No More Learning

No te digo que te quedes. _

The brazier is going out,
The lamp has no more oil--
I do not tell you to go, . . .
I do not tell you to stay.

A Han song, which I will translate quite literally, seems to be the
forerunner of the Wu songs.

On two sides of river, wedding made:
Time comes; no boat.
Lusting heart loses hope
Not seeing what-it-desires.

(2) _The Taoists. _--Confucius inculcated the duty of public service.
Those to whom this duty was repulsive found support in Taoism, a system
which denied this obligation. The third and fourth centuries A. D.
witnessed a great reaction against state service. It occurred to the
intellectuals of China that they would be happier growing vegetables in
their gardens than place-hunting at Nanking.
They embraced the theory
that "by bringing himself into harmony with Nature" man can escape every
evil. Thus Tao (Nature's Way) corresponds to the Nirvana of Buddhism,
and the God of Christian mysticism.

They reduced to the simplest standard their houses, apparel, and food;
and discarded the load of book-learning which Confucianism imposed on
its adherents.

The greatest of these recluses was T'ao Ch'ien (A. D. 365-427), twelve of
whose poems will be found on p. 71, _seq. _ Something of his philosophy
may be gathered from the poem "Substance, Shadow, and Spirit" (p. 73),
his own views being voiced by the last speaker. He was not an original
thinker, but a great poet who reflects in an interesting way the outlook
of his time.

_Liang and Minor Dynasties. _--This period is known as that of the
"Northern and Southern Courts. " The north of China was in the hands of
the Tungusie Tartars, who founded the Northern Wei dynasty--a name
particularly familiar, since it is the habit of European collectors to
attribute to this dynasty any sculpture which they believe to be earlier
than T'ang. Little poetry was produced in the conquered provinces; the
Tartar emperors, though they patronized Buddhist art, were incapable of
promoting literature. But at Nanking a series of emperors ruled, most of
whom distinguished themselves either in painting or poetry. The Chinese
have always (and rightly) despised the literature of this period, which
is "all flowers and moonlight.