Collins, Heinemann, Hodder and
Stoughton, John Lane, Macmillan, Martin Secker, Selwyn and Blount,
Sidgwick and Jackson, and the Golden Cockerel Press; and to the Editors
of 'The Cbapbook', 'The London Mercury' and 'The Westminster
Gazette'.
Stoughton, John Lane, Macmillan, Martin Secker, Selwyn and Blount,
Sidgwick and Jackson, and the Golden Cockerel Press; and to the Editors
of 'The Cbapbook', 'The London Mercury' and 'The Westminster
Gazette'.
Abercrombie - Georgian Poetry 1920-22
It is natural
that the poets of a generation should have points in common; but to my
fond eye those who have graced these collections look as diverse as
sheep to their shepherd, or the members of a Chinese family to their
uncle; and if there is an allegation which I would 'deny with both
hands', it is this: that an insipid sameness is the chief characteristic
of an anthology which offers--to name almost at random seven only out of
forty (oh ominous academic number! )--the work of Messrs. Abercrombie,
Davies, de la Mare, Graves, Lawrence, Nichols and Squire.
The ideal 'Georgian Poetry'--a book which would err neither by omission
nor by inclusion, and would contain the best, and only the best poems of
the best, and only the best poets of the day--could only be achieved, if
at all, by dint of a Royal Commission. The present volume is nothing of
the kind.
I may add one word bearing on my aim in selection. Much admired modern
work seems to me, in its lack of inspiration and its disregard of form,
like gravy imitating lava. Its upholders may retort that much of the
work which I prefer seems to them, in its lack of inspiration and its
comparative finish, like tapioca imitating pearls. Either view--possibly
both--may be right. I will only say that with an occasional exception
for some piece of rebelliousness or even levity which may have taken my
fancy, I have tried to choose no verse but such as in Wordsworth's phrase
The high and tender Muses shall accept
With gracious smile, deliberately pleased.
There are seven new-comers--Messrs. Armstrong, Blunden, Hughes, Kerr,
Prewett and Quennell, and Miss Sackville-West. Thanks and
acknowledgments are due to Messrs. Jonathan Cape, Chatto and Windus, R.
Cobden-Sanderson, Constable, W.
Collins, Heinemann, Hodder and
Stoughton, John Lane, Macmillan, Martin Secker, Selwyn and Blount,
Sidgwick and Jackson, and the Golden Cockerel Press; and to the Editors
of 'The Cbapbook', 'The London Mercury' and 'The Westminster
Gazette'.
E. M.
July, 1922
CONTENTS
LASCELLES ABERCROMBIE
Ryton Firs
MARTIN ARMSTRONG
The Buzzards (from 'The Buzzards')
Honey Harvest
Miss Thompson Goes Shopping (from 'The Buzzards')
EDMUND BLUNDEN
The Poor Man's Pig (from 'The Shepherd')
Almswomen (from 'The Waggoner')
Perch-fishing " " "
The Giant Puffball (from 'The Shepherd')
The Child's Grave " " "
April Byeway " " "
WILLIAM H. DAVIES
The Captive Lion (from 'The Song of Life')
A Bird's Anger " " "
The Villain " " "
Love's Caution " " "
Wasted Hours (from 'The Hour of Magic')
The Truth (from 'The Song of Life')
WALTER DE LA MARE
The Moth (from 'The Veil')
'Sotto Voce' " "
Sephina (from 'Flora ')
Titmouse (from 'The Veil')
Suppose (from 'Flora')
The Corner Stone (from 'The Veil')
JOHN DRINKWATER
Persuasion (from 'Seeds of Time')
JOHN FREEMAN
I Will Ask (from 'Poems New and Old')
The Evening Sky " " "
The Caves " " "
Moon-Bathers (from 'Music')
In Those Old Days (from 'Poems New and Old')
Caterpillars (from 'Music')
Change " "
WILFRID GIBSON
Fire (from 'Neighbours')
Barbara Fell " "
Philip and Phoebe Ware " "
By the Weir " "
Worlds " "
ROBERT GRAVES
Lost Love (from 'The Pier-Glass')
Morning Phoenix " "
A Lover Since Childhood
Sullen Moods
The Pier-Glass (from 'The Pier-Glass')
The Troll's Nosegay " "
Fox's Dingle " "
The General Elliott (from 'On English Poetry')
The Patchwork Bonnet (from 'The Pier-Glass')
RICHARD HUGHES
The Singing Furies (from 'Gipsy-Night')
Moonstruck " "
Vagrancy " "
Poets, Painters, Puddings "
WILLIAM KERR
In Memoriam D. O. M.
