I have
also frequently told them that men in the Christian world are in such gross
ignorance respecting Angels and Spirits as to suppose them to be minds
without a form, or mere thoughts, of which they have no other idea than as
something ethereal possessing a vital principle.
also frequently told them that men in the Christian world are in such gross
ignorance respecting Angels and Spirits as to suppose them to be minds
without a form, or mere thoughts, of which they have no other idea than as
something ethereal possessing a vital principle.
Whitman
?
The Project Gutenberg EBook of Poems By Walt Whitman, by Walt Whitman
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**Welcome To The World of Free Plain Vanilla Electronic Texts**
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*****These eBooks Were Prepared By Thousands of Volunteers! *****
Title: Poems By Walt Whitman
Author: Walt Whitman
Release Date: June, 2005 [EBook #8388]
[This file was first posted on July 6, 2003]
Edition: 10
Language: English
*** START OF THE PROJECT GUTENBERG EBOOK, POEMS BY WALT WHITMAN ***
E-text prepared by Andrea Ball, Jon Ingram, Charles Franks, and the Online
Distributed Proofreading Team
POEMS BY WALT WHITMAN
by WALT WHITMAN
SELECTED AND EDITED BY WILLIAM MICHAEL ROSSETTI
A NEW EDITION
"Or si sa il nome, o per tristo o per buono,
E si sa pure al mondo ch'io ci sono. "
--MICHELANGELO.
"That Angels are human forms, or men, I have seen a thousand times. I have
also frequently told them that men in the Christian world are in such gross
ignorance respecting Angels and Spirits as to suppose them to be minds
without a form, or mere thoughts, of which they have no other idea than as
something ethereal possessing a vital principle. To the first or ultimate
heaven also correspond the forms of man's body, called its members, organs,
and viscera.
I have
also frequently told them that men in the Christian world are in such gross
ignorance respecting Angels and Spirits as to suppose them to be minds
without a form, or mere thoughts, of which they have no other idea than as
something ethereal possessing a vital principle. To the first or ultimate
heaven also correspond the forms of man's body, called its members, organs,
and viscera. Thus the corporeal part of man is that in which heaven
ultimately closes, and upon which, as on its base, it rests. "
--SWEDENBORG.
"Yes, truly, it is a great thing for a nation that it get an articulate
voice--that it produce a man who will speak forth melodiously what the
heart of it means. "
--CARLYLE.
"Les efforts de vos ennemis contre vous, leurs cris, leur rage impuissante,
et leurs petits succes, ne doivent pas vous effrayer; ce ne sont que des
egratignures sur les epaules d'Hercule. "
--ROBESPIERRE.
TO WILLIAM BELL SCOTT.
DEAR SCOTT,--Among various gifts which I have received from you, tangible
and intangible, was a copy of the original quarto edition of Whitman's
_Leaves of Grass_, which you presented to me soon after its first
appearance in 1855. At a time when few people on this side of the Atlantic
had looked into the book, and still fewer had found in it anything save
matter for ridicule, you had appraised it, and seen that its value was real
and great. A true poet and a strong thinker like yourself was indeed likely
to see that. I read the book eagerly, and perceived that its substantiality
and power were still ahead of any eulogium with which it might have come
commended to me--and, in fact, ahead of most attempts that could be made at
verbal definition of them.
Some years afterwards, getting to know our friend Swinburne, I found with
much satisfaction that he also was an ardent (not of course a _blind_)
admirer of Whitman. Satisfaction, and a degree almost of surprise; for his
intense sense of poetic refinement of form in his own works and his
exacting acuteness as a critic might have seemed likely to carry him away
from Whitman in sympathy at least, if not in actual latitude of perception.
Those who find the American poet "utterly formless," "intolerably rough and
floundering," "destitute of the A B C of art," and the like, might not
unprofitably ponder this very different estimate of him by the author of
_Atalanta in Calydon_.
Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project
Gutenberg file. Please do not remove it. Do not change or edit the
header without written permission.
Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file. Included is
important information about your specific rights and restrictions in
how the file may be used. You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers! *****
Title: Poems By Walt Whitman
Author: Walt Whitman
Release Date: June, 2005 [EBook #8388]
[This file was first posted on July 6, 2003]
Edition: 10
Language: English
*** START OF THE PROJECT GUTENBERG EBOOK, POEMS BY WALT WHITMAN ***
E-text prepared by Andrea Ball, Jon Ingram, Charles Franks, and the Online
Distributed Proofreading Team
POEMS BY WALT WHITMAN
by WALT WHITMAN
SELECTED AND EDITED BY WILLIAM MICHAEL ROSSETTI
A NEW EDITION
"Or si sa il nome, o per tristo o per buono,
E si sa pure al mondo ch'io ci sono. "
--MICHELANGELO.
"That Angels are human forms, or men, I have seen a thousand times. I have
also frequently told them that men in the Christian world are in such gross
ignorance respecting Angels and Spirits as to suppose them to be minds
without a form, or mere thoughts, of which they have no other idea than as
something ethereal possessing a vital principle. To the first or ultimate
heaven also correspond the forms of man's body, called its members, organs,
and viscera.
I have
also frequently told them that men in the Christian world are in such gross
ignorance respecting Angels and Spirits as to suppose them to be minds
without a form, or mere thoughts, of which they have no other idea than as
something ethereal possessing a vital principle. To the first or ultimate
heaven also correspond the forms of man's body, called its members, organs,
and viscera. Thus the corporeal part of man is that in which heaven
ultimately closes, and upon which, as on its base, it rests. "
--SWEDENBORG.
"Yes, truly, it is a great thing for a nation that it get an articulate
voice--that it produce a man who will speak forth melodiously what the
heart of it means. "
--CARLYLE.
"Les efforts de vos ennemis contre vous, leurs cris, leur rage impuissante,
et leurs petits succes, ne doivent pas vous effrayer; ce ne sont que des
egratignures sur les epaules d'Hercule. "
--ROBESPIERRE.
TO WILLIAM BELL SCOTT.
DEAR SCOTT,--Among various gifts which I have received from you, tangible
and intangible, was a copy of the original quarto edition of Whitman's
_Leaves of Grass_, which you presented to me soon after its first
appearance in 1855. At a time when few people on this side of the Atlantic
had looked into the book, and still fewer had found in it anything save
matter for ridicule, you had appraised it, and seen that its value was real
and great. A true poet and a strong thinker like yourself was indeed likely
to see that. I read the book eagerly, and perceived that its substantiality
and power were still ahead of any eulogium with which it might have come
commended to me--and, in fact, ahead of most attempts that could be made at
verbal definition of them.
Some years afterwards, getting to know our friend Swinburne, I found with
much satisfaction that he also was an ardent (not of course a _blind_)
admirer of Whitman. Satisfaction, and a degree almost of surprise; for his
intense sense of poetic refinement of form in his own works and his
exacting acuteness as a critic might have seemed likely to carry him away
from Whitman in sympathy at least, if not in actual latitude of perception.
Those who find the American poet "utterly formless," "intolerably rough and
floundering," "destitute of the A B C of art," and the like, might not
unprofitably ponder this very different estimate of him by the author of
_Atalanta in Calydon_.
