The hunter lo'es the morning sun,
To rouse the mountain deer, my jo;
At noon the fisher seeks the glen,
Alang the burn to steer, my jo;
Gie me the hour o' gloamin gray,
It maks my heart sae cheery, O,
To meet thee on the lea-ring,
My ain kind dearie O!
To rouse the mountain deer, my jo;
At noon the fisher seeks the glen,
Alang the burn to steer, my jo;
Gie me the hour o' gloamin gray,
It maks my heart sae cheery, O,
To meet thee on the lea-ring,
My ain kind dearie O!
Robert Forst
IV.
The kirk an' state may join and tell--
To do sic things I maunna:
The kirk and state may gang to hell,
And I'll gae to my Anna.
She is the sunshine of my e'e,
To live but her I canna:
Had I on earth but wishes three,
The first should be my Anna.
* * * * *
CLXXVIII.
MY AIN KIND DEARIE O.
[This is the first song composed by Burns for the national collection
of Thomson: it was written in October, 1792. "On reading over the
Lea-rig," he says, "I immediately set about trying my hand on it, and,
after all, I could make nothing more of it than the following. " The
first and second verses were only sent: Burns added the third and last
verse in December. ]
I.
When o'er the hill the eastern star
Tells bughtin-time is near, my jo;
And owsen frae the furrow'd field
Return sae dowf and weary, O!
Down by the burn, where scented birks[137]
Wi' dew are hanging clear, my jo;
I'll meet thee on the lea-rig,
My ain kind dearie O!
II.
In mirkest glen, at midnight hour,
I'd rove, and ne'er be eerie, O;
If thro' that glen I gaed to thee,
My ain kind dearie O!
Altho' the night were ne'er sae wild,
And I were ne'er sae wearie, O,
I'd meet thee on the lea-rig,
My ain kind dearie O!
III.
The hunter lo'es the morning sun,
To rouse the mountain deer, my jo;
At noon the fisher seeks the glen,
Alang the burn to steer, my jo;
Gie me the hour o' gloamin gray,
It maks my heart sae cheery, O,
To meet thee on the lea-ring,
My ain kind dearie O!
FOOTNOTES:
[Footnote 137: For "scented birks," in some copies, "birken buds. "]
* * * * *
CLXXIX.
TO MARY CAMPBELL.
["In my very early years," says Burns to Thomson "when I was thinking
of going to the West Indies, I took the following farewell of a dear
girl. You must know that all my earlier love-songs were the breathings
of ardent passion, and though it might have been easy in after times
to have given them a polish, yet that polish, to me, would have
defaced the legend of my heart, so faithfully inscribed on them.
Their uncouth simplicity was, as they say of wines, their race. " The
heroine of this early composition was Highland Mary. ]
I.
Will ye go to the Indies, my Mary,
And leave old Scotia's shore?
Will ye go to the Indies, my Mary,
Across th' Atlantic's roar?
II.
O sweet grows the lime and the orange,
And the apple on the pine;
But a' the charms o' the Indies
Can never equal thine.
III.
I hae sworn by the Heavens to my Mary,
I hae sworn by the Heavens to be true;
And sae may the Heavens forget me
When I forget my vow!
IV.