Past and Present
The Audit
The Apple Tree
Her New-Year Posy
Counting Sheep
The Trees at Night
The Dead
D. H. LAWRENCE
Snake
HAROLD MONRO
Thistledown (from 'Real Property')
Real Property " " "
Unknown Country " " "
ROBERT NICHOLS
Night Rhapsody (from 'Aurelia')
November " "
J. D. C. FELLOW
After London
On a Friend who died suddenly upon the Seashore
Tenebræ
When All is Said
FRANK PREWETT
To my Mother in Canada
Voices of Women (from 'Poems')
The Somme Valley " "
Burial Stones " "
Snow-Buntings " "
The Kelso Road " "
Baldon Lane " "
Come Girl, and Embrace "
PETER QUENNELL
Procne
A Man to a Sunflower
Perception
Pursuit
V. SACKVILLE-WEST
A Saxon Song (from 'Orchard and Vineyard')
Mariana in the North " " "
Full Moon " " "
Sailing Ships " " "
Trio " " "
Bitterness " " "
Evening " " "
EDWARD SHANKS
The Rock Pool (from 'The Island of Youth')
The Glade " " "
Memory " " "
Woman's Song
The Wind
A Lonely Place
J. C. SQUIRE
Elegy (from 'Poems,' 2nd series)
Meditation in Lamplight " "
Late Snow " "
FRANCIS BRETT YOUNG
Seascape
Scirocco
The Quails
Song at Santa Cruz
BIBLIOGRAPHY
* * * * *
LASCELLES ABERCROMBIE
RYTON FIRS
'The Dream'
All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out--let them make uproar loud as drums--
'Tis secrets still, shouted instead of whisper'd.
that the poets of a generation should have points in common; but to my
fond eye those who have graced these collections look as diverse as
sheep to their shepherd, or the members of a Chinese family to their
uncle; and if there is an allegation which I would 'deny with both
hands', it is this: that an insipid sameness is the chief characteristic
of an anthology which offers--to name almost at random seven only out of
forty (oh ominous academic number! )--the work of Messrs. Abercrombie,
Davies, de la Mare, Graves, Lawrence, Nichols and Squire.
The ideal 'Georgian Poetry'--a book which would err neither by omission
nor by inclusion, and would contain the best, and only the best poems of
the best, and only the best poets of the day--could only be achieved, if
at all, by dint of a Royal Commission. The present volume is nothing of
the kind.
I may add one word bearing on my aim in selection. Much admired modern
work seems to me, in its lack of inspiration and its disregard of form,
like gravy imitating lava. Its upholders may retort that much of the
work which I prefer seems to them, in its lack of inspiration and its
comparative finish, like tapioca imitating pearls. Either view--possibly
both--may be right. I will only say that with an occasional exception
for some piece of rebelliousness or even levity which may have taken my
fancy, I have tried to choose no verse but such as in Wordsworth's phrase
The high and tender Muses shall accept
With gracious smile, deliberately pleased.
There are seven new-comers--Messrs. Armstrong, Blunden, Hughes, Kerr,
Prewett and Quennell, and Miss Sackville-West. Thanks and
acknowledgments are due to Messrs. Jonathan Cape, Chatto and Windus, R.
Cobden-Sanderson, Constable, W.
