No More Learning

SAUSAGE-SELLER. Spoken like a finished master of fence.

CHORUS. Now, bolt down these cloves of garlic.

SAUSAGE-SELLER. Pray, what for?

CHORUS. Well primed with garlic, you will have greater mettle for the
fight. But hurry, hurry, bestir yourself!

SAUSAGE-SELLER. That's just what I am doing.

CHORUS. And, above all, bite your foe, rend him to atoms, tear off his
comb[64] and do not return until you have devoured his wattles. Go! make
your attack with a light heart, avenge me and may Zeus guard you!
I burn
to see you return the victor and laden with chaplets of glory. And you,
spectators, enlightened critics of all kinds of poetry, lend an ear to my
anapaests. [65]

CHORUS. Had one of the old authors asked to mount this stage to recite
his verses, he would not have found it hard to persuade me. But our poet
of to-day is likewise worthy of this favour; he shares our hatred, he
dares to tell the truth, he boldly braves both waterspouts and
hurricanes. Many among you, he tells us, have expressed wonder, that he
has not long since had a piece presented in his own name, and have asked
the reason why. [66] This is what he bids us say in reply to your
questions; 'tis not without grounds that he has courted the shade, for,
in his opinion, nothing is more difficult than to cultivate the comic
Muse; many court her, but very few secure her favours. Moreover, he knows
that you are fickle by nature and betray your poets when they grow old.
What fate befell Magnes,[67] when his hair went white? Often enough has
he triumphed over his rivals; he has sung in all keys, played the lyre
and fluttered wings; he turned into a Lydian and even into a gnat, daubed
himself with green to become a frog. [68] All in vain! When young, you
applauded him; in his old age you hooted and mocked him, because his
genius for raillery had gone. Cratinus[69] again was like a torrent of
glory rushing across the plain, uprooting oak, plane tree and rivals and
bearing them pell-mell in its wake. The only songs at the banquet were,
'Doro, shod with lying tales' and 'Adepts of the Lyric Muse';[70] so
great was his renown. Look at him now! he drivels, his lyre has neither
strings nor keys, his voice quivers, but you have no pity for him, and
you let him wander about as he can, like Connas,[71] his temples circled
with a withered chaplet; the poor old fellow is dying of thirst; he who,
in honour of his glorious past, should be in the Prytaneum drinking at
his ease, and instead of trudging the country should be sitting amongst
the first row of the spectators, close to the statue of Dionysus[72] and
loaded with perfumes.