No More Learning

XX

To Olga frequently he would
Some nice instructive novel read,
Whose author nature understood
Better than Chateaubriand did
Yet sometimes pages two or three
(Nonsense and pure absurdity,
For maiden's hearing deemed unfit),
He somewhat blushing would omit:
Far from the rest the pair would creep
And (elbows on the table) they
A game of chess would often play,
Buried in meditation deep,
Till absently Vladimir took
With his own pawn alas! his rook!

XXI

Homeward returning, he at home
Is occupied with Olga fair,
An album, fly-leaf of the tome,
He leisurely adorns for her.
Landscapes thereon he would design,
A tombstone, Aphrodite's shrine,
Or, with a pen and colours fit,
A dove which on a lyre doth sit;
The "in memoriam" pages sought,
Where many another hand had signed
A tender couplet he combined,
A register of fleeting thought,
A flimsy trace of musings past
Which might for many ages last.

XXII

Surely ye all have overhauled
A country damsel's album trim,
Which all her darling friends have scrawled
From first to last page to the rim.
Behold! orthography despising,
Metreless verses recognizing
By friendship how they were abused,
Hewn, hacked, and otherwise ill-used.
Upon the opening page ye find:
_Qu'ecrirer-vouz sur ces tablettes? _
Subscribed, _toujours a vous, Annette;_
And on the last one, underlined:
_Who in thy love finds more delight
Beyond this may attempt to write_.

XXIII

Infallibly you there will find
Two hearts, a torch, of flowers a wreath,
And vows will probably be signed:
_Affectionately yours till death_.
Some army poet therein may
Have smuggled his flagitious lay.
In such an album with delight
I would, my friends, inscriptions write,
Because I should be sure, meanwhile,
My verses, kindly meant, would earn
Delighted glances in return;
That afterwards with evil smile
They would not solemnly debate
If cleverly or not I prate.

XXIV

But, O ye tomes without compare,
Which from the devil's bookcase start,
Albums magnificent which scare
The fashionable rhymester's heart!
Yea! although rendered beauteous
By Tolstoy's pencil marvellous,
Though Baratynski verses penned,(45)
The thunderbolt on you descend!
Whene'er a brilliant courtly dame
Presents her quarto amiably,
Despair and anger seize on me,
And a malicious epigram
Trembles upon my lips from spite,--
And madrigals I'm asked to write!

[Note 45: Count Tolstoy, a celebrated artist who subsequently
became Vice-President of the Academy of Arts at St. Petersburg.
Baratynski, see Note 43. ]

XXV

But Lenski madrigals ne'er wrote
In Olga's album, youthful maid,
To purest love he tuned his note
Nor frigid adulation paid.
What never was remarked or heard
Of Olga he in song averred;
His elegies, which plenteous streamed,
Both natural and truthful seemed.
Thus thou, Yazykoff, dost arise(46)
In amorous flights when so inspired,
Singing God knows what maid admired,
And all thy precious elegies,
Sometime collected, shall relate
The story of thy life and fate.

[Note 46: Yazykoff, a poet contemporary with Pushkin. He was
an author of promise--unfulfilled. ]

XXVI

Since Fame and Freedom he adored,
Incited by his stormy Muse
Odes Lenski also had outpoured,
But Olga would not such peruse.
When poets lachrymose recite
Beneath the eyes of ladies bright
Their own productions, some insist
No greater pleasure can exist
Just so! that modest swain is blest
Who reads his visionary theme
To the fair object of his dream,
A beauty languidly at rest,
Yes, happy--though she at his side
By other thoughts be occupied.

XXVII

But I the products of my Muse,
Consisting of harmonious lays,
To my old nurse alone peruse,
Companion of my childhood's days.
Or, after dinner's dull repast,
I by the button-hole seize fast
My neighbour, who by chance drew near,
And breathe a drama in his ear.
Or else (I deal not here in jokes),
Exhausted by my woes and rhymes,
I sail upon my lake at times
And terrify a swarm of ducks,
Who, heard the music of my lay,
Take to their wings and fly away.

XXVIII

But to Oneguine!