]
* * * * *
DESCRIPTIVE SKETCHES TAKEN DURING A PEDESTRIAN TOUR AMONG THE ALPS
Composed 1791-2.
* * * * *
DESCRIPTIVE SKETCHES TAKEN DURING A PEDESTRIAN TOUR AMONG THE ALPS
Composed 1791-2.
William Wordsworth
--Ed.
]
[Footnote B: Compare the 'After-thought' to "The River Duddon. A Series
of Sonnets":
Still glides the Stream, and shall for ever glide.
Ed. ]
[Footnote C: Collins's 'Ode on the Death of Thomson', the last written,
I believe, of the poems which were published during his life-time. This
Ode is also alluded to in the next stanza. --W. W. 1798. ]
[Footnote D: Compare Collins's 'Ode on the Death of Thomson', 'The Scene
on the Thames near Richmond':
Remembrance oft shall haunt the shore
When Thames in summer wreaths is drest.
And oft suspend the dashing oar
To bid his gentle spirit rest.
As Mr. Dowden suggests, the _him_ was probably italicised by Wordsworth,
"because the oar is suspended not for Thomson but for Collins. " The
italics were first used in the edition of 1802. --Ed.
]
* * * * *
DESCRIPTIVE SKETCHES TAKEN DURING A PEDESTRIAN TOUR AMONG THE ALPS
Composed 1791-2. [A]--Published 1793
TO THE REV. ROBERT JONES, FELLOW OF ST. JOHN'S COLLEGE, CAMBRIDGE
DEAR SIR, [B]--However desirous I might have been of giving you proofs
of the high place you hold in my esteem, I should have been cautious
of wounding your delicacy by thus publicly addressing you, had not the
circumstance of our having been companions among the Alps, seemed to
give this dedication a propriety sufficient to do away any scruples
which your modesty might otherwise have suggested. [C]
In inscribing this little work to you, I consult my heart. You know
well how great is the difference between two companions lolling in a
post-chaise, and two travellers plodding slowly along the road, side
by side, each with his little knapsack of necessaries upon his
shoulders. How much more of heart between the two latter!
I am happy in being conscious that I shall have one reader who will
approach the conclusion of these few pages with regret. You they must
certainly interest, in reminding you of moments to which you can
hardly look back without a pleasure not the less dear from a shade of
melancholy. You will meet with few images without recollecting the
spot where we observed them together; consequently, whatever is feeble
in my design, or spiritless in my colouring, will be amply supplied by
your own memory.
With still greater propriety I might have inscribed to you a
description of some of the features of your native mountains, through
which we have wandered together, in the same manner, with so much
pleasure. But the sea-sunsets, which give such splendour to the vale
of Clwyd, Snowdon, the chair of Idris, the quiet village of
Bethgelert, Menai and her Druids, the Alpine steeps of the Conway, and
the still more interesting windings of the wizard stream of the Dee,
remain yet untouched. Apprehensive that my pencil may never be
exercised on these subjects, I cannot let slip this opportunity of
thus publicly assuring you with how much affection and esteem
I am, dear Sir,
Most sincerely yours,
W. WORDSWORTH.
LONDON, 1793.
[Much the greatest part of this poem was composed during my walks upon
the banks of the Loire, in the years 1791, 1792.
[Footnote B: Compare the 'After-thought' to "The River Duddon. A Series
of Sonnets":
Still glides the Stream, and shall for ever glide.
Ed. ]
[Footnote C: Collins's 'Ode on the Death of Thomson', the last written,
I believe, of the poems which were published during his life-time. This
Ode is also alluded to in the next stanza. --W. W. 1798. ]
[Footnote D: Compare Collins's 'Ode on the Death of Thomson', 'The Scene
on the Thames near Richmond':
Remembrance oft shall haunt the shore
When Thames in summer wreaths is drest.
And oft suspend the dashing oar
To bid his gentle spirit rest.
As Mr. Dowden suggests, the _him_ was probably italicised by Wordsworth,
"because the oar is suspended not for Thomson but for Collins. " The
italics were first used in the edition of 1802. --Ed.
]
* * * * *
DESCRIPTIVE SKETCHES TAKEN DURING A PEDESTRIAN TOUR AMONG THE ALPS
Composed 1791-2. [A]--Published 1793
TO THE REV. ROBERT JONES, FELLOW OF ST. JOHN'S COLLEGE, CAMBRIDGE
DEAR SIR, [B]--However desirous I might have been of giving you proofs
of the high place you hold in my esteem, I should have been cautious
of wounding your delicacy by thus publicly addressing you, had not the
circumstance of our having been companions among the Alps, seemed to
give this dedication a propriety sufficient to do away any scruples
which your modesty might otherwise have suggested. [C]
In inscribing this little work to you, I consult my heart. You know
well how great is the difference between two companions lolling in a
post-chaise, and two travellers plodding slowly along the road, side
by side, each with his little knapsack of necessaries upon his
shoulders. How much more of heart between the two latter!
I am happy in being conscious that I shall have one reader who will
approach the conclusion of these few pages with regret. You they must
certainly interest, in reminding you of moments to which you can
hardly look back without a pleasure not the less dear from a shade of
melancholy. You will meet with few images without recollecting the
spot where we observed them together; consequently, whatever is feeble
in my design, or spiritless in my colouring, will be amply supplied by
your own memory.
With still greater propriety I might have inscribed to you a
description of some of the features of your native mountains, through
which we have wandered together, in the same manner, with so much
pleasure. But the sea-sunsets, which give such splendour to the vale
of Clwyd, Snowdon, the chair of Idris, the quiet village of
Bethgelert, Menai and her Druids, the Alpine steeps of the Conway, and
the still more interesting windings of the wizard stream of the Dee,
remain yet untouched. Apprehensive that my pencil may never be
exercised on these subjects, I cannot let slip this opportunity of
thus publicly assuring you with how much affection and esteem
I am, dear Sir,
Most sincerely yours,
W. WORDSWORTH.
LONDON, 1793.
[Much the greatest part of this poem was composed during my walks upon
the banks of the Loire, in the years 1791, 1792.
