No More Learning

Perhaps some were lent him only
for a time. The differences between copies of _1633_ show that it was
prepared carefully, but emended from time to time while the printing
was actually going on. (2) The second source of the order of the poems
is their order in the manuscripts from which they were copied. Now
a comparison of the order in _1633_ with that in _D_, _H49_, _Lec_
reveals a close connexion between them, and throws light on the
composition of _1633_.

It is necessary, before instituting this comparison with _1633_, to
say a word on the order of the poems in _D_, _H49_, _Lec_ themselves,
as it is not quite the same in all three. _H49_ is the most irregular,
perhaps therefore the earliest, each of the others showing efforts
to obtain a better grouping of the poems. All three begin with the
_Satyres_, of which _D_ and _Lec_ have five, _H49_ only four; but
the text of _Lec_ differs from that of the other two, agreeing
more closely with the version of _1633_ and of another group of
manuscripts. They have all, then, thirteen _Elegies_ in the same
order. After these _H49_ continues with a number of letters (_The
Storme_, _The Calme_, _To S^r Henry Wotton_, _To S^r Henry Goodyere_,
_To the Countesse of Bedford_, _To S^r Edward Herbert_, and others)
intermingled with Funeral Elegies (_Lady Markham_, _Mris Boulstred_)
and religious poems (_The Crosse_, _The Annuntiation_, _Good Friday_).
Then follows a long series of lyrical pieces, broken after _The
Funerall_ by _A Letter to the Lady Carey, and Mrs. Essex Rich_, the
_Epithalamion_ on the Palatine marriage, and an _Old Letter_ ('At once
from hence', p. 206). The lyrical pieces are then resumed, and the
collection ends with the Somerset _Eclogue_ and _Epithalamion_, the
_Letanye_, both sets of _Holy Sonnets_, a letter (_To the Countesse of
Salisbury_), and the long _Obsequies to the Ld. Harrington_.


_D_ makes an effort to arrange the poems following the _Elegies_ in
groups.
The _Funeral Elegies_ come first, and two blank pages are
headed _An Elegye on Prince Henry_. The letters are then brought
together, and are followed by the religious poems dispersed in _H49_.
The lyrical poems follow piece by piece as in _H49_, and the whole
closes with the two epithalamia and the _Obsequies to the Ld.
Harrington_.

The order in _Lec_ resembles that of _H49_ more closely than that of
_D_. The mixed letters, funeral elegies, and religious poems follow
the _Elegies_ as in _H49_, but _Lec_ adds to them the two letters
(_Lady Carey_ and _The Countess of Salisbury_) and the _Letanie_ which
in _H49_ are dispersed through the lyrical pieces. _Lec_ does not
contain any of the _Holy Sonnets_, but after _The Letanie_ ten pages
are left blank, evidently intended to receive them. Thereafter, the
lyrical poems follow piece by piece as in _D_, _H49_, except that _The
Prohibition_ ('Take heed of loving mee') is omitted--a fact of some
interest when we come to consider _1633_. _Lec_ closes, like _D_, with
the epithalamia and the _Obsequies to the Lo: Harrington_.

Turning now to _1633_, we shall see that, whatever other sources the
editor of that edition used, one was a collection identical with, or
closely resembling, _D_, _H49_, _Lec_, especially _Lec_. That edition
begins with the _Progresse of the Soule_, which was _not_ derived from
this manuscript. Thereafter follow the two sets of _Holy Sonnets_, the
second set containing exactly the same number of sonnets, and in the
same order, as in _D_, _H49_, whereas other manuscripts, e. g. _B_,
_O'F_, _S_, _S96_, which will be described later, have more sonnets
and in a different order; and _W_, which agrees otherwise with _B_,
_O'F_, _S_, _S96_, adds three that are found nowhere else. The sonnets
are followed in _1633_ by the _Epigrams_, which are not in _D_, _H49_,
_Lec_, but after that the resemblance of _1633_ to _D_, _H49_, _Lec_
becomes quite striking. These manuscripts, we have seen, begin
with the _Satyres_.