'391' admire:
not used in our modern sense, but in its original meaning, "to wonder
at.
not used in our modern sense, but in its original meaning, "to wonder
at.
Alexander Pope
He is represented more than once as
hurling huge stones at his enemies. Note that Pope has endeavored in
this and the following line to convey the sense of effort and struggle.
What means does he employ? Do you think he succeeds?
'372 Camilla:'
a heroine who appears in the latter part of the 'AEneid' fighting against
the Trojan invaders of Italy. Virgil says that she was so swift of foot
that she might have run over a field of wheat without breaking the
stalks, or across the sea without wetting her feet. Pope attempts in l.
373 to reproduce in the sound and movement of his verse the sense of
swift flight.
'374 Timotheus:'
a Greek poet and singer who was said to have played and sung before
Alexander the Great. The reference in this passage is to Dryden's famous
poem, 'Alexander's Feast'.
'376 the son of Libyan Jove:'
Alexander the Great, who boasted that he was the son of Jupiter. The
famous oracle of Jupiter Ammon situated in the Libyan desert was visited
by Alexander, who was said to have learned there the secret of his
parentage.
'383 Dryden:'
this fine compliment is paid to a poet whom Pope was proud to
acknowledge as his master. "I learned versification wholly from Dryden's
works," he once said. Pope's admiration for Dryden dated from early
youth, and while still a boy he induced a friend to take him to see the
old poet in his favorite coffee-house.
'391' admire:
not used in our modern sense, but in its original meaning, "to wonder
at. " According to Pope, it is only fools who are lost in wonder at the
beauties of a poem; wise men "approve," 'i. e. ' test and pronounce them
good.
'396-397'
Pope acknowledged that in these lines he was alluding to the
uncharitable belief of his fellow-Catholics that all outside the fold of
the Catholic church were sure to be damned.
'400 sublimes:'
purifies.
'404 each:'
each age.
'415 joins with Quality:'
takes sides with "the quality," 'i. e. ' people of rank.
'429'
Are so clever that they refuse to accept the common and true belief, and
so forfeit their salvation.
'441 Sentences:'
the reference is to a mediaeval treatise on Theology, by Peter Lombard,
called the 'Book of Sentences'. It was long used as a university
text-book.
'444 Scotists and Thomists:'
mediaeval scholars, followers respectively of Duns Scotus and Thomas
Aquinas. A long dispute raged between their disciples. In this couplet
Pope points out that the dispute is now forgotten, and the books of the
old disputants lie covered with cobwebs in Duck-lane, a street in London
where second-hand books were sold in Pope's day.
hurling huge stones at his enemies. Note that Pope has endeavored in
this and the following line to convey the sense of effort and struggle.
What means does he employ? Do you think he succeeds?
'372 Camilla:'
a heroine who appears in the latter part of the 'AEneid' fighting against
the Trojan invaders of Italy. Virgil says that she was so swift of foot
that she might have run over a field of wheat without breaking the
stalks, or across the sea without wetting her feet. Pope attempts in l.
373 to reproduce in the sound and movement of his verse the sense of
swift flight.
'374 Timotheus:'
a Greek poet and singer who was said to have played and sung before
Alexander the Great. The reference in this passage is to Dryden's famous
poem, 'Alexander's Feast'.
'376 the son of Libyan Jove:'
Alexander the Great, who boasted that he was the son of Jupiter. The
famous oracle of Jupiter Ammon situated in the Libyan desert was visited
by Alexander, who was said to have learned there the secret of his
parentage.
'383 Dryden:'
this fine compliment is paid to a poet whom Pope was proud to
acknowledge as his master. "I learned versification wholly from Dryden's
works," he once said. Pope's admiration for Dryden dated from early
youth, and while still a boy he induced a friend to take him to see the
old poet in his favorite coffee-house.
'391' admire:
not used in our modern sense, but in its original meaning, "to wonder
at. " According to Pope, it is only fools who are lost in wonder at the
beauties of a poem; wise men "approve," 'i. e. ' test and pronounce them
good.
'396-397'
Pope acknowledged that in these lines he was alluding to the
uncharitable belief of his fellow-Catholics that all outside the fold of
the Catholic church were sure to be damned.
'400 sublimes:'
purifies.
'404 each:'
each age.
'415 joins with Quality:'
takes sides with "the quality," 'i. e. ' people of rank.
'429'
Are so clever that they refuse to accept the common and true belief, and
so forfeit their salvation.
'441 Sentences:'
the reference is to a mediaeval treatise on Theology, by Peter Lombard,
called the 'Book of Sentences'. It was long used as a university
text-book.
'444 Scotists and Thomists:'
mediaeval scholars, followers respectively of Duns Scotus and Thomas
Aquinas. A long dispute raged between their disciples. In this couplet
Pope points out that the dispute is now forgotten, and the books of the
old disputants lie covered with cobwebs in Duck-lane, a street in London
where second-hand books were sold in Pope's day.
