No More Learning

Yours the concession, to plea of my true heart

That seeks to exalt your worth and honour;

Yours my submission, I could love no better.

And since I am so loyal to you, lady,

That Love grants me no power to love elsewhere,

But lets me pay court to one, maybe,

Who might remove the heavy grief I bear;

So when I think of you to whom joy bows,

All other love's forgotten and displaced:

With her my heart holds dearest, there it stays.

Remember, if you will, the promises,

You know you made me when we parted,

My heart then gay and filled with happiness,

Because sweet hope in me you commanded:

Great joy I felt then, now my ills increase,

Yet, when you please, I shall that joy know

Once more, sweet lady, for I live in hope.

And no ill treatment ever makes me dread,

Solely because I think my life will gain

From you, lady, some certain pleasure;

Whereby ills will be joy, delight again,

Solely through pain, for I know Love demands

That true lovers great wrongs still must pardon,

And for their good must bear an evil burden.

Ai! Lady, were this the hour when I might see

You, in your mercy, granting me such honour

By simply deigning then to call me lover!

Anc mais no m? fo semblan

Never would I have conceived

That, for Love, my joy

And pleasure I would leave,

For sweetness tears employ:

Held in her power truly,

Love has me, for in me rise

Such sweet delights, I see

To serve her God made me

And for her worth I prize.

Often I have complained

Of her whom I do praise,

And then have thanked again

The root of my complaints,

And that's not strange, it's plain;

For those whom Love ennobles

Must suffer many things,

For often, the poet sings,

True good can conquer ills.

The lover can't complain

Nor confess to his harm,

Nor speak about his pain,

Nor praise the good, his balm,

If he seeks to change,

And is ever altering:

Many choose to talk

Knowing nothing of what

Brings joy or suffering.

None knows enough of love

To speak without trembling,

Yet I've seen laughter move,

Though not from joy arising,

And many the sighs that prove

No more than clever feigning;

Yet Love is leading me,

Towards the best I see,

Without shame or cheating.

Lady, the truest lovers

And the long-suffering too

And those that most flatter

Their lady and her truth,

Without orders, their ruler,

Through your courtliness

Will do what pleases you

And nothing I do rue,

Nothing but fears repress.

You so weigh on my mind

That when I pray I often

Think you are at hand,

Then your fresh complexion

Your body nobly planned,

So fill my memory

I think of nothing else,

And from this sweet thought well

Goodwill and courtesy.

Bertran de Born (c1140-d. before1215)

Bertran de Born, a minor nobleman from the Limousin, shared with his brother the lordship of Autafort, or Altaforte, French: Hautefort, in the Perigord.
One of the major troubadours of the twelfth century, his warlike nature and love of political intrigue, particularly his espousing the divisive cause of Henry, the Young English King, caused Dante to place him in the Inferno, Canto XXVIII, as a stirrer-up of strife. He ended his life as a monk in the abbey of Dalon, where his presence is recorded from 1197 to 1202.

"All this to make 'Una dompna soiseubuda', a borrowed lady,

or as the Italians translated it 'Una donna ideale'"

Ezra Pound
Dompna, puois de mi no? us cal

Lady, since you care not at all

For me, but keep me far from you,

And for no good reason too,

The task it seems immense

Of seeking some other,

Who might bring me new joy ever,

And if I have not the making

Of a lady as much to my liking,

Of the worth of she that's gone,

I shall love no other one.

Since I'll not find your equal,

Lovely as you, made as nobly,

Nor so joyous, sweet in body,

Lovely to every sense,

Nor so happy

Nor, by all repute, so worthy

I'll go seeking everywhere

A feature from each woman fair,

To make a borrowed lady

Till you look again toward me.

Colour fresh and natural

I'll take, fair Cembelins, from you

And your sweet love-glances too!

And risk the impertinence

Of forgoing there

All else in which you lack no share.

Then of Aelis I'll demand

Her adroit and charming tongue

Which must surely aid my suit,

That it be not dull or mute.

On Chalais' Vicomtess I call;

I'd have her give instantly

Her throat and hands to me.

Then take the journey thence,

Without straying,

To Rochechouart speeding

That Agnes her hair might grant me

Since Isolde, Tristan's lady,

Who was praised in every way

Was less fair than she today.

Audiart, though you wish me ill, in all,

I would that you dress her in your fashion,

That she might be well-adorned

And, as you are perfection, hence

Naught shall tear,

Nor love find aught improper.

Of my Lady Better-than-Best, my plea

Is her true fresh noble body

That shows her at first sight

Sweet to see naked if one might.

On the 'Exile', too I call

Wishing her white teeth, also

The welcome and conversation, so

Sweet in her presence

And her dwelling.

My 'Fair-Mirror' in your giving

Is your gaiety and stature

And what your fine manner

Displays, well-known as ever,

Never to change or waver.

My Lady, all I'd wish befall

Is that I might feel love, in truth,

For her as much as I do for you!

That a passionate intense

Love be sired,

One by my body well-desired,

Yet I'd rather of you demand

A kiss than any other woman,

So why does my love refuse me

When she knows I need her truly?