In human interest,
however, none surpassed his first success.
however, none surpassed his first success.
World's Greatest Books - Volume 17 - Poetry and Drama
CLEMENT _despatches a servant to bring home the young couple
to dinner "upon my warrant. " Enter_ BRIDGET, YOUNG KNOWELL, _and_
WELL-BRED.
CLEMENT: Oh, the young company--welcome, welcome,
give you joy. Nay, Mistress Bridget, blush not;
Master Bridegroom, I have made your peace; give me
your hand. So will I for all the rest, ere you forsake
my roof. Come, put off all discontent; you, Master
Down-right, your anger; you, Master Knowell, your
cares; Master Kitely and his wife, their jealousy.
KITELY: Sir, thus they go from me. Kiss me, sweetheart.
CLEMENT: 'Tis well, 'tis well. This night we'll dedicate
to friendship, love, and laughter.
FOOTNOTES:
[P] Ben Jonson was born at Westminster in 1573. He was
brought up by his stepfather, a master bricklayer, and educated at
Westminster School, where he got his learning under Camden. While
still a youngster, he went a-fighting in the Low Countries, returning
to London about 1592. In 1598 he emerged as a dramatic author with
the play "Every Man in His Humour. " This was the first of a series of
comedies, tragedies, and masques, which rank highly.
In human interest,
however, none surpassed his first success. Unlike Shakespeare, with
whom he consorted among the famous gatherings of wits at the Mermaid
Tavern, Jonson regarded himself as the exponent of a theory of dramatic
art. He was steeped in classical learning, which he is wont to display
somewhat excessively. Besides his dramas, Jonson wrote many lyrical
pieces, including some admirable songs, and produced sundry examples of
other forms of versification. He died on August 6, 1637.
JUVENAL[Q]
Satires
_I. --Of Satire and its Subjects_
Still shall I hear and never pay the score,
Stunned with hoarse Codrus' "Theseid" o'er and o'er?
Shall this man's elegies and the other's play
Unpunished murder a long summer day?
The poet exclaims against the dreary commonplaces in contemporary
poetry, and against recitations fit to crack the very statues and
colonnades of the neighbourhood! But _he_ also underwent his training
in rhetoric.
So, since the world with writing is possessed,
_I'll versify in spite_, and do my best
To make as much wastepaper as the rest!
It may be asked, why write satire? The reason is to be found in the
ubiquitous presence of offensive men and women. It would goad anyone
into fury to note the social abuses, the mannish women, and the
wealthy upstarts of the imperial city.
When the soft eunuch weds, and the bold fair
Tilts at the Tuscan boar with bosom bare,
When all our lords are by his wealth outvied
Whose razor on my callow beard was tried,
When I behold the spawn of conquered Nile,
Crispinus, both in birth and manners vile,
Pacing in pomp with cloak of purple dye--
I cannot keep from satire, though I try!
There is an endless succession of figures to annoy: the too successful
lawyer, the treacherous spy, the legacy-hunter.
to dinner "upon my warrant. " Enter_ BRIDGET, YOUNG KNOWELL, _and_
WELL-BRED.
CLEMENT: Oh, the young company--welcome, welcome,
give you joy. Nay, Mistress Bridget, blush not;
Master Bridegroom, I have made your peace; give me
your hand. So will I for all the rest, ere you forsake
my roof. Come, put off all discontent; you, Master
Down-right, your anger; you, Master Knowell, your
cares; Master Kitely and his wife, their jealousy.
KITELY: Sir, thus they go from me. Kiss me, sweetheart.
CLEMENT: 'Tis well, 'tis well. This night we'll dedicate
to friendship, love, and laughter.
FOOTNOTES:
[P] Ben Jonson was born at Westminster in 1573. He was
brought up by his stepfather, a master bricklayer, and educated at
Westminster School, where he got his learning under Camden. While
still a youngster, he went a-fighting in the Low Countries, returning
to London about 1592. In 1598 he emerged as a dramatic author with
the play "Every Man in His Humour. " This was the first of a series of
comedies, tragedies, and masques, which rank highly.
In human interest,
however, none surpassed his first success. Unlike Shakespeare, with
whom he consorted among the famous gatherings of wits at the Mermaid
Tavern, Jonson regarded himself as the exponent of a theory of dramatic
art. He was steeped in classical learning, which he is wont to display
somewhat excessively. Besides his dramas, Jonson wrote many lyrical
pieces, including some admirable songs, and produced sundry examples of
other forms of versification. He died on August 6, 1637.
JUVENAL[Q]
Satires
_I. --Of Satire and its Subjects_
Still shall I hear and never pay the score,
Stunned with hoarse Codrus' "Theseid" o'er and o'er?
Shall this man's elegies and the other's play
Unpunished murder a long summer day?
The poet exclaims against the dreary commonplaces in contemporary
poetry, and against recitations fit to crack the very statues and
colonnades of the neighbourhood! But _he_ also underwent his training
in rhetoric.
So, since the world with writing is possessed,
_I'll versify in spite_, and do my best
To make as much wastepaper as the rest!
It may be asked, why write satire? The reason is to be found in the
ubiquitous presence of offensive men and women. It would goad anyone
into fury to note the social abuses, the mannish women, and the
wealthy upstarts of the imperial city.
When the soft eunuch weds, and the bold fair
Tilts at the Tuscan boar with bosom bare,
When all our lords are by his wealth outvied
Whose razor on my callow beard was tried,
When I behold the spawn of conquered Nile,
Crispinus, both in birth and manners vile,
Pacing in pomp with cloak of purple dye--
I cannot keep from satire, though I try!
There is an endless succession of figures to annoy: the too successful
lawyer, the treacherous spy, the legacy-hunter.
