No More Learning

"self-boiler," is merely an
urn for hot water having a fire in the center. We may observe
a similar contrivance in our own old-fashioned tea-urns which
are provided with a receptacle for a red-hot iron cylinder in
center. The tea-pot is usually placed on the top of the
_samovar_. ]

XL

In the meantime her spirit sinks,
Her weary eyes are filled with tears--
A horse's hoofs she hears--She shrinks!
Nearer they come--Eugene appears!
Ah! than a spectre from the dead
More swift the room Tattiana fled,
From hall to yard and garden flies,
Not daring to cast back her eyes.
She fears and like an arrow rushes
Through park and meadow, wood and brake,
The bridge and alley to the lake,
Brambles she snaps and lilacs crushes,
The flowerbeds skirts, the brook doth meet,
Till out of breath upon a seat

XLI

She sank. --
"He's here! Eugene is here!
Merciful God, what will he deem? "
Yet still her heart, which torments tear,
Guards fondly hope's uncertain dream.
She waits, on fire her trembling frame--
Will he pursue? --But no one came.
She heard of servant-maids the note,
Who in the orchards gathered fruit,
Singing in chorus all the while.
(This by command; for it was found,
However cherries might abound,
They disappeared by stealth and guile,
So mouths they stopt with song, not fruit--
Device of rural minds acute! )


The Maidens' Song

Young maidens, fair maidens,
Friends and companions,
Disport yourselves, maidens,
Arouse yourselves, fair ones.
Come sing we in chorus
The secrets of maidens.
Allure the young gallant
With dance and with song.
As we lure the young gallant,
Espy him approaching,
Disperse yourselves, darlings,
And pelt him with cherries,
With cherries, red currants,
With raspberries, cherries.
Approach not to hearken
To secrets of virgins,
Approach not to gaze at
The frolics of maidens.

XLII

They sang, whilst negligently seated,
Attentive to the echoing sound,
Tattiana with impatience waited
Until her heart less high should bound--
Till the fire in her cheek decreased;
But tremor still her frame possessed,
Nor did her blushes fade away,
More crimson every moment they.
Thus shines the wretched butterfly,
With iridescent wing doth flap
When captured in a schoolboy's cap;
Thus shakes the hare when suddenly
She from the winter corn espies
A sportsman who in covert lies.

XLIII

But finally she heaves a sigh,
And rising from her bench proceeds;
But scarce had turned the corner nigh,
Which to the neighbouring alley leads,
When Eugene like a ghost did rise
Before her straight with roguish eyes.
Tattiana faltered, and became
Scarlet as burnt by inward flame.
But this adventure's consequence
To-day, my friends, at any rate,
I am not strong enough to state;
I, after so much eloquence,
Must take a walk and rest a bit--
Some day I'll somehow finish it.


End of Canto the Third


CANTO THE FOURTH

Rural Life

'La Morale est dans la nature des choses. '--Necker


Canto The Fourth

[Mikhailovskoe, 1825]

I

THE less we love a lady fair
The easier 'tis to gain her grace,
And the more surely we ensnare
Her in the pitfalls which we place.
Time was when cold seduction strove
To swagger as the art of love,
Everywhere trumpeting its feats,
Not seeking love but sensual sweets.
But this amusement delicate
Was worthy of that old baboon,
Our fathers used to dote upon;
The Lovelaces are out of date,
Their glory with their heels of red
And long perukes hath vanished.

II

For who imposture can endure,
A constant harping on one tune,
Serious endeavours to assure
What everybody long has known;
Ever to hear the same replies
And overcome antipathies
Which never have existed, e'en
In little maidens of thirteen?