are
evidently
transcribed from the
same source, but one is not a copy of the other.
same source, but one is not a copy of the other.
John Donne
The 'booke' to which Freeman refers in the epigram quoted
above was probably a small collection of this kind, and we have seen
that Jonson sent the _Satyres_ to Lady Bedford, and Francis Davison
lent them to his brother. Of such collections I have examined the
following:
_Q. _ This is a small quarto manuscript, bound up with a number of
other manuscripts, in a volume (MS. 216) in the library of Queen's
College, Oxford. It is headed _Mr. John Dunnes Satires_, and contains
the five Satires (which alone I have accepted as Donne's own) followed
by _A Storme_, _A Calme_, and one song, _The Curse_ (see p. 41), here
headed _Dirae_. As Mr. Chambers says (_Poems of John Donne_, i, p.
xxxvi), this is probably just the kind of 'booke' which Freeman read.
The poems it contains are probably those of Donne's poems which were
first known outside the circle of his intimate friends.
What seems to be a duplicate of _Q_ is preserved among the Dyce MSS.
in the South Kensington Museum. This contains the five _Satyres_, and
the _Storme_ and _Calme_. The MSS.
are evidently transcribed from the
same source, but one is not a copy of the other. They agree in such
exceptional readings as e. g. _Satyres_, I. 58 'Infanta of London'; 94
'goes in the way' &c. ; II. 86 'In wringing each acre'; 88 'Assurances
as bigge as glossie civill lawes'. The last suggests that the one is
a copy of the other, but again they diverge in such cases as III. 49
'Crants' _Dyce MS. _; 'Crates' _Q_; and IV. 215-16 'a Topclief would
have ravisht him quite away' _Q_, where the _Dyce MS. _ preserves the
normal 'a Pursevant would have ravisht him quite away'.
If manuscripts like _Q_ and the _Dyce MS. _ carry us back, as they seem
to do, to the form in which the _Satyres_ circulated before any of the
later collections of Donne's poems were made (between 1620 and 1630),
they are clearly of great importance for the editor. The text of the
_Satyres_ in _1633_ and the later editions, which closely resembles
that of one of the later MS. collections, presents many variants from
the older tradition.
above was probably a small collection of this kind, and we have seen
that Jonson sent the _Satyres_ to Lady Bedford, and Francis Davison
lent them to his brother. Of such collections I have examined the
following:
_Q. _ This is a small quarto manuscript, bound up with a number of
other manuscripts, in a volume (MS. 216) in the library of Queen's
College, Oxford. It is headed _Mr. John Dunnes Satires_, and contains
the five Satires (which alone I have accepted as Donne's own) followed
by _A Storme_, _A Calme_, and one song, _The Curse_ (see p. 41), here
headed _Dirae_. As Mr. Chambers says (_Poems of John Donne_, i, p.
xxxvi), this is probably just the kind of 'booke' which Freeman read.
The poems it contains are probably those of Donne's poems which were
first known outside the circle of his intimate friends.
What seems to be a duplicate of _Q_ is preserved among the Dyce MSS.
in the South Kensington Museum. This contains the five _Satyres_, and
the _Storme_ and _Calme_. The MSS.
are evidently transcribed from the
same source, but one is not a copy of the other. They agree in such
exceptional readings as e. g. _Satyres_, I. 58 'Infanta of London'; 94
'goes in the way' &c. ; II. 86 'In wringing each acre'; 88 'Assurances
as bigge as glossie civill lawes'. The last suggests that the one is
a copy of the other, but again they diverge in such cases as III. 49
'Crants' _Dyce MS. _; 'Crates' _Q_; and IV. 215-16 'a Topclief would
have ravisht him quite away' _Q_, where the _Dyce MS. _ preserves the
normal 'a Pursevant would have ravisht him quite away'.
If manuscripts like _Q_ and the _Dyce MS. _ carry us back, as they seem
to do, to the form in which the _Satyres_ circulated before any of the
later collections of Donne's poems were made (between 1620 and 1630),
they are clearly of great importance for the editor. The text of the
_Satyres_ in _1633_ and the later editions, which closely resembles
that of one of the later MS. collections, presents many variants from
the older tradition.
