Now shake the glittering nimbus of thy hair,
And be God's witness that the elemental
New springs of life are gushing everywhere
To cleanse the watercourses, and prevent all
Concrete obstructions which infest the air!
And be God's witness that the elemental
New springs of life are gushing everywhere
To cleanse the watercourses, and prevent all
Concrete obstructions which infest the air!
Elizabeth Browning
has she won
Nothing but garlands for the graves, from Fate?
Nothing but death-songs? --Yes, be it understood
Life throbs in noble Piedmont! while the feet
Of Rome's clay image, dabbled soft in blood,
Grow flat with dissolution and, as meet,
Will soon be shovelled off like other mud,
To leave the passage free in church and street.
And I, who first took hope up in this song,
Because a child was singing one . . . behold,
The hope and omen were not, haply, wrong!
Poets are soothsayers still, like those of old
Who studied flights of doves; and creatures young
And tender, mighty meanings may unfold.
The sun strikes, through the windows, up the floor;
Stand out in it, my own young Florentine,
Not two years old, and let me see thee more!
It grows along thy amber curls, to shine
Brighter than elsewhere. Now, look straight before,
And fix thy brave blue English eyes on mine,
And from my soul, which fronts the future so,
With unabashed and unabated gaze,
Teach me to hope for, what the angels know
When they smile clear as thou dost. Down God's ways
With just alighted feet, between the snow
And snowdrops, where a little lamb may graze,
Thou hast no fear, my lamb, about the road,
Albeit in our vain-glory we assume
That, less than we have, thou hast learnt of God.
Stand out, my blue-eyed prophet! --thou, to whom
The earliest world-day light that ever flowed,
Through Casa Guidi Windows chanced to come!
Now shake the glittering nimbus of thy hair,
And be God's witness that the elemental
New springs of life are gushing everywhere
To cleanse the watercourses, and prevent all
Concrete obstructions which infest the air!
That earth's alive, and gentle or ungentle
Motions within her, signify but growth! --
The ground swells greenest o'er the labouring moles.
Howe'er the uneasy world is vexed and wroth,
Young children, lifted high on parent souls,
Look round them with a smile upon the mouth,
And take for music every bell that tolls;
(WHO said we should be better if like these? )
But _we_ sit murmuring for the future though
Posterity is smiling on our knees,
Convicting us of folly. Let us go--
We will trust God. The blank interstices
Men take for ruins, He will build into
With pillared marbles rare, or knit across
With generous arches, till the fane's complete.
This world has no perdition, if some loss.
Such cheer I gather from thy smiling, Sweet!
The self-same cherub-faces which emboss
The Vail, lean inward to the Mercy-seat.
FOOTNOTES:
[12] See the opening passage of the "Agamemnon" of AEschylus.
[13] Philostratus relates of Apollonius how he objected to the musical
instrument of Linus the Rhodian that it could not enrich or
beautify. The history of music in our day would satisfy the
philosopher on one point at least.
POEMS BEFORE CONGRESS
PREFACE.
These poems were written under the pressure of the events they
indicate, after a residence in Italy of so many years that the present
triumph of great principles is heightened to the writer's feelings by
the disastrous issue of the last movement, witnessed from "Casa Guidi
Windows" in 1849. Yet, if the verses should appear to English readers
too pungently rendered to admit of a patriotic respect to the English
sense of things, I will not excuse myself on such grounds, nor on the
ground of my attachment to the Italian people and my admiration of
their heroic constancy and union.
Nothing but garlands for the graves, from Fate?
Nothing but death-songs? --Yes, be it understood
Life throbs in noble Piedmont! while the feet
Of Rome's clay image, dabbled soft in blood,
Grow flat with dissolution and, as meet,
Will soon be shovelled off like other mud,
To leave the passage free in church and street.
And I, who first took hope up in this song,
Because a child was singing one . . . behold,
The hope and omen were not, haply, wrong!
Poets are soothsayers still, like those of old
Who studied flights of doves; and creatures young
And tender, mighty meanings may unfold.
The sun strikes, through the windows, up the floor;
Stand out in it, my own young Florentine,
Not two years old, and let me see thee more!
It grows along thy amber curls, to shine
Brighter than elsewhere. Now, look straight before,
And fix thy brave blue English eyes on mine,
And from my soul, which fronts the future so,
With unabashed and unabated gaze,
Teach me to hope for, what the angels know
When they smile clear as thou dost. Down God's ways
With just alighted feet, between the snow
And snowdrops, where a little lamb may graze,
Thou hast no fear, my lamb, about the road,
Albeit in our vain-glory we assume
That, less than we have, thou hast learnt of God.
Stand out, my blue-eyed prophet! --thou, to whom
The earliest world-day light that ever flowed,
Through Casa Guidi Windows chanced to come!
Now shake the glittering nimbus of thy hair,
And be God's witness that the elemental
New springs of life are gushing everywhere
To cleanse the watercourses, and prevent all
Concrete obstructions which infest the air!
That earth's alive, and gentle or ungentle
Motions within her, signify but growth! --
The ground swells greenest o'er the labouring moles.
Howe'er the uneasy world is vexed and wroth,
Young children, lifted high on parent souls,
Look round them with a smile upon the mouth,
And take for music every bell that tolls;
(WHO said we should be better if like these? )
But _we_ sit murmuring for the future though
Posterity is smiling on our knees,
Convicting us of folly. Let us go--
We will trust God. The blank interstices
Men take for ruins, He will build into
With pillared marbles rare, or knit across
With generous arches, till the fane's complete.
This world has no perdition, if some loss.
Such cheer I gather from thy smiling, Sweet!
The self-same cherub-faces which emboss
The Vail, lean inward to the Mercy-seat.
FOOTNOTES:
[12] See the opening passage of the "Agamemnon" of AEschylus.
[13] Philostratus relates of Apollonius how he objected to the musical
instrument of Linus the Rhodian that it could not enrich or
beautify. The history of music in our day would satisfy the
philosopher on one point at least.
POEMS BEFORE CONGRESS
PREFACE.
These poems were written under the pressure of the events they
indicate, after a residence in Italy of so many years that the present
triumph of great principles is heightened to the writer's feelings by
the disastrous issue of the last movement, witnessed from "Casa Guidi
Windows" in 1849. Yet, if the verses should appear to English readers
too pungently rendered to admit of a patriotic respect to the English
sense of things, I will not excuse myself on such grounds, nor on the
ground of my attachment to the Italian people and my admiration of
their heroic constancy and union.
