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Lascelle Abercrombie
But Keats's apparent (it is only apparent) rejection of
intellect in his poetry was the result of youthful theory; his letters
show that, in fact, intellect was a thing unusually vigorous in his
nature. If the Keats of the letters be added to the Keats of the poems,
a personality appears that seems more likely than any of his
contemporaries, or than anyone who has come after him, for the work of
carrying Miltonic epic forward without forsaking Miltonic form. ]
[Footnote 14: For all I know, Hugo may never have read Milton; judging
by some silly remarks of his, I should hope not. But Hugo could feel the
things in the spirit of man that Milton felt; not only because they were
still there, but because the secret influence of Milton has intensified
the consciousness of them in thousands who think they know nothing of
_Paradise Lost_. Modern literary history will not be properly understood
until it is realized that Milton is one of the dominating minds of
Europe, whether Europe know it or not. There are scarcely half a dozen
figures that can be compared with Milton for irresistible
influence--quite apart from his unapproachable supremacy in the
technique of poetry. When Addison remarked that _Paradise Lost_ is
universally and perpetually interesting, he said what is not to be
questioned; though he did not perceive the real reason for his
assertion. Darwin no more injured the significance of _Paradise Lost_
than air-planes have injured Homer. ]
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intellect in his poetry was the result of youthful theory; his letters
show that, in fact, intellect was a thing unusually vigorous in his
nature. If the Keats of the letters be added to the Keats of the poems,
a personality appears that seems more likely than any of his
contemporaries, or than anyone who has come after him, for the work of
carrying Miltonic epic forward without forsaking Miltonic form. ]
[Footnote 14: For all I know, Hugo may never have read Milton; judging
by some silly remarks of his, I should hope not. But Hugo could feel the
things in the spirit of man that Milton felt; not only because they were
still there, but because the secret influence of Milton has intensified
the consciousness of them in thousands who think they know nothing of
_Paradise Lost_. Modern literary history will not be properly understood
until it is realized that Milton is one of the dominating minds of
Europe, whether Europe know it or not. There are scarcely half a dozen
figures that can be compared with Milton for irresistible
influence--quite apart from his unapproachable supremacy in the
technique of poetry. When Addison remarked that _Paradise Lost_ is
universally and perpetually interesting, he said what is not to be
questioned; though he did not perceive the real reason for his
assertion. Darwin no more injured the significance of _Paradise Lost_
than air-planes have injured Homer. ]
End of the Project Gutenberg EBook of The Epic, by Lascelles Abercrombie
*** END OF THIS PROJECT GUTENBERG EBOOK THE EPIC ***
***** This file should be named 10716-8. txt or 10716-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. net/1/0/7/1/10716/
Produced by Garrett Alley and PG Distributed Proofreaders
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties.
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