Collins, Heinemann, Hodder and
Stoughton, John Lane, Macmillan, Martin Secker, Selwyn and Blount,
Sidgwick and Jackson, and the Golden Cockerel Press; and to the Editors
of 'The Cbapbook', 'The London Mercury' and 'The Westminster
Gazette'.
E. M.
July, 1922
CONTENTS
LASCELLES ABERCROMBIE
Ryton Firs
MARTIN ARMSTRONG
The Buzzards (from 'The Buzzards')
Honey Harvest
Miss Thompson Goes Shopping (from 'The Buzzards')
EDMUND BLUNDEN
The Poor Man's Pig (from 'The Shepherd')
Almswomen (from 'The Waggoner')
Perch-fishing " " "
The Giant Puffball (from 'The Shepherd')
The Child's Grave " " "
April Byeway " " "
WILLIAM H. DAVIES
The Captive Lion (from 'The Song of Life')
A Bird's Anger " " "
The Villain " " "
Love's Caution " " "
Wasted Hours (from 'The Hour of Magic')
The Truth (from 'The Song of Life')
WALTER DE LA MARE
The Moth (from 'The Veil')
'Sotto Voce' " "
Sephina (from 'Flora ')
Titmouse (from 'The Veil')
Suppose (from 'Flora')
The Corner Stone (from 'The Veil')
JOHN DRINKWATER
Persuasion (from 'Seeds of Time')
JOHN FREEMAN
I Will Ask (from 'Poems New and Old')
The Evening Sky " " "
The Caves " " "
Moon-Bathers (from 'Music')
In Those Old Days (from 'Poems New and Old')
Caterpillars (from 'Music')
Change " "
WILFRID GIBSON
Fire (from 'Neighbours')
Barbara Fell " "
Philip and Phoebe Ware " "
By the Weir " "
Worlds " "
ROBERT GRAVES
Lost Love (from 'The Pier-Glass')
Morning Phoenix " "
A Lover Since Childhood
Sullen Moods
The Pier-Glass (from 'The Pier-Glass')
The Troll's Nosegay " "
Fox's Dingle " "
The General Elliott (from 'On English Poetry')
The Patchwork Bonnet (from 'The Pier-Glass')
RICHARD HUGHES
The Singing Furies (from 'Gipsy-Night')
Moonstruck " "
Vagrancy " "
Poets, Painters, Puddings "
WILLIAM KERR
In Memoriam D. O. M.
Past and Present
The Audit
The Apple Tree
Her New-Year Posy
Counting Sheep
The Trees at Night
The Dead
D. H. LAWRENCE
Snake
HAROLD MONRO
Thistledown (from 'Real Property')
Real Property " " "
Unknown Country " " "
ROBERT NICHOLS
Night Rhapsody (from 'Aurelia')
November " "
J. D. C. FELLOW
After London
On a Friend who died suddenly upon the Seashore
Tenebræ
When All is Said
FRANK PREWETT
To my Mother in Canada
Voices of Women (from 'Poems')
The Somme Valley " "
Burial Stones " "
Snow-Buntings " "
The Kelso Road " "
Baldon Lane " "
Come Girl, and Embrace "
PETER QUENNELL
Procne
A Man to a Sunflower
Perception
Pursuit
V. SACKVILLE-WEST
A Saxon Song (from 'Orchard and Vineyard')
Mariana in the North " " "
Full Moon " " "
Sailing Ships " " "
Trio " " "
Bitterness " " "
Evening " " "
EDWARD SHANKS
The Rock Pool (from 'The Island of Youth')
The Glade " " "
Memory " " "
Woman's Song
The Wind
A Lonely Place
J. C. SQUIRE
Elegy (from 'Poems,' 2nd series)
Meditation in Lamplight " "
Late Snow " "
FRANCIS BRETT YOUNG
Seascape
Scirocco
The Quails
Song at Santa Cruz
BIBLIOGRAPHY
* * * * *
LASCELLES ABERCROMBIE
RYTON FIRS
'The Dream'
All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out--let them make uproar loud as drums--
'Tis secrets still, shouted instead of whisper'd.
