No More Learning

"



"I SAID TO LOVE"


I SAID to Love,
"It is not now as in old days
When men adored thee and thy ways
All else above;
Named thee the Boy, the Bright, the One
Who spread a heaven beneath the sun,"
I said to Love.

I said to him,
"We now know more of thee than then;
We were but weak in judgment when,
With hearts abrim,
We clamoured thee that thou would'st please
Inflict on us thine agonies,"
I said to him.

I said to Love,
"Thou art not young, thou art not fair,
No faery darts, no cherub air,
Nor swan, nor dove
Are thine; but features pitiless,
And iron daggers of distress,"
I said to Love.

"Depart then, Love! . . .
--Man's race shall end, dost threaten thou?
The age to come the man of now
Know nothing of? --
We fear not such a threat from thee;
We are too old in apathy!
_Mankind shall cease_. --So let it be,"
I said to Love.



A COMMONPLACE DAY


THE day is turning ghost,
And scuttles from the kalendar in fits and furtively,
To join the anonymous host
Of those that throng oblivion; ceding his place, maybe,
To one of like degree.

I part the fire-gnawed logs,
Rake forth the embers, spoil the busy flames, and lay the ends
Upon the shining dogs;
Further and further from the nooks the twilight's stride extends,
And beamless black impends.

Nothing of tiniest worth
Have I wrought, pondered, planned; no one thing asking blame or
praise,
Since the pale corpse-like birth
Of this diurnal unit, bearing blanks in all its rays--
Dullest of dull-hued Days!
Wanly upon the panes
The rain slides as have slid since morn my colourless thoughts; and
yet
Here, while Day's presence wanes,
And over him the sepulchre-lid is slowly lowered and set,
He wakens my regret.

Regret--though nothing dear
That I wot of, was toward in the wide world at his prime,
Or bloomed elsewhere than here,
To die with his decease, and leave a memory sweet, sublime,
Or mark him out in Time . . .

--Yet, maybe, in some soul,
In some spot undiscerned on sea or land, some impulse rose,
Or some intent upstole
Of that enkindling ardency from whose maturer glows
The world's amendment flows;

But which, benumbed at birth
By momentary chance or wile, has missed its hope to be
Embodied on the earth;
And undervoicings of this loss to man's futurity
May wake regret in me.



AT A LUNAR ECLIPSE


THY shadow, Earth, from Pole to Central Sea,
Now steals along upon the Moon's meek shine
In even monochrome and curving line
Of imperturbable serenity.

How shall I link such sun-cast symmetry
With the torn troubled form I know as thine,
That profile, placid as a brow divine,
With continents of moil and misery?

And can immense Mortality but throw
So small a shade, and Heaven's high human scheme
Be hemmed within the coasts yon arc implies?

Is such the stellar gauge of earthly show,
Nation at war with nation, brains that teem,
Heroes, and women fairer than the skies?



THE LACKING SENSE


SCENE. --_A sad-coloured landscape_, _Waddon Vale_

I

"O TIME, whence comes the Mother's moody look amid her labours,
As of one who all unwittingly has wounded where she loves?
Why weaves she not her world-webs to according lutes and tabors,
With nevermore this too remorseful air upon her face,
As of angel fallen from grace? "

II

--"Her look is but her story: construe not its symbols keenly:
In her wonderworks yea surely has she wounded where she loves.
The sense of ills misdealt for blisses blanks the mien most
queenly,
Self-smitings kill self-joys; and everywhere beneath the sun
Such deeds her hands have done. "

III

--"And how explains thy Ancient Mind her crimes upon her creatures,
These fallings from her fair beginnings, woundings where she loves,
Into her would-be perfect motions, modes, effects, and features
Admitting cramps, black humours, wan decay, and baleful blights,
Distress into delights? "

IV

--"Ah!