* * * * *
CONTENTS
INTRODUCTION
THE RAPE OF THE LOCK
AN ESSAY ON CRITICISM
AN ESSAY ON MAN, EPISTLE I
AN EPISTLE TO DR ARBUTHNOT
ODE ON SOLITUDE
THE DESCENT OF DULLNESS [FROM THE 'Dunciad', BOOK IV]
EPITAPH ON GAY
NOTES
THE RAPE OF THE LOCK
AN ESSAY ON CRITICISM
AN ESSAY ON MAN (EPISTLE I)
AN EPISTLE TO DR ARBUTHNOT
SELECTIONS
APPENDIX
THE FIRST EDITION OF THE RAPE OF THE LOCK
* * * * *
INTRODUCTION
Perhaps no other great poet in English Literature has been so
differently judged at different times as Alexander Pope.
CONTENTS
INTRODUCTION
THE RAPE OF THE LOCK
AN ESSAY ON CRITICISM
AN ESSAY ON MAN, EPISTLE I
AN EPISTLE TO DR ARBUTHNOT
ODE ON SOLITUDE
THE DESCENT OF DULLNESS [FROM THE 'Dunciad', BOOK IV]
EPITAPH ON GAY
NOTES
THE RAPE OF THE LOCK
AN ESSAY ON CRITICISM
AN ESSAY ON MAN (EPISTLE I)
AN EPISTLE TO DR ARBUTHNOT
SELECTIONS
APPENDIX
THE FIRST EDITION OF THE RAPE OF THE LOCK
* * * * *
INTRODUCTION
Perhaps no other great poet in English Literature has been so
differently judged at different times as Alexander Pope.
Alexander Pope
To these are added the famous close of the
'Dunciad', the 'Ode to Solitude', a specimen of Pope's infrequent lyric
note, and the 'Epitaph on Gay'.
The first edition of 'The Rape of the Lock' has been given as an
appendix in order that the student may have the opportunity of comparing
the two forms of this poem, and of realizing the admirable art with
which Pope blended old and new in the version that is now the only one
known to the average reader. The text throughout is that of the Globe
Edition prepared by Professor A. W. Ward.
The editor can lay no claim to originality in the notes with which he
has attempted to explain and illustrate these poems. He is indebted at
every step to the labors of earlier editors, particularly to Elwin,
Courthope, Pattison, and Hales. If he has added anything of his own, it
has been in the way of defining certain words whose meaning or
connotation has changed since the time of Pope, and in paraphrasing
certain passages to bring out a meaning which has been partially
obscured by the poet's effort after brevity and concision.
In the general introduction the editor has aimed not so much to recite
the facts of Pope's life as to draw the portrait of a man whom he
believes to have been too often misunderstood and misrepresented. The
special introductions to the various poems are intended to acquaint the
student with the circumstances under which they were composed, to trace
their literary genesis and relationships, and, whenever necessary, to
give an outline of the train of thought which they embody.
In conclusion the editor would express the hope that his labors in the
preparation of this book may help, if only in some slight degree, to
stimulate the study of the work of a poet who, with all his limitations,
remains one of the abiding glories of English literature, and may
contribute not less to a proper appreciation of a man who with all his
faults was, on the evidence of those who knew him best, not only a great
poet, but a very human and lovable personality.
T. M. P.
'Princeton University', 'June' 4, 1906.
* * * * *
CONTENTS
INTRODUCTION
THE RAPE OF THE LOCK
AN ESSAY ON CRITICISM
AN ESSAY ON MAN, EPISTLE I
AN EPISTLE TO DR ARBUTHNOT
ODE ON SOLITUDE
THE DESCENT OF DULLNESS [FROM THE 'Dunciad', BOOK IV]
EPITAPH ON GAY
NOTES
THE RAPE OF THE LOCK
AN ESSAY ON CRITICISM
AN ESSAY ON MAN (EPISTLE I)
AN EPISTLE TO DR ARBUTHNOT
SELECTIONS
APPENDIX
THE FIRST EDITION OF THE RAPE OF THE LOCK
* * * * *
INTRODUCTION
Perhaps no other great poet in English Literature has been so
differently judged at different times as Alexander Pope. Accepted almost
on his first appearance as one of the leading poets of the day, he
rapidly became recognized as the foremost man of letters of his age. He
held this position throughout his life, and for over half a century
after his death his works were considered not only as masterpieces, but
as the finest models of poetry. With the change of poetic temper that
occurred at the beginning of the nineteenth century Pope's fame was
overshadowed. The romantic poets and critics even raised the question
whether Pope was a poet at all. And as his poetical fame diminished, the
harsh judgments of his personal character increased. It is almost
incredible with what exulting bitterness critics and editors of Pope
have tracked out and exposed his petty intrigues, exaggerated his
delinquencies, misrepresented his actions, attempted in short to blast
his character as a man.
Both as a man and as a poet Pope is sadly in need of a defender to-day.
