No More Learning

5. Plagiarisms from modern authors may in some cases have been
introduced by Chatterton but in others they are the commonplaces of
poetry.


_Against Rowley_.

1. No writings or chest deposited in Redcliffe Church are mentioned in
Canynge's Will.

2. The Bristol library was in Chatterton's time of general access, and
Chatterton was introduced to it by Rev. A. Catcott (Warton).

3. Facts about Canynge may be found in his epitaph in Redcliffe
Church; and the account of Redcliffe steeple--(which had been
destroyed by fire before Chatterton's time) came from the bottom of an
old print published in 1746.

4. The parchments were taken from the bottom of old deeds where a
small blank space was usually left--hence their small size.




POEMS,

SUPPOSED TO HAVE BEEN WRITTEN AT BRISTOL,

BY THOMAS ROWLEY, AND OTHERS, IN THE FIFTEENTH CENTURY.




POEMS,

SUPPOSED TO HAVE BEEN WRITTEN AT BRISTOL, BY THOMAS ROWLEY,
AND OTHERS, IN THE FIFTEENTH CENTURY.
THE THIRD EDITION; TO
WHICH IS ADDED AN APPENDIX, CONTAINING SOME OBSERVATIONS UPON
THE LANGUAGE OF THESE POEMS; TENDING TO PROVE, THAT THEY WERE
WRITTEN, NOT BY ANY ANCIENT AUTHOR, BUT ENTIRELY BY THOMAS
CHATTERTON.




THE CONTENTS OF THIS VOLUME.

The Preface
Introductory Account of the Several Pieces
Advertisement
Eclogue the First
Eclogue the Second
Eclogue the Third
Elinoure and Juga
Verses to Lydgate
Songe to AElla
Lydgate's Answer
The Tournament
The Dethe of Syr Charles Bawdin
Epistle to Mastre Canynge on AElla
Letter to the dygne M. Canynge
Entroductionne
AElla; a Tragycal Enterlude
Goddwyn; a Tragedie. (A Fragment. )
Englysh Metamorphosis, B. I.
Balade of Charitie
Battle of Hastings, No. 1.
Battle of Hastings, No. 2.
Onn oure Ladies Chyrche
On the same
Epitaph on Robert Canynge
The Storie of William Canynge
On Happienesse, by William Canynge
Onn Johne a Dalbenie, by the same
The Gouler's Requiem, by the same
The Accounte of W. Canynge's Feast
GLOSSARY




PREFACE.


The Poems, which make the principal part of this Collection, have
for some time excited much curiosity, as the supposed productions of
THOMAS ROWLEY, a priest of Bristol, in the reigns of Henry VI. and
Edward IV. They are here faithfully printed from the most authentic
MSS that could be procured; of which a particular description is given
in the _Introductory account of the several pieces contained in this
volume_, subjoined to this Preface.