After exchanging presents with the Redcross
Knight, he bids farewell to Una and her companions.
Knight, he bids farewell to Una and her companions.
Spenser - Faerie Queene - 1
Who is the _woful thrall_ in xxxvii?
12.
In what
condition, mental and physical, is the Knight when liberated? 13. How long
was he a captive? 14. What was Duessa's punishment? Was it adequate?
Explain its moral and religious meaning. 15. Observe the use of _thou_ and
_ye_ (_you_) in this Canto. 16. Find examples of _antithesis_,
_alliteration_, _Latinisms_.
CANTO IX
I. _The Plot:_ Prince Arthur tells Una of his vision of the Faerie Queene
and of his quest for her.
After exchanging presents with the Redcross
Knight, he bids farewell to Una and her companions. These pursue their
journey and soon meet a young knight, Sir Trevisan, fleeing from Despair.
Sir Trevisan tells of his narrow escape from this old man, and unwillingly
conducts the Redcross Knight back to his cave. The Knight enters and is
almost persuaded to take his own life. He is saved by the timely
interposition of Una. This is the most powerful canto of Book I.
II. _The Allegory:_ 1. The moral allegory in Canto VII presents the
transition of the Soul (Redcross) from Pride to Sin (Duessa) through
distrust of Truth (Una), and it thus comes into the bondage of Carnal Pride
(Orgoglio). In Canto IX the Soul suffers a similar change from Sin to
Despair. Having escaped from actual sin, but with spiritual life weakened,
it almost falls a victim to Despair through excess of confidence and zeal
to perform some good action. The Soul is saved by Truth, by which it is
reminded to depend on the grace of God.
2. The allegory on its religious side seems to have some obscure reference
to the long and bitter controversies between Protestantism (Calvinism) and
Roman Catholicism allied with infidelity.
1. O GOODLY GOLDEN CHAINE, chivalry or knightly honor, the bond that unites
all the virtues.
condition, mental and physical, is the Knight when liberated? 13. How long
was he a captive? 14. What was Duessa's punishment? Was it adequate?
Explain its moral and religious meaning. 15. Observe the use of _thou_ and
_ye_ (_you_) in this Canto. 16. Find examples of _antithesis_,
_alliteration_, _Latinisms_.
CANTO IX
I. _The Plot:_ Prince Arthur tells Una of his vision of the Faerie Queene
and of his quest for her.
After exchanging presents with the Redcross
Knight, he bids farewell to Una and her companions. These pursue their
journey and soon meet a young knight, Sir Trevisan, fleeing from Despair.
Sir Trevisan tells of his narrow escape from this old man, and unwillingly
conducts the Redcross Knight back to his cave. The Knight enters and is
almost persuaded to take his own life. He is saved by the timely
interposition of Una. This is the most powerful canto of Book I.
II. _The Allegory:_ 1. The moral allegory in Canto VII presents the
transition of the Soul (Redcross) from Pride to Sin (Duessa) through
distrust of Truth (Una), and it thus comes into the bondage of Carnal Pride
(Orgoglio). In Canto IX the Soul suffers a similar change from Sin to
Despair. Having escaped from actual sin, but with spiritual life weakened,
it almost falls a victim to Despair through excess of confidence and zeal
to perform some good action. The Soul is saved by Truth, by which it is
reminded to depend on the grace of God.
2. The allegory on its religious side seems to have some obscure reference
to the long and bitter controversies between Protestantism (Calvinism) and
Roman Catholicism allied with infidelity.
1. O GOODLY GOLDEN CHAINE, chivalry or knightly honor, the bond that unites
all the virtues.
