Obscurely sacrificed, his nameless tomb,
Bare of the sculptor's art, the poet's lines,
Summer shall flush with poppy-fields in bloom,
And Autumn yellow with maturing vines.
Bare of the sculptor's art, the poet's lines,
Summer shall flush with poppy-fields in bloom,
And Autumn yellow with maturing vines.
War Poetry - 1914-17
Never a house and never a hedge
In No Man's Land from edge to edge,
And never a living soul walks there
To taste the fresh of the morning air;--
Only some lumps of rotting clay,
That were friends or foemen yesterday.
What are the bounds of No Man's Land?
You can see them clearly on either hand,
A mound of rag-bags gray in the sun,
Or a furrow of brown where the earthworks run
From the eastern hills to the western sea,
Through field or forest o'er river and lea;
No man may pass them, but aim you well
And Death rides across on the bullet or shell.
But No Man's Land is a goblin sight
When patrols crawl over at dead o' night;
_Boche_ or British, Belgian or French,
You dice with death when you cross the trench.
When the "rapid," like fireflies in the dark,
Flits down the parapet spark by spark,
And you drop for cover to keep your head
With your face on the breast of the four months'
dead.
The man who ranges in No Man's Land
Is dogged by the shadows on either hand
When the star-shell's flare, as it bursts o'erhead,
Scares the gray rats that feed on the dead,
And the bursting bomb or the bayonet-snatch
May answer the click of your safety-catch,
For the lone patrol, with his life in his hand,
Is hunting for blood in No Man's Land.
_James H. Knight-Adkin_
CHAMPAGNE, 1914-15
In the glad revels, in the happy fetes,
When cheeks are flushed, and glasses gilt and pearled
With the sweet wine of France that concentrates
The sunshine and the beauty of the world,
Drink sometimes, you whose footsteps yet may tread
The undisturbed, delightful paths of Earth,
To those whose blood, in pious duty shed,
Hallows the soil where that same wine had birth.
Here, by devoted comrades laid away,
Along our lines they slumber where they fell,
Beside the crater at the Ferme d'Alger
And up the bloody slopes of La Pompelle,
And round the city whose cathedral towers
The enemies of Beauty dared profane,
And in the mat of multicolored flowers
That clothe the sunny chalk-fields of Champagne,
Under the little crosses where they rise
The soldier rests. Now round him undismayed
The cannon thunders, and at night he lies
At peace beneath the eternal fusillade. . . .
That other generations might possess--
From shame and menace free in years to come--
A richer heritage of happiness,
He marched to that heroic martyrdom.
Esteeming less the forfeit that he paid
Than undishonored that his flag might float
Over the towers of liberty, he made
His breast the bulwark and his blood the moat.
Obscurely sacrificed, his nameless tomb,
Bare of the sculptor's art, the poet's lines,
Summer shall flush with poppy-fields in bloom,
And Autumn yellow with maturing vines.
There the grape-pickers at their harvesting
Shall lightly tread and load their wicker trays,
Blessing his memory as they toil and sing
In the slant sunshine of October days. . . .
I love to think that if my blood should be
So privileged to sink where his has sunk,
I shall not pass from Earth entirely,
But when the banquet rings, when healths are drunk,
And faces that the joys of living fill
Glow radiant with laughter and good cheer,
In beaming cups some spark of me shall still
Brim toward the lips that once I held so dear.
So shall one coveting no higher plane
Than nature clothes in color and flesh and tone,
Even from the grave put upward to attain
The dreams youth cherished and missed and might have known;
And that strong need that strove unsatisfied
Toward earthly beauty in all forms it wore,
Not death itself shall utterly divide
From the beloved shapes it thirsted for.
Alas, how many an adept for whose arms
Life held delicious offerings perished here,
How many in the prime of all that charms,
Crowned with all gifts that conquer and endear!
Honor them not so much with tears and flowers,
But you with whom the sweet fulfilment lies,
Where in the anguish of atrocious hours
Turned their last thoughts and closed their dying eyes,
Rather when music on bright gatherings lays
Its tender spell, and joy is uppermost,
Be mindful of the men they were, and raise
Your glasses to them in one silent toast.
Drink to them--amorous of dear Earth as well,
They asked no tribute lovelier than this--
And in the wine that ripened where they fell,
Oh, frame your lips as though it were a kiss.
_Alan Seeger_
_Champagne, France_,
_July, 1915_
HEADQUARTERS
A league and a league from the trenches--from the traversed
maze of the lines,
Where daylong the sniper watches and daylong the bullet whines,
And the cratered earth is in travail with mines and with
countermines--
Here, where haply some woman dreamed (are those
her roses that bloom
In the garden beyond the windows of my littered
working room? )
We have decked the map for our masters as a bride is
decked for the groom.
Fair, on each lettered numbered square--crossroad
and mound and wire,
Loophole, redoubt, and emplacement--lie the targets
their mouths desire;
Gay with purples and browns and blues, have we
traced them their arcs of fire.
And ever the type-keys chatter; and ever our keen
wires bring
Word from the watchers a-crouch below, word from
the watchers a-wing:
And ever we hear the distant growl of our hid 'guns
thundering.
Hear it hardly, and turn again to our maps, where the
trench lines crawl,
Red on the gray and each with a sign for the ranging
shrapnel's fall--
Snakes that our masters shall scotch at dawn, as is
written here on the wall.
For the weeks of our waiting draw to a close.