_June_ 27, 1897
(_The_ 110_th_ _anniversary of the completion of the_ "_Decline and
Fall_" _at the same hour and place_)
A SPIRIT seems to pass,
Formal in pose, but grave and grand withal:
He contemplates a volume stout and tall,
And far lamps fleck him through the thin acacias.
(_The_ 110_th_ _anniversary of the completion of the_ "_Decline and
Fall_" _at the same hour and place_)
A SPIRIT seems to pass,
Formal in pose, but grave and grand withal:
He contemplates a volume stout and tall,
And far lamps fleck him through the thin acacias.
Thomas Hardy - Poems of the Past and Present
"Though apart in fame,
As I and my sisters are one, those, too, are the same.
--"But my loves go further--to Story, and Dance, and Hymn,
The lover of all in a sun-sweep is fool to whim--
Is swayed like a river-weed as the ripples run! "
--"Nay, wight, thou sway'st not. These are but phases of one;
"And that one is I; and I am projected from thee,
One that out of thy brain and heart thou causest to be--
Extern to thee nothing. Grieve not, nor thyself becall,
Woo where thou wilt; and rejoice thou canst love at all! "
ROME
AT THE PYRAMID OF CESTIUS
NEAR THE GRAVES OF SHELLEY AND KEATS
(1887)
WHO, then, was Cestius,
And what is he to me? --
Amid thick thoughts and memories multitudinous
One thought alone brings he.
I can recall no word
Of anything he did;
For me he is a man who died and was interred
To leave a pyramid
Whose purpose was exprest
Not with its first design,
Nor till, far down in Time, beside it found their rest
Two countrymen of mine.
Cestius in life, maybe,
Slew, breathed out threatening;
I know not. This I know: in death all silently
He does a kindlier thing,
In beckoning pilgrim feet
With marble finger high
To where, by shadowy wall and history-haunted street,
Those matchless singers lie . . .
--Say, then, he lived and died
That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
It is an ample fame.
LAUSANNE
IN GIBBON'S OLD GARDEN: 11-12 P. M.
_June_ 27, 1897
(_The_ 110_th_ _anniversary of the completion of the_ "_Decline and
Fall_" _at the same hour and place_)
A SPIRIT seems to pass,
Formal in pose, but grave and grand withal:
He contemplates a volume stout and tall,
And far lamps fleck him through the thin acacias.
Anon the book is closed,
With "It is finished! " And at the alley's end
He turns, and soon on me his glances bend;
And, as from earth, comes speech--small, muted, yet composed.
"How fares the Truth now? --Ill?
--Do pens but slily further her advance?
May one not speed her but in phrase askance?
Do scribes aver the Comic to be Reverend still?
"Still rule those minds on earth
At whom sage Milton's wormwood words were hurled:
'_Truth like a bastard comes into the world_
_Never without ill-fame to him who gives her birth_'? "
ZERMATT
TO THE MATTERHORN
(_June_-_July_, 1897)
THIRTY-TWO years since, up against the sun,
Seven shapes, thin atomies to lower sight,
Labouringly leapt and gained thy gabled height,
And four lives paid for what the seven had won.
They were the first by whom the deed was done,
And when I look at thee, my mind takes flight
To that day's tragic feat of manly might,
As though, till then, of history thou hadst none.
Yet ages ere men topped thee, late and soon
Thou watch'dst each night the planets lift and lower;
Thou gleam'dst to Joshua's pausing sun and moon,
And brav'dst the tokening sky when Caesar's power
Approached its bloody end: yea, saw'st that Noon
When darkness filled the earth till the ninth hour.
THE BRIDGE OF LODI {290}
(_Spring_, 1887)
I
WHEN of tender mind and body
I was moved by minstrelsy,
And that strain "The Bridge of Lodi"
Brought a strange delight to me.
II
In the battle-breathing jingle
Of its forward-footing tune
I could see the armies mingle,
And the columns cleft and hewn
III
On that far-famed spot by Lodi
Where Napoleon clove his way
To his fame, when like a god he
Bent the nations to his sway.
IV
Hence the tune came capering to me
While I traced the Rhone and Po;
Nor could Milan's Marvel woo me
From the spot englamoured so.