And a defense is by no means impossible. The depreciation of Pope's
poetry springs, in the main, from an attempt to measure it by other
standards than those which he and his age recognized. The attacks upon
his character are due, in large measure, to a misunderstanding of the
spirit of the times in which he lived and to a forgetfulness of the
special circumstances of his own life. Tried in a fair court by
impartial judges Pope as a poet would be awarded a place, if not among
the noblest singers, at least high among poets of the second order. And
the flaws of character which even his warmest apologist must admit would
on the one hand be explained, if not excused, by circumstances, and on
the other more than counterbalanced by the existence of noble qualities
to which his assailants seem to have been quite blind.
Alexander Pope was born in London on May 21, 1688. His father was a
Roman Catholic linen draper, who had married a second time. Pope was the
only child of this marriage, and seems to have been a delicate,
sweet-tempered, precocious, and, perhaps, a rather spoiled child.
'Dunciad', the 'Ode to Solitude', a specimen of Pope's infrequent lyric
note, and the 'Epitaph on Gay'.
The first edition of 'The Rape of the Lock' has been given as an
appendix in order that the student may have the opportunity of comparing
the two forms of this poem, and of realizing the admirable art with
which Pope blended old and new in the version that is now the only one
known to the average reader. The text throughout is that of the Globe
Edition prepared by Professor A. W. Ward.
The editor can lay no claim to originality in the notes with which he
has attempted to explain and illustrate these poems. He is indebted at
every step to the labors of earlier editors, particularly to Elwin,
Courthope, Pattison, and Hales. If he has added anything of his own, it
has been in the way of defining certain words whose meaning or
connotation has changed since the time of Pope, and in paraphrasing
certain passages to bring out a meaning which has been partially
obscured by the poet's effort after brevity and concision.
In the general introduction the editor has aimed not so much to recite
the facts of Pope's life as to draw the portrait of a man whom he
believes to have been too often misunderstood and misrepresented. The
special introductions to the various poems are intended to acquaint the
student with the circumstances under which they were composed, to trace
their literary genesis and relationships, and, whenever necessary, to
give an outline of the train of thought which they embody.
In conclusion the editor would express the hope that his labors in the
preparation of this book may help, if only in some slight degree, to
stimulate the study of the work of a poet who, with all his limitations,
remains one of the abiding glories of English literature, and may
contribute not less to a proper appreciation of a man who with all his
faults was, on the evidence of those who knew him best, not only a great
poet, but a very human and lovable personality.
T. M. P.
'Princeton University', 'June' 4, 1906.
* * * * *
CONTENTS
INTRODUCTION
THE RAPE OF THE LOCK
AN ESSAY ON CRITICISM
AN ESSAY ON MAN, EPISTLE I
AN EPISTLE TO DR ARBUTHNOT
ODE ON SOLITUDE
THE DESCENT OF DULLNESS [FROM THE 'Dunciad', BOOK IV]
EPITAPH ON GAY
NOTES
THE RAPE OF THE LOCK
AN ESSAY ON CRITICISM
AN ESSAY ON MAN (EPISTLE I)
AN EPISTLE TO DR ARBUTHNOT
SELECTIONS
APPENDIX
THE FIRST EDITION OF THE RAPE OF THE LOCK
* * * * *
INTRODUCTION
Perhaps no other great poet in English Literature has been so
differently judged at different times as Alexander Pope. Accepted almost
on his first appearance as one of the leading poets of the day, he
rapidly became recognized as the foremost man of letters of his age. He
held this position throughout his life, and for over half a century
after his death his works were considered not only as masterpieces, but
as the finest models of poetry. With the change of poetic temper that
occurred at the beginning of the nineteenth century Pope's fame was
overshadowed. The romantic poets and critics even raised the question
whether Pope was a poet at all. And as his poetical fame diminished, the
harsh judgments of his personal character increased. It is almost
incredible with what exulting bitterness critics and editors of Pope
have tracked out and exposed his petty intrigues, exaggerated his
delinquencies, misrepresented his actions, attempted in short to blast
his character as a man.
Both as a man and as a poet Pope is sadly in need of a defender to-day.
And a defense is by no means impossible. The depreciation of Pope's
poetry springs, in the main, from an attempt to measure it by other
standards than those which he and his age recognized. The attacks upon
his character are due, in large measure, to a misunderstanding of the
spirit of the times in which he lived and to a forgetfulness of the
special circumstances of his own life. Tried in a fair court by
impartial judges Pope as a poet would be awarded a place, if not among
the noblest singers, at least high among poets of the second order. And
the flaws of character which even his warmest apologist must admit would
on the one hand be explained, if not excused, by circumstances, and on
the other more than counterbalanced by the existence of noble qualities
to which his assailants seem to have been quite blind.
Alexander Pope was born in London on May 21, 1688. His father was a
Roman Catholic linen draper, who had married a second time. Pope was the
only child of this marriage, and seems to have been a delicate,
sweet-tempered, precocious, and, perhaps, a rather spoiled child.
