[Footnote 1: _Vaccinium Myrtillus_ known by the
different
names of
Whorts, Whortle-berries, Bilberries; and in the North of England,
Blea-berries and Bloom-berries.
Whorts, Whortle-berries, Bilberries; and in the North of England,
Blea-berries and Bloom-berries.
Coleridge - Poems
O Isabel!
Daughter of genius! stateliest of our maids!
More beautiful than whom Alcaeus wooed,
The Lesbian woman of immortal song!
O child of genius! stately, beautiful,
And full of love to all, save only me,
And not ungentle e'en to me! My heart,
Why beats it thus? Through yonder coppicewood
Needs must the pathway turn, that leads straightway
On to her father's house. She is alone!
The night draws on-such ways are hard to hit--
And fit it is I should restore this sketch,
Dropt unawares no doubt. Why should I yearn
To keep the relique? 'twill but idly feed
The passion that consumes me. Let me haste!
The picture in my hand which she has left;
She cannot blame me that I follow'd her:
And I may be her guide the long wood through.
1802.
[Footnote 1: _Vaccinium Myrtillus_ known by the different names of
Whorts, Whortle-berries, Bilberries; and in the North of England,
Blea-berries and Bloom-berries. [Note by S. T. C. 1802. ]]
THE GARDEN OF BOCCACCIO
Of late, in one of those most weary hours,
When life seems emptied of all genial powers,
A dreary mood, which he who ne'er has known
May bless his happy lot, I sate alone;
And, from the numbing spell to win relief,
Call'd on the Past for thought of glee or grief.
In vain! bereft alike of grief and glee,
I sate and cow'r'd o'er my own vacancy!
And as I watch'd the dull continuous ache,
Which, all else slum'bring, seem'd alone to wake;
O Friend! long wont to notice yet conceal,
And soothe by silence what words cannot heal,
I but half saw that quiet hand of thine
Place on my desk this exquisite design.
Boccaccio's Garden and its faery,
The love, the joyaunce, and the gallantry!
An Idyll, with Boccaccio's spirit warm,
Framed in the silent poesy of form.
Like flocks adown a newly-bathed steep
Emerging from a mist: or like a stream
Of music soft that not dispels the sleep,
But casts in happier moulds the slumberer's dream,
Gazed by an idle eye with silent might
The picture stole upon my inward sight.
A tremulous warmth crept gradual o'er my chest,
As though an infant's finger touch'd my breast.
And one by one (I know not whence) were brought
All spirits of power that most had stirr'd my thought
In selfless boyhood, on a new world tost
Of wonder, and in its own fancies lost;
Or charm'd my youth, that, kindled from above,
Loved ere it loved, and sought a form for love;
Or lent a lustre to the earnest scan
Of manhood, musing what and whence is man!
Wild strain of Scalds, that in the sea-worn caves
Rehearsed their war-spell to the winds and waves;
Or fateful hymn of those prophetic maids,
That call'd on Hertha in deep forest glades;
Or minstrel lay, that cheer'd the baron's feast;
Or rhyme of city pomp, of monk and priest,
Judge, mayor, and many a guild in long array,
To high-church pacing on the great saint's day.
Daughter of genius! stateliest of our maids!
More beautiful than whom Alcaeus wooed,
The Lesbian woman of immortal song!
O child of genius! stately, beautiful,
And full of love to all, save only me,
And not ungentle e'en to me! My heart,
Why beats it thus? Through yonder coppicewood
Needs must the pathway turn, that leads straightway
On to her father's house. She is alone!
The night draws on-such ways are hard to hit--
And fit it is I should restore this sketch,
Dropt unawares no doubt. Why should I yearn
To keep the relique? 'twill but idly feed
The passion that consumes me. Let me haste!
The picture in my hand which she has left;
She cannot blame me that I follow'd her:
And I may be her guide the long wood through.
1802.
[Footnote 1: _Vaccinium Myrtillus_ known by the different names of
Whorts, Whortle-berries, Bilberries; and in the North of England,
Blea-berries and Bloom-berries. [Note by S. T. C. 1802. ]]
THE GARDEN OF BOCCACCIO
Of late, in one of those most weary hours,
When life seems emptied of all genial powers,
A dreary mood, which he who ne'er has known
May bless his happy lot, I sate alone;
And, from the numbing spell to win relief,
Call'd on the Past for thought of glee or grief.
In vain! bereft alike of grief and glee,
I sate and cow'r'd o'er my own vacancy!
And as I watch'd the dull continuous ache,
Which, all else slum'bring, seem'd alone to wake;
O Friend! long wont to notice yet conceal,
And soothe by silence what words cannot heal,
I but half saw that quiet hand of thine
Place on my desk this exquisite design.
Boccaccio's Garden and its faery,
The love, the joyaunce, and the gallantry!
An Idyll, with Boccaccio's spirit warm,
Framed in the silent poesy of form.
Like flocks adown a newly-bathed steep
Emerging from a mist: or like a stream
Of music soft that not dispels the sleep,
But casts in happier moulds the slumberer's dream,
Gazed by an idle eye with silent might
The picture stole upon my inward sight.
A tremulous warmth crept gradual o'er my chest,
As though an infant's finger touch'd my breast.
And one by one (I know not whence) were brought
All spirits of power that most had stirr'd my thought
In selfless boyhood, on a new world tost
Of wonder, and in its own fancies lost;
Or charm'd my youth, that, kindled from above,
Loved ere it loved, and sought a form for love;
Or lent a lustre to the earnest scan
Of manhood, musing what and whence is man!
Wild strain of Scalds, that in the sea-worn caves
Rehearsed their war-spell to the winds and waves;
Or fateful hymn of those prophetic maids,
That call'd on Hertha in deep forest glades;
Or minstrel lay, that cheer'd the baron's feast;
Or rhyme of city pomp, of monk and priest,
Judge, mayor, and many a guild in long array,
To high-church pacing on the great saint's day.
