No More Learning

4. Rudhall's testimony.

5. Chatterton first exhibited the _Songe to AElla_ in his own
handwriting, then gave Barrett the parchment, which contained strange
textual variations.

6. Rowley's very existence doubtful.

William of Worcester, who lived at his time and was himself of
Bristol, makes no mention of him, though he frequently alludes to
Canynge. Neither Bale, Leland, Pitts nor Turner mentions Rowley.

7. Improbability of there being poems in a muniment chest. 8. Style
unlike other fifteenth century writings.

9. No mediaeval learning or citation of authority to be found in
Rowley; no references to the Round Table and stories of chivalry.

10.
Stockings were not knitted in the fifteenth century (_AElla_). MSS.
are referred to as if they were rarities and printed books common.

11. Metres and imitation of Pindar absurdly modern.

12. Mistakes cited which are derived from modern dictionaries
(Tyrwhitt).

13. Existence of undoubted plagiarisms from Shakespeare, Gray, &c.


_For Rowley_.

1. Chatterton's assertion that they were Rowley's, his sister having
represented him as a 'lover of truth from the earliest dawn of
reason. '

2. Catcott's assertion that Chatterton on their first acquaintance had
mentioned by name almost all the poems which have since appeared in
print (Bryant).

3. Smith had seen parchments in the possession of Chatterton, some as
broad as the bottom of a large-sized chair.