No More Learning

The following plays were
revived:--_Deirdre_, by A. E. ; _Twenty-five_, by Lady Gregory; _Cathleen
ni Houlihan_, _The Pot of Broth_, and _The Hour-Glass_, by myself.
We could have given more plays, but difficulties about the place of
performance, the shifting of scenery from where we rehearsed to where
we acted, and so on, always brought a great deal of labour upon the
Society. The Society went to London in March and gave two performances
at The Royalty to full houses. They played there Mr. Synge's two
plays, Mr. Colm's play, and my _King's Threshold_ and _Pot of Broth_.
We were commended by the critics with generous sympathy, and had an
enthusiastic and distinguished audience.

We have many plays awaiting performance during the coming winter. Mr.
Synge has written us a play in three acts called _The Well of the
Saints_, full, as few works of our time are, with temperament, and of a
true and yet bizarre beauty. Lady Gregory has written us an historical
tragedy in three acts about King Brian and a very merry comedy of
country life. Mr. Bernard Shaw has written us a play[H] in four acts,
his first experiment in Irish satire; Mr.
Tarpey, an Irishman whose
comedy _Windmills_ was successfully prepared by the Stage Society some
years ago, a little play which I have not yet seen; and Mr. Boyle, a
village comedy in three acts; and I hear of other plays by competent
hands that are coming to us. My own _Baile's Strand_ is in rehearsal,
and I hope to have ready for the spring a play on the subject of
_Deirdre_, with choruses somewhat in the Greek manner. We are, of
course, offered from all parts of the world great quantities of plays
which are impossible for literary or dramatic reasons. Some of them
have a look of having been written for the commercial theatre and of
having been sent to us on rejection. It will save trouble if I point
out that a play which seems to its writer to promise an ordinary London
or New York success is very unlikely to please us, or succeed with our
audience if it did. Writers who have a better ambition should get some
mastery of their art in little plays before spending many months of
what is almost sure to be wasted labour on several acts.

We were invited to play in the St. Louis Exhibition, but thought that
our work should be in Ireland for the present, and had other reasons
for refusing.

A Company, which has been formed in America by Miss Witcherly, who
played in _Everyman_ during a part of its tour in America, to take
some of our plays on tour, has begun with three one-act plays of mine,
_Cathleen ni Houlihan_, _The Hour-Glass_, and _The Land of Heart's
Desire_. It announces on its circulars that it is following the methods
of our Theatre.

Though the commercial theatre of America is as unashamedly commercial
as the English, there is a far larger audience interested in fine
drama than here. When I was lecturing in, I think, Philadelphia--one
town mixes with another in my memory at times--some one told me that he
had seen the _Duchess of Malfi_ played there by one of the old stock
companies in his boyhood; and _Everyman_ has been far more of a success
in America than anywhere else. They have numberless University towns
each with its own character and with an academic life animated by a
zeal and by an imagination unknown in these countries. There is nearly
everywhere that leaven of highly-cultivated men and women so much more
necessary to a good theatrical audience to-day than were ever Raleigh
and Sidney, when the groundling could remember the folk-songs and the
imaginative folk-life. The more an age is busy with temporary things,
the more must it look for leadership in matters of art to men and women
whose business or whose leisure has made the great writers of the world
their habitual company.