or the
skin bone or any other parte of any dead person, to be imployed
or used in any manner of Witchcrafte Sorcerie Charme or
Inchantment.
skin bone or any other parte of any dead person, to be imployed
or used in any manner of Witchcrafte Sorcerie Charme or
Inchantment.
Ben Jonson - The Devil's Association
'
Lilly (_History_, p. 78) speaks of the efficacy of 'a
constellated ring' in sickness, and they were doubtless
considered effective in more sinister dealings. Jonson has
already spoken of the devil being carried in a thumb-ring
(see note P. 6).
Charms were usually written on parchment. In Barrett's _Magus_,
Bk. 2, Pt. 3. 109, we read that the pentacle should be drawn
'upon parchment made of a kid-skin, or virgin, or pure clean
white paper. '
That parts of the human body belonged to the sorcerer's
paraphernalia is shown by the Statute 1 Jac. I. c. xii, which
contains a clause forbidding conjurors to 'take up any dead
man woman or child out of his her or their grave . . .
or the
skin bone or any other parte of any dead person, to be imployed
or used in any manner of Witchcrafte Sorcerie Charme or
Inchantment. '
The wing of the raven, as a bird of ill omen, may be an
invention of Jonson's own. The lighting of candles within the
magic circle is mentioned below (note 1. 2. 26).
Most powerful of all was the pentacle, of which Scot's
_Discovery_ (Ap. II, p. 533, 4) furnishes an elaborate
description. This figure was used by the Pythagorean school as
their seal, and is equivalent to the pentagram or five-pointed
star (see _CD. _).
Dekker (_Wks. _ 2. 200) connects it with the Periapt as a 'potent
charm,' and Marlowe speaks of it in _Hero and Leander_,
_Wks. _ 3. 45:
A rich disparent pentacle she wears,
Drawn full of circles and strange characters.
It will be remembered that the inscription of a pentagram on the
threshold prevents the escape of Mephistopheles in Goethe's _Faust_.
Lilly (_History_, p. 78) speaks of the efficacy of 'a
constellated ring' in sickness, and they were doubtless
considered effective in more sinister dealings. Jonson has
already spoken of the devil being carried in a thumb-ring
(see note P. 6).
Charms were usually written on parchment. In Barrett's _Magus_,
Bk. 2, Pt. 3. 109, we read that the pentacle should be drawn
'upon parchment made of a kid-skin, or virgin, or pure clean
white paper. '
That parts of the human body belonged to the sorcerer's
paraphernalia is shown by the Statute 1 Jac. I. c. xii, which
contains a clause forbidding conjurors to 'take up any dead
man woman or child out of his her or their grave . . .
or the
skin bone or any other parte of any dead person, to be imployed
or used in any manner of Witchcrafte Sorcerie Charme or
Inchantment. '
The wing of the raven, as a bird of ill omen, may be an
invention of Jonson's own. The lighting of candles within the
magic circle is mentioned below (note 1. 2. 26).
Most powerful of all was the pentacle, of which Scot's
_Discovery_ (Ap. II, p. 533, 4) furnishes an elaborate
description. This figure was used by the Pythagorean school as
their seal, and is equivalent to the pentagram or five-pointed
star (see _CD. _).
Dekker (_Wks. _ 2. 200) connects it with the Periapt as a 'potent
charm,' and Marlowe speaks of it in _Hero and Leander_,
_Wks. _ 3. 45:
A rich disparent pentacle she wears,
Drawn full of circles and strange characters.
It will be remembered that the inscription of a pentagram on the
threshold prevents the escape of Mephistopheles in Goethe's _Faust_.
