No More Learning

Hast Never Come to Thee an Hour

Hast never come to thee an hour,
A sudden gleam divine, precipitating, bursting all these bubbles,
fashions, wealth?
These eager business aims--books, politics, art, amours,
To utter nothingness?




Thought

Of Equality--as if it harm'd me, giving others the same chances and
rights as myself--as if it were not indispensable to my own
rights that others possess the same.




To Old Age

I see in you the estuary that enlarges and spreads itself grandly as
it pours in the great sea.




Locations and Times

Locations and times--what is it in me that meets them all, whenever
and wherever, and makes me at home?
Forms, colors, densities, odors--what is it in me that corresponds
with them?




Offerings

A thousand perfect men and women appear,
Around each gathers a cluster of friends, and gay children and
youths, with offerings.




To The States [To Identify the 16th, 17th, or 18th Presidentiad]

Why reclining, interrogating? why myself and all drowsing?
What deepening twilight-scum floating atop of the waters,
Who are they as bats and night-dogs askant in the capitol?
What a filthy Presidentiad! (O South, your torrid suns! O North,
your arctic freezings! )
Are those really Congressmen? are those the great Judges?
is that
the President?
Then I will sleep awhile yet, for I see that these States sleep, for
reasons;
(With gathering murk, with muttering thunder and lambent shoots we
all duly awake,
South, North, East, West, inland and seaboard, we will surely awake. )




BOOK XXI. DRUM-TAPS


First O Songs for a Prelude

First O songs for a prelude,
Lightly strike on the stretch'd tympanum pride and joy in my city,
How she led the rest to arms, how she gave the cue,
How at once with lithe limbs unwaiting a moment she sprang,
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel! )
How you sprang--how you threw off the costumes of peace with
indifferent hand,
How your soft opera-music changed, and the drum and fife were heard
in their stead,
How you led to the war, (that shall serve for our prelude, songs of
soldiers,)
How Manhattan drum-taps led.

Forty years had I in my city seen soldiers parading,
Forty years as a pageant, till unawares the lady of this teeming and
turbulent city,
Sleepless amid her ships, her houses, her incalculable wealth,
With her million children around her, suddenly,
At dead of night, at news from the south,
Incens'd struck with clinch'd hand the pavement.

A shock electric, the night sustain'd it,
Till with ominous hum our hive at daybreak pour'd out its myriads.

From the houses then and the workshops, and through all the doorways,
Leapt they tumultuous, and lo! Manhattan arming.

To the drum-taps prompt,
The young men falling in and arming,
The mechanics arming, (the trowel, the jack-plane, the blacksmith's
hammer, tost aside with precipitation,)
The lawyer leaving his office and arming, the judge leaving the court,
The driver deserting his wagon in the street, jumping down, throwing
the reins abruptly down on the horses' backs,
The salesman leaving the store, the boss, book-keeper, porter, all leaving;
Squads gather everywhere by common consent and arm,
The new recruits, even boys, the old men show them how to wear their
accoutrements, they buckle the straps carefully,
Outdoors arming, indoors arming, the flash of the musket-barrels,
The white tents cluster in camps, the arm'd sentries around, the
sunrise cannon and again at sunset,
Arm'd regiments arrive every day, pass through the city, and embark
from the wharves,
(How good they look as they tramp down to the river, sweaty, with
their guns on their shoulders!
How I love them! how I could hug them, with their brown faces and
their clothes and knapsacks cover'd with dust! )
The blood of the city up-arm'd!