No More Learning

Take, brother, gifts a brother's tears
Bedewed with sorrow as they fell,
And 'Greeting' to the end of years,
And to the end of years 'Farewell'.

H. W. G.


_101_

FRIEND, if the mute and shrouded dead
Are touched at all by tears,
By love long fled and friendship sped
And the unreturning years,

O then, to her that early died,
O doubt not, bridegroom, to thy bride
Thy love is sweet and sweeteneth
The very bitterness of death.

H. W. G.


_103_

SICK, Cornificius, is thy friend,
Sick to the heart: and sees no end
Of wretched thoughts that gathering fast
Threaten to wear him out at last.

And yet you never come and bring,
Though 'twere the least and easiest thing,
A comfort in that talk of thine.
You vex me. This to love of mine?

Prithee a little talk, for ease,
Full as the tears of sad Simonides!

LEIGH HUNT.


_110_

AVAUNT, ye vain bombastic crew,
Crickets that swill no Attic dew:
Good-bye, grammarians crass and narrow,
Selius, Tarquitius, and Varro:
A pedant tribe of fat-brained fools,
The tinkling cymbals of the schools!
Sextus, my friend of friends, good-bye,
With all our pretty company!
I'm sailing for the blissful shore,
Great Siro's high recondite lore,
That haven where my life shall be
From every tyrant passion free.
You too, sweet Muses mine, farewell,
Sweet muses mine, for truth to tell
Sweet were ye once, but now begone;
And yet, and yet, return anon,
And when I write, at whiles be seen
In visits shy and far between.

T. H. WARREN.

I append Clough's _Lines Written in a Lecture Room_. The theme is that
of Vergil inverted. But the mood in either poet is the same--that mood
of passionate revolt against academicism which never comes to some
people and never departs from others:

AWAY, haunt thou not me,
Thou dull Philosophy!
Little hast thou bestead,
Save to perplex the head
And leave the spirit dead.
Unto thy broken cisterns wherefore go,
While from the secret treasure-depths below,
Fed by the skiey shower,
And clouds that sink and rest on hill-tops high,
Wisdom at once and Power,
Are welling, bubbling forth, unseen, incessantly?
Why labour at the dull mechanic oar,
When the fresh breeze is blowing,
And the strong current flowing,
Right onward to the Eternal Shore?

A. H. CLOUGH.


_116_

Dryden's version of this piece shows him at his best as a translator of
Vergil.