_ He adopted
the faults of Ovid, and was able to propagate them.
the faults of Ovid, and was able to propagate them.
Tacitus
_Nescivit quod bene cessit relinquere_,
says Seneca, who had himself the same defect. Whatever is Ovid's
subject, the redundance of a copious fancy still appears. Does he
bewail his own misfortunes; he seems to think, that, unless he is
witty, he cannot be an object of compassion. Does he write letters to
and from disappointed lovers; the greatest part flows from fancy, and
little from the heart. He gives us the brilliant for the pathetic.
With these faults, Ovid had such enchanting graces, that his style and
manner infected every branch of literature. The tribe of imitators had
not the genius of their master; but being determined to shine in spite
of nature, they ruined all true taste and eloquence. This is the
natural progress of imitation, and Seneca was well aware of it. He
tells us that the faults and blemishes of a corrupt style are ever
introduced by some superior genius, who has risen to eminence in bad
writing; his admirers imitate a vicious manner, and thus a false taste
goes round from one to another. _Hæc vitia unus aliquis inducit, sub
quo tunc eloquentia est: cæteri imitantur; et alter alteri tradunt. _
Epist. 114. Seneca, however, did not know that he was describing
himself. Tacitus says he had a genius suited to the taste of the age.
_Ingenium amœnum et temporis ejus auribus accommodatum.
_ He adopted
the faults of Ovid, and was able to propagate them. For these reasons,
the Abbé Gedoyn is of opinion, that Ovid began the mischief, and
Seneca laid the axe to the root of the tree. It is certain, that,
during the remaining period of the empire, true eloquence never
revived.
Section 7.
[a] Historians have concurred in taxing Vespasian with avarice, in
some instances, mean and sordid; but they agree, at the same time,
that the use which he made of his accumulated riches, by encouraging
the arts, and extending liberal rewards to men of genius, is a
sufficient apology for his love of money.
[b] Titus, it is needless to say, was the friend of virtue and of
every liberal art. Even that monster Domitian was versed in polite
learning, and by fits and starts capable of intense application: but
we read in Tacitus, that his studies and his pretended love of poetry
served as a cloak to hide his real character. See _History_, b. iv. s.
86.
[c] Pliny the younger describes the young men of his time rushing
forward into the forum without knowledge or decency. He was told, he
says, by persons advanced in years, that, according to ancient usage,
no young man, even of the first distinction, was allowed to appear at
the bar, unless he was introduced by one of consular dignity. But, in
his time, all fences of respect and decency were thrown down. Young
men scorned to be introduced; they forced their way, and took
possession of the forum without any kind of recommendation. _At
hercule ante memoriam meam (majores natu ita solent dicere), ne
nobilissimis quidem adolescentibus locus erat, nisi aliquo consulari
producente; tantâ veneratione pulcherrimum opus celebrabatur.
says Seneca, who had himself the same defect. Whatever is Ovid's
subject, the redundance of a copious fancy still appears. Does he
bewail his own misfortunes; he seems to think, that, unless he is
witty, he cannot be an object of compassion. Does he write letters to
and from disappointed lovers; the greatest part flows from fancy, and
little from the heart. He gives us the brilliant for the pathetic.
With these faults, Ovid had such enchanting graces, that his style and
manner infected every branch of literature. The tribe of imitators had
not the genius of their master; but being determined to shine in spite
of nature, they ruined all true taste and eloquence. This is the
natural progress of imitation, and Seneca was well aware of it. He
tells us that the faults and blemishes of a corrupt style are ever
introduced by some superior genius, who has risen to eminence in bad
writing; his admirers imitate a vicious manner, and thus a false taste
goes round from one to another. _Hæc vitia unus aliquis inducit, sub
quo tunc eloquentia est: cæteri imitantur; et alter alteri tradunt. _
Epist. 114. Seneca, however, did not know that he was describing
himself. Tacitus says he had a genius suited to the taste of the age.
_Ingenium amœnum et temporis ejus auribus accommodatum.
_ He adopted
the faults of Ovid, and was able to propagate them. For these reasons,
the Abbé Gedoyn is of opinion, that Ovid began the mischief, and
Seneca laid the axe to the root of the tree. It is certain, that,
during the remaining period of the empire, true eloquence never
revived.
Section 7.
[a] Historians have concurred in taxing Vespasian with avarice, in
some instances, mean and sordid; but they agree, at the same time,
that the use which he made of his accumulated riches, by encouraging
the arts, and extending liberal rewards to men of genius, is a
sufficient apology for his love of money.
[b] Titus, it is needless to say, was the friend of virtue and of
every liberal art. Even that monster Domitian was versed in polite
learning, and by fits and starts capable of intense application: but
we read in Tacitus, that his studies and his pretended love of poetry
served as a cloak to hide his real character. See _History_, b. iv. s.
86.
[c] Pliny the younger describes the young men of his time rushing
forward into the forum without knowledge or decency. He was told, he
says, by persons advanced in years, that, according to ancient usage,
no young man, even of the first distinction, was allowed to appear at
the bar, unless he was introduced by one of consular dignity. But, in
his time, all fences of respect and decency were thrown down. Young
men scorned to be introduced; they forced their way, and took
possession of the forum without any kind of recommendation. _At
hercule ante memoriam meam (majores natu ita solent dicere), ne
nobilissimis quidem adolescentibus locus erat, nisi aliquo consulari
producente; tantâ veneratione pulcherrimum opus celebrabatur.
