No More Learning

CANTO IX

I. _The Plot:_ Prince Arthur tells Una of his vision of the Faerie Queene
and of his quest for her. After exchanging presents with the Redcross
Knight, he bids farewell to Una and her companions. These pursue their
journey and soon meet a young knight, Sir Trevisan, fleeing from Despair.
Sir Trevisan tells of his narrow escape from this old man, and unwillingly
conducts the Redcross Knight back to his cave. The Knight enters and is
almost persuaded to take his own life. He is saved by the timely
interposition of Una. This is the most powerful canto of Book I.

II. _The Allegory:_ 1. The moral allegory in Canto VII presents the
transition of the Soul (Redcross) from Pride to Sin (Duessa) through
distrust of Truth (Una), and it thus comes into the bondage of Carnal Pride
(Orgoglio). In Canto IX the Soul suffers a similar change from Sin to
Despair. Having escaped from actual sin, but with spiritual life weakened,
it almost falls a victim to Despair through excess of confidence and zeal
to perform some good action. The Soul is saved by Truth, by which it is
reminded to depend on the grace of God.

2.
The allegory on its religious side seems to have some obscure reference
to the long and bitter controversies between Protestantism (Calvinism) and
Roman Catholicism allied with infidelity.

1. O GOODLY GOLDEN CHAINE, chivalry or knightly honor, the bond that unites
all the virtues.

18. THANKLESSE, because not knowing whom to thank.

26. In Malory's _Morte d'Arthur_, Arthur is taken from his mother, Ygerne,
at birth, and committed to the care of Sir Ector as his foster-father, i,
3. In _Merlin_ Sir Antor is his foster-father.

33. RAURAN MOSSY HORE, Rauran white with moss. A "Rauran-vaur hill" in
Merionethshire is mentioned by Selden. Contrary to the older romancers,
Spenser makes Prince Arthur a Welshman, not a Cornishman.

34. THE RIVER DEE, which rises in Merionethshire and flows through Lake
Bala.

39. MY DISCIPLINE TO FRAME, etc.