
With such advice upon his work in hand
As he may ask, and you may choose to give.
MICHAEL ANGELO.