Tell me, who is the master
That works in such an admirable way,
And with such power and feeling?
That works in such an admirable way,
And with such power and feeling?
Longfellow
"
MICHAEL ANGELO.
Ah, Messer Bindo, the calamities,
The fallen fortunes, and the desolation
Of Florence are to me a tragedy
Deeper than words, and darker than despair.
I, who have worshipped freedom from my cradle,
Have loved her with the passion of a lover,
And clothed her with all lovely attributes
That the imagination can conceive,
Or the heart conjure up, now see her dead,
And trodden in the dust beneath the feet
Of an adventurer! It is a grief
Too great for me to bear in my old age.
BINDO.
I say no news from Florence: I am wrong,
For Benvenuto writes that he is coming
To be my guest in Rome.
MICHAEL ANGELO.
Those are good tidings.
He hath been many years away from us.
BINDO.
Pray you, come in.
MICHAEL ANGELO.
I have not time to stay,
And yet I will. I see from here your house
Is filled with works of art. That bust in bronze
Is of yourself.
Tell me, who is the master
That works in such an admirable way,
And with such power and feeling?
BINDO.
Benvenuto.
MICHAEL ANGELO.
Ah? Benvenuto? 'T is a masterpiece!
It pleases me as much, and even more,
Than the antiques about it; and yet they
Are of the best one sees. But you have placed it
By far too high. The light comes from below,
And injures the expression. Were these windows
Above and not beneath it, then indeed
It would maintain its own among these works
Of the old masters, noble as they are.
I will go in and study it more closely.
I always prophesied that Benvenuto,
With all his follies and fantastic ways,
Would show his genius in some work of art
That would amaze the world, and be a challenge
Unto all other artists of his time.
[They go in.
IV
IN THE COLISEUM
MICHAEL ANGELO and TOMASO DE CAVALIERI
CAVALIERI.
What have you here alone, Messer Michele?
MICHAEL ANGELO.
Ah, Messer Bindo, the calamities,
The fallen fortunes, and the desolation
Of Florence are to me a tragedy
Deeper than words, and darker than despair.
I, who have worshipped freedom from my cradle,
Have loved her with the passion of a lover,
And clothed her with all lovely attributes
That the imagination can conceive,
Or the heart conjure up, now see her dead,
And trodden in the dust beneath the feet
Of an adventurer! It is a grief
Too great for me to bear in my old age.
BINDO.
I say no news from Florence: I am wrong,
For Benvenuto writes that he is coming
To be my guest in Rome.
MICHAEL ANGELO.
Those are good tidings.
He hath been many years away from us.
BINDO.
Pray you, come in.
MICHAEL ANGELO.
I have not time to stay,
And yet I will. I see from here your house
Is filled with works of art. That bust in bronze
Is of yourself.
Tell me, who is the master
That works in such an admirable way,
And with such power and feeling?
BINDO.
Benvenuto.
MICHAEL ANGELO.
Ah? Benvenuto? 'T is a masterpiece!
It pleases me as much, and even more,
Than the antiques about it; and yet they
Are of the best one sees. But you have placed it
By far too high. The light comes from below,
And injures the expression. Were these windows
Above and not beneath it, then indeed
It would maintain its own among these works
Of the old masters, noble as they are.
I will go in and study it more closely.
I always prophesied that Benvenuto,
With all his follies and fantastic ways,
Would show his genius in some work of art
That would amaze the world, and be a challenge
Unto all other artists of his time.
[They go in.
IV
IN THE COLISEUM
MICHAEL ANGELO and TOMASO DE CAVALIERI
CAVALIERI.
What have you here alone, Messer Michele?