No More Learning

Slow glides the sail along th' illumin'd shore,
And steals into the shade the lazy oar.
Soft bosoms breathe around contagious sighs,
And amourous music on the water dies. 115
Heedless how Pliny, musing here, survey'd
Old Roman boats and figures thro' the shade,
Pale Passion, overpower'd, retires and woos
The thicket, where th' unlisten'd stock-dove coos.

How bless'd, delicious Scene! the eye that greets 120
Thy open beauties, or thy lone retreats;
Th' unwearied sweep of wood thy cliffs that scales,
The never-ending waters of thy vales;
The cots, those dim religious groves enbow'r,
Or, under rocks that from the water tow'r 125
Insinuated, sprinkling all the shore,
Each with his household boat beside the door,
Whose flaccid sails in forms fantastic droop,
Bright'ning the gloom where thick the forests stoop;
--Thy torrents shooting from the clear-blue sky, 130
Thy towns, like swallows' nests that cleave on high;
That glimmer hoar in eve's last light, descry'd
Dim from the twilight water's shaggy side,
Whence lutes and voices down th' enchanted woods
Steal, and compose the oar-forgotten floods, 135
While Evening's solemn bird melodious weeps,
Heard, by star-spotted bays, beneath the steeps;
--Thy lake, mid smoking woods, that blue and grey
Gleams, streak'd or dappled, hid from morning's ray
Slow-travelling down the western hills, to fold 140
It's green-ting'd margin in a blaze of gold;
From thickly-glittering spires the matin-bell
Calling the woodman from his desert cell,
A summons to the sound of oars, that pass,
Spotting the steaming deeps, to early mass; 145
Slow swells the service o'er the water born,
While fill each pause the ringing woods of morn.

Farewel! those forms that, in thy noon-tide shade,
Rest, near their little plots of wheaten glade;
Those stedfast eyes, that beating breasts inspire 150
To throw the "sultry ray" of young Desire;
Those lips, whose tides of fragrance come, and go,
Accordant to the cheek's unquiet glow;
Those shadowy breasts in love's soft light array'd,
And rising, by the moon of passion sway'd. 155

--Thy fragrant gales and lute-resounding streams,
Breathe o'er the failing soul voluptuous dreams;
While Slavery, forcing the sunk mind to dwell
On joys that might disgrace the captive's cell,
Her shameless timbrel shakes along thy marge, 160
And winds between thine isles the vocal barge.

Yet, arts are thine that rock th' unsleeping heart,
And smiles to Solitude and Want impart.
I lov'd, mid thy most desert woods astray,
With pensive step to measure my slow way, [H] 165
By lonely, silent cottage-doors to roam,
The far-off peasant's day-deserted home;
Once did I pierce to where a cabin stood,
The red-breast peace had bury'd it in wood,
There, by the door a hoary-headed sire 170
Touch'd with his wither'd hand an aged lyre;
Beneath an old-grey oak as violets lie,
Stretch'd at his feet with stedfast, upward eye,
His children's children join'd the holy sound,
A hermit--with his family around. 175

Hence shall we seek where fair Locarno smiles
Embower'd in walnut slopes and citron isles,
Or charms that smile on Tusa's evening stream,
While mid dim towers and woods her [I] waters gleam;
From the bright wave, in solemn gloom, retire 180
The dull-red steeps, and darkening still, aspire,
To where afar rich orange lustres glow
Round undistinguish'd clouds, and rocks, and snow;
Or, led where Viamala's chasms confine
Th' indignant waters of the infant Rhine, 185
Bend o'er th' abyss? --the else impervious gloom
His burning eyes with fearful light illume.
The Grison gypsey here her tent has plac'd,
Sole human tenant of the piny waste;
Her tawny skin, dark eyes, and glossy locks, 190
Bend o'er the smoke that curls beneath the rocks.

--The mind condemn'd, without reprieve, to go
O'er life's long deserts with it's charge of woe,
With sad congratulation joins the train,
Where beasts and men together o'er the plain 195
Move on,--a mighty caravan of pain;
Hope, strength, and courage, social suffering brings,
Freshening the waste of sand with shades and springs.

