No More Learning

These manuscripts, we have seen, begin
with the _Satyres_. The edition, however, passes on at once to the
_Elegies_. Of the thirteen given in _D_, _H49_, _Lec_, _1633_ prints
eight, omitting the first (_The Bracelet_), the second (_Going to
Bed_), the tenth (_Loves Warr_), the eleventh (_On his Mistris_),
and the thirteenth (_Loves Progresse_). That the editor, however,
had before him, and intended to print, the _Satyres_ and the thirteen
_Elegies_ as he found them in _his_ copy of _D_, _H49_, _Lec_, is
proved by the following extract which Mr. Chambers quotes from the
Stationers' Register:

13^o September, 1632

John Marriot. Entered for his copy under the hands of Sir
Henry Herbert and both the Wardens, a book
of verse and poems (the five Satires, the first,
second, tenth, eleventh and thirteenth Elegies
being excepted) and these before excepted to
be his, when he brings lawful authority.
vi_d. _

written by Doctor John Dunn

This note is intelligible only when compared with this particular
group of manuscripts. In others the order is quite different.

This bar--which was probably dictated by reasons of propriety, though
it is difficult to see why the first and the eleventh _Elegies_ should
have been singled out--was got over later as far as the _Satyres_ were
concerned. They are printed after all the other poems, just before
the prose letters. But by this time the copy of _D_, _H49_, _Lec_ had
perhaps passed out of Marriot's hands, for the text of the _Satyres_
seems to show that they were printed, not from this manuscript, but
from one represented by another group, which I shall describe later.
This is, however, not quite certain, for in _Lec_ the version of the
_Satyres_ given is not the same as in _D_, _H49_, but is that of this
second group of manuscripts. Several little details show that of
the three manuscripts _D_, _H49_, and _Lec_ the last most closely
resembles _1633_.

Following the _Elegies_ in _1633_ come a group of letters, epicedes,
and religious poems, just as in _H49_, _Lec_ (_D_ re-groups
them)--_The Storme_, _The Calme_, _To Sir Henry Wotton_, ('Sir, more
than kisses'), _The Crosse_, _Elegie on the Lady Marckham_, _Elegie
on Mris Boulstred_ ('Death I recant'), _To Sr Henry Goodyere_, _To Mr.
Rowland Woodward_, _To Sr Henry Wootton_ ('Here's no more newes'), _To
the Countesse of Bedford_ ('Reason is our Soules left hand'), _To
the Countesse of Bedford_ ('Madam, you have refin'd'), _To Sr Edward
Herbert, at Julyers_. Here _1633_ diverges. Having got into letters
to noble and other people the editor was anxious to continue them,
and accordingly from another source (which I shall discuss later)
he prints a long series of letters to the Countess of Bedford, the
Countess of Huntingdon, Mr. T. W. , and other more intimate friends
(they are 'thou', the Countesses 'you'), and Mrs. Herbert. He perhaps
returns to _D_, _H49_, _Lec_ in those to _The Lady Carey and Mrs.
Essex Riche, from Amyens_, and _To the Countesse of Salisbury_; and,
as in that manuscript, the Palatine and Essex epithalamia (to which,
however, _1633_ adds that written at Lincoln's Inn) are followed
immediately by the long _Obsequies to Lord Harrington_. Three odd
_Elegies_ follow, two of which (_The Autumnall_ and _The Picture_,
'Image of her') occur in _D_, _H49_, _Lec_ in the same detached
fashion. Other manuscripts include them among the numbered _Elegies_.
_The Elegie on Prince Henry_, _Psalme 137_ (probably not by Donne),
_Resurrection, imperfect_, _An hymne to the Saints, and to Marquesse
Hamilton_, _An Epitaph upon Shakespeare_ (certainly not by Donne),
_Sapho to Philaenis_, follow in _1633_--a queerly consorted lot. The
_Elegie on Prince Henry_ is taken from the _Lachrymae Lachrymarum_ of
Joshua Sylvester (1612); the rest were possibly taken from some small
commonplace-book. This would account for the doubtful poems, the only
doubtful poems in _1633_. These past, the close connexion with our
manuscript is resumed. _The Annuntiation_ is followed, as in _H49_,
_Lec_, by _The Litanie_.