V
And to-day, sunlit and smiling,
Here I stand upon the scene,
With its saffron walls, dun tiling,
And its meads of maiden green,
VI
Even as when the trackway thundered
With the charge of grenadiers,
And the blood of forty hundred
Splashed its parapets and piers .
As I and my sisters are one, those, too, are the same.
--"But my loves go further--to Story, and Dance, and Hymn,
The lover of all in a sun-sweep is fool to whim--
Is swayed like a river-weed as the ripples run! "
--"Nay, wight, thou sway'st not. These are but phases of one;
"And that one is I; and I am projected from thee,
One that out of thy brain and heart thou causest to be--
Extern to thee nothing. Grieve not, nor thyself becall,
Woo where thou wilt; and rejoice thou canst love at all! "
ROME
AT THE PYRAMID OF CESTIUS
NEAR THE GRAVES OF SHELLEY AND KEATS
(1887)
WHO, then, was Cestius,
And what is he to me? --
Amid thick thoughts and memories multitudinous
One thought alone brings he.
I can recall no word
Of anything he did;
For me he is a man who died and was interred
To leave a pyramid
Whose purpose was exprest
Not with its first design,
Nor till, far down in Time, beside it found their rest
Two countrymen of mine.
Cestius in life, maybe,
Slew, breathed out threatening;
I know not. This I know: in death all silently
He does a kindlier thing,
In beckoning pilgrim feet
With marble finger high
To where, by shadowy wall and history-haunted street,
Those matchless singers lie . . .
--Say, then, he lived and died
That stones which bear his name
Should mark, through Time, where two immortal Shades abide;
It is an ample fame.
LAUSANNE
IN GIBBON'S OLD GARDEN: 11-12 P. M.
_June_ 27, 1897
(_The_ 110_th_ _anniversary of the completion of the_ "_Decline and
Fall_" _at the same hour and place_)
A SPIRIT seems to pass,
Formal in pose, but grave and grand withal:
He contemplates a volume stout and tall,
And far lamps fleck him through the thin acacias.
Anon the book is closed,
With "It is finished! " And at the alley's end
He turns, and soon on me his glances bend;
And, as from earth, comes speech--small, muted, yet composed.
"How fares the Truth now? --Ill?
--Do pens but slily further her advance?
May one not speed her but in phrase askance?
Do scribes aver the Comic to be Reverend still?
"Still rule those minds on earth
At whom sage Milton's wormwood words were hurled:
'_Truth like a bastard comes into the world_
_Never without ill-fame to him who gives her birth_'? "
ZERMATT
TO THE MATTERHORN
(_June_-_July_, 1897)
THIRTY-TWO years since, up against the sun,
Seven shapes, thin atomies to lower sight,
Labouringly leapt and gained thy gabled height,
And four lives paid for what the seven had won.
They were the first by whom the deed was done,
And when I look at thee, my mind takes flight
To that day's tragic feat of manly might,
As though, till then, of history thou hadst none.
Yet ages ere men topped thee, late and soon
Thou watch'dst each night the planets lift and lower;
Thou gleam'dst to Joshua's pausing sun and moon,
And brav'dst the tokening sky when Caesar's power
Approached its bloody end: yea, saw'st that Noon
When darkness filled the earth till the ninth hour.
THE BRIDGE OF LODI {290}
(_Spring_, 1887)
I
WHEN of tender mind and body
I was moved by minstrelsy,
And that strain "The Bridge of Lodi"
Brought a strange delight to me.
II
In the battle-breathing jingle
Of its forward-footing tune
I could see the armies mingle,
And the columns cleft and hewn
III
On that far-famed spot by Lodi
Where Napoleon clove his way
To his fame, when like a god he
Bent the nations to his sway.
IV
Hence the tune came capering to me
While I traced the Rhone and Po;
Nor could Milan's Marvel woo me
From the spot englamoured so.
V
And to-day, sunlit and smiling,
Here I stand upon the scene,
With its saffron walls, dun tiling,
And its meads of maiden green,
VI
Even as when the trackway thundered
With the charge of grenadiers,
And the blood of forty hundred
Splashed its parapets and piers .