--She solitary through the desert drear
Spontaneous wanders, hand in hand with Fear.
200

A giant moan along the forest swells
Protracted, and the twilight storm foretells,
And, ruining from the cliffs their deafening load
Tumbles, the wildering Thunder slips abroad;
On the high summits Darkness comes and goes, 205
Hiding their fiery clouds, their rocks, and snows;
The torrent, travers'd by the lustre broad,
Starts like a horse beside the flashing road;
In the roof'd [J] bridge, at that despairing hour,
She seeks a shelter from the battering show'r. 210
--Fierce comes the river down; the crashing wood
Gives way, and half it's pines torment the flood;
[K] Fearful, beneath, the Water-spirits call,
And the bridge vibrates, tottering to its fall.

--Heavy, and dull, and cloudy is the night, 215
No star supplies the comfort of it's light,
Glimmer the dim-lit Alps, dilated, round,
And one sole light shifts in the vale profound;
While, opposite, the waning moon hangs still,
And red, above her melancholy hill. 220
By the deep quiet gloom appall'd, she sighs,
Stoops her sick head, and shuts her weary eyes.
--Breaking th' ascending roar of desert floods,
And insect buzz, that stuns the sultry woods,
She hears, upon the mountain forest's brow, 225
The death-dog, howling loud and long, below;
On viewless fingers counts the valley-clock,
Followed by drowsy crow of midnight cock.
--Bursts from the troubl'd Larch's giant boughs
The pie, and chattering breaks the night's repose. 230
Low barks the fox; by Havoc rouz'd the bear,
Quits, growling, the white bones that strew his lair;
The dry leaves stir as with the serpent's walk,
And, far beneath, Banditti voices talk;
Behind her hill the Moon, all crimson, rides, 235
And his red eyes the slinking Water hides;
Then all is hush'd; the bushes rustle near,
And with strange tinglings sings her fainting ear.
--Vex'd by the darkness, from the piny gulf
Ascending, nearer howls the famish'd wolf, 240
While thro' the stillness scatters wild dismay,
Her babe's small cry, that leads him to his prey.

Now, passing Urseren's open vale serene,
Her quiet streams, and hills of downy green,
Plunge with the Russ embrown'd by Terror's breath, 245
Where danger roofs the narrow walks of death;
By floods, that, thundering from their dizzy height,
Swell more gigantic on the stedfast sight;
Black drizzling craggs, that beaten by the din,
Vibrate, as if a voice complain'd within; 250
Bare steeps, where Desolation stalks, afraid,
Unstedfast, by a blasted yew upstay'd;
By [L] cells whose image, trembling as he prays,
Awe-struck, the kneeling peasant scarce surveys;
Loose-hanging rocks the Day's bless'd eye that hide, 255
And [M] crosses rear'd to Death on every side,
Which with cold kiss Devotion planted near,
And, bending, water'd with the human tear,
Soon fading "silent" from her upward eye,
Unmov'd with each rude form of Danger nigh, 260
Fix'd on the anchor left by him who saves
Alike in whelming snows and roaring waves.

On as we move, a softer prospect opes,
Calm huts, and lawns between, and sylvan slopes.
While mists, suspended on th' expiring gale, 265
Moveless o'er-hang the deep secluded vale,
The beams of evening, slipping soft between,
Light up of tranquil joy a sober scene;
Winding it's dark-green wood and emerald glade,
The still vale lengthens underneath the shade; 270
While in soft gloom the scattering bowers recede,
Green dewy lights adorn the freshen'd mead,
Where solitary forms illumin'd stray
Turning with quiet touch the valley's hay,
On the low [N] brown wood-huts delighted sleep 275
Along the brighten'd gloom reposing deep.
While pastoral pipes and streams the landscape lull,
And bells of passing mules that tinkle dull,
In solemn shapes before th' admiring eye
Dilated hang the misty pines on high, 280
Huge convent domes with pinnacles and tow'rs,
And antique castles seen tho' drizzling show'rs.

From such romantic dreams my sould awake,
Lo! Fear looks silent down on Uri's lake,
By whose unpathway'd margin still and dread 285
Was never heard the plodding peasant's tread.
Tower like a wall the naked rocks, or reach
Far o'er the secret water dark with beech,
More high, to where creation seems to end,
Shade above shade the desert pines ascend, 290
And still, below, where mid the savage scene
Peeps out a little speck of smilgin green,
There with his infants man undaunted creeps
And hangs his small wood-hut upon the steeps.
A garden-plot the desert air perfumes, 295
Mid the dark pines a little orchard blooms,
A zig-zag path from the domestic skiff
Threading the painful cragg surmounts the cliff.