No More Learning

And I know thy foot was covered 5
With fair Lydian broidered straps;
And the petals from a rose-tree
Fell within the marble basin.




XXVII


Lover, art thou of a surety
Not a learner of the wood-god?
Has the madness of his music
Never touched thee?

Ah, thou dear and godlike mortal, 5
If Pan takes thee for his pupil,
Make me but another Syrinx
For that piping.




XXVIII


With your head thrown backward
In my arm's safe hollow,
And your face all rosy
With the mounting fervour;

While the grave eyes greaten 5
With the wise new wonder,
Swimming in a love-mist
Like the haze of Autumn;

From that throat, the throbbing
Nightingale's for pleading, 10
Wayward, soft, and welling
Inarticulate love-notes,

Come the words that bubble
Up through broken laughter,
Sweeter than spring-water, 15
"Gods, I am so happy! "




XXIX


Ah, what am I but a torrent,
Headstrong, impetuous, broken,
Like the spent clamour of waters
In the blue canyon?

Ah, what art thou but a fern-frond, 5
Wet with blown spray from the river,
Diffident, lovely, sequestered,
Frail on the rock-ledge?

Yet, are we not for one brief day,
While the sun sleeps on the mountain, 10
Wild-hearted lover and loved one,
Safe in Pan's keeping?




XXX


Love shakes my soul, like a mountain wind
Falling upon the trees,
When they are swayed and whitened and bowed
As the great gusts will.

I know why Daphne sped through the grove 5
When the bright god came by,
And shut herself in the laurel's heart
For her silent doom.

Love fills my heart, like my lover's breath
Filling the hollow flute, 10
Till the magic wood awakes and cries
With remembrance and joy.

Ah, timid Syrinx, do I not know
Thy tremor of sweet fear?
For a beautiful and imperious player 15
Is the lord of life.




XXXI


Love, let the wind cry
On the dark mountain,
Bending the ash-trees
And the tall hemlocks,
With the great voice of 5
Thunderous legions,
How I adore thee.

Let the hoarse torrent
In the blue canyon,
Murmuring mightily 10
Out of the grey mist
Of primal chaos,
Cease not proclaiming
How I adore thee.
Let the long rhythm 15
Of crunching rollers,
Breaking and bellowing
On the white seaboard,
Titan and tireless,
Tell, while the world stands, 20
How I adore thee.

Love, let the clear call
Of the tree-cricket,
Frailest of creatures,
Green as the young grass, 25
Mark with his trilling
Resonant bell-note,
How I adore thee.

Let the glad lark-song
Over the meadow, 30
That melting lyric
Of molten silver,
Be for a signal
To listening mortals,
How I adore thee. 35

But more than all sounds,
Surer, serener,
Fuller with passion
And exultation,
Let the hushed whisper 40
In thine own heart say,
How I adore thee.




XXXII


Heart of mine, if all the altars
Of the ages stood before me,
Not one pure enough nor sacred
Could I find to lay this white, white
Rose of love upon. 5

I who am not great enough to
Love thee with this mortal body
So impassionate with ardour,
But oh, not too small to worship
While the sun shall shine,-- 10

I would build a fragrant temple
To thee, in the dark green forest,
Of red cedar and fine sandal,
And there love thee with sweet service
All my whole life long. 15

I would freshen it with flowers,
And the piney hill-wind through it
Should be sweetened with soft fervours
Of small prayers in gentle language
Thou wouldst smile to hear. 20

And a tinkling Eastern wind-bell,
With its fluttering inscription,
From the rafters with bronze music
Should retard the quiet fleeting
Of uncounted hours. 25

And my hero, while so human,
Should be even as the gods are,
In that shrine of utter gladness,
With the tranquil stars above it
And the sea below. 30




XXXIII

Never yet, love, in earth's lifetime,
Hath any cunningest minstrel
Told the one seventh of wisdom,
Ravishment, ecstasy, transport,
Hid in the hue of the hyacinth's 5
Purple in springtime.

Not in the lyre of Orpheus,
Not in the songs of Musaeus,
Lurked the unfathomed bewitchment
Wrought by the wind in the grasses, 10
Held by the rote of the sea-surf,
In early summer.

Only to exquisite lovers,
Fashioned for beauty's fulfilment,
Mated as rhythm to reed-stop 15
Whence the wild music is moulded,
Ever appears the full measure
Of the world's wonder.




XXXIV


"Who was Atthis? " men shall ask,
When the world is old, and time
Has accomplished without haste
The strange destiny of men.

Haply in that far-off age 5
One shall find these silver songs,
With their human freight, and guess
What a lover Sappho was.




XXXV


When the great pink mallow
Blossoms in the marshland,
Full of lazy summer
And soft hours,

Then I hear the summons 5
Not a mortal lover
Ever yet resisted,
Strange and far.